Search Results for: review

Mickey and Minnie’s Runaway Railway Rundown Review!

4 March 2020 by Suzannah Otis Leave a Comment

The newest attraction at Disney’s Hollywood Studios – open today – features the oldest and most beloved characters in Disney history (minus Oswald of course, maybe someday he’ll get an attraction). Mickey and Minnie’s Runaway Railway may feature the original Fab 5 – but in a very new and non-traditional way. As I’m sure you know by now, this new ride is entirely drawn from the Mickey Mouse original cartoon shorts that premiered back in 2013. These cartoon shorts really created a whole new world that Mickey and his pals lived in, and we got to see an entirely different side of Mickey and the gang.

Runaway Railway Backstory

As much as I am for the most part a Disney purist and don’t like to see character integrity challenged, I really love these shorts. I found the fact that Mickey had more “human” qualities of not just being perfect and having nothing go wrong, combined with very non-human effects and cartoon physics, a hilarious combo.

Mickey and Minnie are still in love, Donald and Daisy are still in love (but bickering cause Donald has that temper), Goofy was still a class A goof, and Pluto was a loyal best friend. Those character traits are pushed to extremes in these cartoon shorts, all while highlighting obscure Disney or Disney parks history, or poking fun at themselves in the best possible way. Additionally, many of these shorts feature different countries; their traditions, music, culture, and even language. The shorts are little love-letters to their featured country, and Mickey and the gang speak the native language in these episodes, with no translation. I love this because it shows the power of Mickey as a character, how beloved he is across the world, and how he can fit right in anywhere because of his universal appeal and good intentions.

Anyway, I’m getting a little off track (no Runaway Railway pun intended) but I really do think these shorts are a triumph in character and art style, and show that Mickey can keep up with the times and be enjoyed by a whole new generation, while appreciating the history of the past. For those that aren’t fans of the animation style, or how different the characters may look at times, I like to just look at these set of shorts as a whole separate entity from the Mickey and friends represented in the parks, movies, and comics. Just as some classic Disney attractions and characters received new treatments in the form of comic books in recent years, this is a whole new separate way to enjoy Mickey and pals.

Back to the Runaway Railway…I think if Walt Disney Imagineering tried to create a new ride based on the Fab 5, it would almost immediately be outdated, or look odd. Honestly, even the talking/blinking Mickey characters in the parks looks a little off to me. Seeing tiny, casual, full-of-life representation of these characters is a great way to ensure this attraction can appeal to everyone, because it is linked to these shorts and not tied to any one Mickey Mouse storyline or timeline.

Thanks to Imagineer Kevin Rafferty and the entire Runaway Railway team, the Mickey Shorts we’ve come to love have come to life before our eyes, and we get to be a part of the action and fun. I think there are a lot of spoilers out there already, and I don’t aim to add to that. So this review really just serves as a discussion for my thoughts after riding multiple times yesterday, and its impact on Disney’s Hollywood Studios overall.

Runaway Railway Rundown

Location

Mickey & Minnie’s Runaway Railway is located in the former home of The Great Movie Ride, at the Chinese Theatre. This end of the park has gone through its own ups and downs. Once seen as you first entered the park, welcoming you at the end of Hollywood Blvd., it was then hidden behind a giant hat, providing a merchandise and pin trading location. We finally got rid of the hat, and an even larger, movable stage popped up, for Star Wars performances. This stage is still in use today, but I hope that the new attraction opening will see the end of that stage. There is no shortage of Star Wars content around the park, having it block the iconic Chinese Theatre just seems silly.

Of course its new home meant the end of a classic and much beloved attraction – The Great Movie Ride. I have countless memories of this ride, both of myself as a child, and with my own children. I’ve been lucky enough to attend a few events inside the former attraction, and getting to roam the track and get up close and personal to the amazing details that went into The Great Movie Ride are some of my most treasured memories.

Do I wish Runaway Railway could’ve found a new home elsewhere in the park? Yes. But alas I don’t make the decisions, and it’s here now. I do think that The Great Movie ride was sorely in need of updating and more TLC, and I don’t know that it ever would, in an age of IP drawing in the crowds and being the reasons for vacations being planned. The majority of folks were not flocking to Walt Disney World because of the Great Movie Ride, and right or wrong, Disney decided to change that by taking it out of the equation altogether.

Disney’s Hollywood Studios, along with EPCOT, have had an issue with the parks not being able to live up to their original messages, themes, and experiences. Much like EPCOT Center was a place for inspiration, understanding and discovery, Disney’s Hollywood Studios was originally a love note to the past, and a guidebook for the present, in the form of the movie-making industry. That all changed when the Studios were no longer studios at all. The tours were still there, but soon those became stagnant as well, and unable to properly represent the process of making movies. So the focus shifted, to rides vs. experiences. Thrills vs. nostalgia. What we were then left with, in both those parks, was a mishmash of different themes, different messages, different stories. Both parks are now in flux and perhaps in the future will tell a more cohesive story overall.

Runaway Railway Queue

The facade of the Chinese Theatre is for the most part unchanged with this new attraction. Yes, there is a new sign out front, reminiscent of old Hollywood neon, with nods to the former marquee within the Great Movie Ride load area. The taller palm trees that flanked the main entrance have been replaced by shorter trees, presumably to keep from blocking the sign, while still keeping some foliage in the plaza.

The queue itself is pretty similar in the first portion, looking to the original Chinese Theatre for its decor. However, once you make the turn into the former pre-show area for The Great Movie Ride, where you’d see the “coming attractions” on the big screen, you’ll notice a big change. The room is now only perhaps a quarter of that size, and is walled off. That is the very end of the queue, and there are I think 3 pre-show rooms that you will be ushered into for the first portion of the ride. It’s a very small room because it’s basically just the amount of guests that will fit on one train, which is much less than the old people-eating GMR moving theaters.

The queue itself does not seem very big, but while it’s hard not to compare it to The Great Movie Ride, it really shouldn’t be done as it’s a completely different experience from pre-show to load to ride to exit. It’s no longer a slow-moving queue where you would sometimes see the coming attraction movies multiple times in that room. And it’s no longer loading two huge cars full of guests at a time, but then keeping them in there for 18 minutes or so.

Pre-show

I won’t get into spoilers here, since it literally just opened today, and the spoiler potential starts right with the pre-show. As someone who had the pre-show spoiled for me, I wish I hadn’t and don’t want to do that to anyone else. It was still fun, but why not preserve the magic whenever possible? Anyway, as mentioned above this is a smaller room and there are I believe 2 of them, but in the madness of the media event, I may be getting that wrong.

The premise here is that you are arriving at the theatre to see Mickey and Minnie’s newest short, Perfect Picnic. Then in classic Disney fashion, something goes very wrong. But it’s all good, Goofy’s in charge!

Ride Rooms

There have been quite a few video clips and images released by Disney at this point, and we’ve included some in our Runaway Railway Review video. More than what’s shown there, I don’t want to reveal. I wouldn’t do it justice by describing it, or showing it on video. It is best experienced in person, and as difficult as it may be to do for a while, experiencing it multiple times to really take it all in.

The main experience here is that you are IN a Mickey Mouse short, and enjoying a trip from Runnamuck Railway Station to the park to meet up with Mickey and Minnie. And that does happen, eventually. Along the way you’ll see stunning visuals, albeit in the style of the Mickey shorts mentioned above. There are some character animatronics, which are also in that style. As a result, they may look a little odd from certain angles. It’s best to try different train cars when you can to see things from different angles. And even if you don’t, you may find that you end up in a different car than you started in.

Mickey & Minnie's Runaway Railway ride photo — Engineer Goofy says hello to Mickey Mouse and Minnie Mouse in Mickey & Minnie’s Runaway Railway

There are 8 rows of seats, 2 rows in 4 cars, plus Goofy driving the train. Each seat is a good view, but the perspectives will be different if you are further up or further back.

Characters on the Ride

- Mickey Mouse and Minnie Mouse – These true originals are ready to take their little red convertible for a leisurely drive through Runnamuck Park in search of the perfect picnic spot. What could possibly go wrong?
- Pluto – The dutiful dog just wants to bring Mickey and Minnie their lost picnic basket.
- Engineer Goofy – Mickey and Minnie’s lanky pal invites guests into the cartoon world for what surely promises to be an uneventful train ride through Runnamuck Park.
- Daisy Duck – The proprietor of Daisy’s Dance Studio is ready to teach guests some fancy new moves.
- Donald Duck – Everyone’s favorite hot-headed “problem child” is steaming again, as someone made off with the sign from his hot dog stand at the carnival.
- Jackhammer Pete – The big brute’s vibrations may have some unforeseen consequences for Mickey and Minnie.
- Chuuby (pronounced “choo-bee”) – This adorable little bird – created exclusively for the attraction – likes to sing and dance in Runnamuck Park.

Runaway Railway Music

If you are a fan of the cartoon shorts, then you’ll know that the music is very catchy and gets stuck in your head. Many episodes have their own original songs, which are brilliantly memorable. Even just the tune of the theme song and end credits get stuck in my head all the time. Runaway Railway is no exception. There is a new song composed just for the ride, and I think Disney knew it was going to be so catchy that they put the lyrics on multiple merchandise items. So get ready for “Nothing Can Stop Us Now…” to be rolling around your brain as you ride other attractions throughout the day! (You can hear the composer Chris Willis speak about the process in our video above!)

Runaway Railway Merchandise

We’ll have another post up soon highlighting all the exclusive ride-themed merchandise for Mickey & Minnie’s Runaway Railway. For now you can see the Runaway Railway merchandise in our video or on our instagram and facebook too.

Speaking of instagram and facebook, we are giving away an exclusive MagicBand that we received for the Runaway Railway media event on our instagram and facebook page. The MagicBand has not been linked to any account so it’ll be good to go for whoever wins! Head to our zannaland instagram or zannaland facebook page to enter to win!

We hope this review and rundown give you some backstory and helps with your planning to experience Mickey & Minnie’s Runaway Railway.

Runaway Railway Tips:

We’d definitely advise getting FastPasses if you can. These can be reserved up to 180 days in advance if you are staying on property. For locals, we only have 30 days in advance, but it’s better than nothing!
If you can’t get a FastPass, get to Disney’s Hollywood Studios super early. Then head straight to Mickey & Minnie’s Runaway Railway first and you shouldn’t have too long for standby.
We’d advise riding in the first two cars the first time you ride, if you can request it. We preferred the second or third row of all the rows we tried.
Be on the lookout for some nods to The Great Movie Ride including a prop from the ride along with other visual Easter eggs.
And while you’re waiting, there’s a fun new Mickey & Minnie trivia game on the Disney Parks Play app, so be sure you’ve got that ready to go and you can test your knowledge while you wait to ride!

If you’ve experienced this ride, let us know what you thought in the comments below!

If you’re visiting Zannaland for the first time, we’d love you to join our community and stay up to date on all that we share:

Zannaland and Up the Waterfall Community – Let’s Connect!

FOLLOW THE ZANNALAND FAMILY ON SOCIAL MEDIA, WATCH OUR VIDEOS, VLOGS AND PODCAST TOO:

Twitter: @zannaland, @otisney, @badgesickle
Instagram: @zannaland, @UpTheWaterfall, @otisney, @badgesickle
Zannaland’s facebook page
Zannaland on YouTube
Listen to Up the Waterfall podcast, subscribe on iTunes, or watch Up the Waterfall on YouTube

We thank you for your support and for sharing the love!

REVIEW: ONWARD is Pixar’s Step Backwards

21 February 2020 by Chris Ryan Leave a Comment

It may be bold of me to say, but in my opinion, Pixar has somewhat of a rough track record. I think they succeed pretty well at making entertaining films. But only a few have been notably exceptional. Onward is in an interesting position to review. I’m still not entirely sure whether I liked all of it or not.

THE QUEST BEGINS..

I had absolutely no expectations of this movie before watching it. I enjoy Tom Holland and Chris Pratt on their own well enough, but I hadn’t really even been following much of the promotion for the movie. Some of the art looked fun, and I really enjoyed the music choice for the trailer – which is honestly enough to sell me most of the time (and why I plan on seeing F9).

I knew I would inevitably see Onward anyway because the trailer starts with 5 letters and a little lamp jumping on screen. That’s what begins the issues with Onward for me, conceptually.

©2019 Disney/Pixar. All Rights Reserved.

The past couple Pixar releases have felt off, personally. I still haven’t seen the Good Dinosaur, I missed Finding Dory until 3 years later, Cars 3 was bad, and Toy Story 4 just felt like a tech demo for their animation interns to work on that they accidentally released.

And even though I did actually like Finding Dory, Incredibles 2, and Coco, they did still feel a bit lazy. Pixar definitely has a particular format they like to stick to – I won’t blame them, it seems to work commercially every time. But Onward is the 22nd film in their collection of releases, and honestly feels exactly the same as 98% of them.

THE CURSE

Onward seems like it missed the mark on quite a few subjects to me. The art style feels weird, to be blunt. In a world with actual magic and fantasy characters, I don’t see the need to give every character an odd humanoid face, even if they have only one absurdly large eye.

It all looks a little odd, and I wish they would’ve done something a bit more creative. The main character of the film even looks like a recolor of Linguini from Ratatouille, which is something that I would think they could avoid.

But my disagreements with the world don’t stop there. Something about the atmosphere just feels kind of cheesy and almost lame. For all intents and purposes, the setting of the film is really doing the same job as that of Shrek, which somehow seems to pull it off more convincingly. That’s a sentence I didn’t think I’d be able to write.

A LITTLE MAGIC

What I did manage to like from the atmosphere of Onward is honestly just because I enjoy the fantasy genre as a whole. It could’ve been anything on screen but if they were doing magic with wizards and pulling out D&D terms I would be on board. There is certainly a bit of charm that comes along with the Pixar touch, but I don’t think this is something that had to try incredibly hard to pull off.

And that’s my biggest issue of all – it felt pretty easy. The art style was incredibly similar to things they’ve done before (even to things the Director had made before with the studio). The score was safe and almost nonexistent in some parts.

The things the “Inclusion Team” allegedly insured were in the movie were really bare minimum and easily modifiable for foreign markets that still don’t accept characters being openly gay. All of this making it all feel very unnecessary and almost as if they were forced to include them but were graded on completion, not accuracy.

ANCIENT HISTORY

So what’s the issue, really? Well, co-star of our Up the Waterfall podcast, Scott Otis, pointed out to me that Pixar has had a couple years in the past with two releases: The Good Dinosaur and Inside Out, Cars 3 and Coco, and now Onward and Soul. So statistically, maybe I’m just not a fan of Onward so that I can be a fan of Soul.

But in all seriousness, I didn’t hate everything about Onward. There were some funny moments, and I think even Pixar’s worst is always an entertaining time. There are definitely people who will like this. But for me, it just feels like another tired attempt for Pixar to play it safe and stick to their patented Pixar-style punch-you-in-the-gut emotional coming of age stories based on half-baked “What if?” ideas.

I would love to see them do something different, and take a massive risk. With the massive budget and solid teamwork they now have, I’m surprised they’ve stuck to this format for so long. The Pixar Sparkshorts on Disney+ are an interesting first attempt at this, but none have really stood out to me on their own, and they definitely feel like something that a small team makes every month or so on their lunch breaks.

ONWARD REVIEW

Pixar used to be known for pushing the medium of animation forward with compelling new takes. Their films were a fun break from the typical cliches of family animation. Now they’re essentially pushing out Disney’s B-stories that don’t get the bigger spotlight. And sequels.

So is Pixar truly taking a step backward with Onward? It depends on how much you’re able to relate to all of their stories – for me, not a whole lot. Or how much an emotional ending is enough to convince you you liked the movie on your way out of the theater. Again, not much here for me. Maybe it just depends on how much you’re able to enjoy a kids’ movie without thinking about it too much. And clearly I can’t.

But that’s just me.

VLOG: City Works Disney Springs Dining Review!

14 February 2020 by Chris Ryan Leave a Comment

Join us for another fun vlog as we review the new City Works Eatery at Disney Springs. This is the newest restaurant at Disney Springs, located next to the new NBA Experience. With over 90 craft beers on tap, City Works Eatery and Pour House makes for a fun addition of American sports-bar style flair to your vacation.

City Works currently has nine locations across the country in cities and towns including Fort Worth, Tex.; Frisco, Tex.; King of Prussia, Pa.; Lake Buena Vista, Fla.; Pittsburgh, Pa.; Schaumburg, Ill.; Tysons, Va.; Wheeling, Ill.; and Vernon Hills, Ill. With 90 local and global beers on tap, the restaurant offers a wide range of rare and unique craft selections. All locations are open for brunch, lunch and dinner, and prices range from $13-$20 for lunch and $15-$28 for dinner.

City Works will have 30-40% of its draft beer taps dedicated to local breweries and eight wines on draft. It will also offer a seasonally changing cocktail menu and a fully stocked bar, plus a whiskey list. Guests can enjoy Happy Hour specials, including $2 off well drinks, local craft beers and glasses of wine, and $7 bar bites Monday through Thursday 3-6 p.m. Drink specials also are available 10 p.m.-midnight.

The restaurant is open for lunch and dinner Monday through Thursday 11 a.m.-midnight, Friday 11 a.m.-1 a.m., Saturday 10:30 a.m.-1 a.m. and Sunday 10:30 a.m.-midnight. It also offers brunch dishes on the weekends 10 a.m.-3 p.m.

We’ll have a full blog post review soon, but until then, enjoy our City Works video review! You can check out our other Zannaland Videos here.

REVIEW: Look At This PHOTOGRAPH

13 February 2020 by Chris Ryan Leave a Comment

There’s a new great romantic classic to watch on Valentine’s Day this year. The Photograph is one I’m excited to review.

Regardless of me being graciously invited to this screening, I would have no doubt made plans to see this film on my own. The Photograph features Issa Rae and LaKeith Stanfield, two stars whose work has never been shy of amazing in my eyes. That fact alone was enough to sell me on it.

Luckily there was so much more in store.

A NEW ROMANCE

If you’ve seen any trailers for The Photograph, then you’ll know the basic plot – a reporter profiling a man in Louisiana finds there’s more to the story than he initially thought.

I’ll cut right to the chase, The Photograph isn’t anything incredibly groundbreaking. But it doesn’t necessarily need to be. For someone who’s always enjoyed this type of movie, The Photograph really worked. It’s the kind of movie that helps you remember what’s important, what’s worth committing to, and what’s worth sometimes leaving behind.

The romance genre is ready for another powerhouse like The Notebook, and I think The Photograph could fill that position. If nothing else, I at least appreciate the growing list of romantic films named after everyday items.

Of course it wouldn’t be a review by me if I didn’t mention the soundtrack, and this one was nice. There’s not very much in the way of a score (though what was there I did enjoy), but the actual songs used throughout really add to the overall mood. It’s something to get you in the mood that you can just vibe to, and felt very natural.

A GRAND PERFORMANCE

As I hinted at before, I’ll see literally anything with LaKeith Stanfield. And I’m a big Issa Rae fan too. Their performances in this were top notch.

The connection they had was genuine, and you felt as if they had actually been through this, and were experiencing this in real time. I honestly would not have been surprised if I had walked out of the theater, opened twitter, and saw they were actually dating. They felt that real.

And they weren’t the only ones! Rob Morgan and Chanté Adams have great chemistry too. Their characters add a surprising amount of depth that I didn’t anticipate, but certainly appreciated.

To top it off, when the movie was funny, it was funny. The whole cast felt like they had experience in comedic roles for the stage – that is to say, the pacing of the comedic moments felt really great, which is something that usually I can’t say for mainstream comedy.

THE PHOTOGRAPH

Overall, expect to laugh, expect to cry, and expect to enjoy it. There are some movies I see where I just get to enjoy them, and writing a review for The Photograph was one of those times. January is always a fun time at the theaters because it’s right after the heavy awards season, and movies can just be movies for fun. And this one was certainly fun.

VLOG: 2020 Epcot Festival of the Arts Preview!

14 January 2020 by Chris Ryan Leave a Comment

We take a look at some of the exciting new things coming to 2020 Epcot for the Festival of the Arts, and see special appearances by Gavin Lee and Imagineer Tom Fitzgerald!

Disclosure: Disney hosted us for this event, but these opinions are our own!

REVIEW: Cats Was a Very Confusing Time

19 December 2019 by Chris Ryan Leave a Comment

I feel like there are a few things I should preface before this review. I am into theater, and really like musicals (I even liked the Tom Hooper version of Les Miserables), so I had already obviously been aware of Cats 2019. When the trailer came out, I think people reacted poorly because the characters look like people – not cats – but that’s what the original is, so it didn’t bother me at all.

But this is about where my knowledge ends. Other than the ‘Memory’ song, and the general idea that there wasn’t really much of a plot in the stage show, I had no prior impressions.

That being said, as the days counted down to my viewing of this movie, I found myself getting more and more excited about the prospect of seeing it. Let me be clear, in the four days before this movie, I watched all 10 previous Star Wars movies, and then attended a showing of Star Wars: The Rise of Skywalker, and somehow was *still* more blindly excited for Cats. I was prepared for it to be a trainwreck that was funny in how bad it was, and mostly laughable because of the absurdity of it all. Surprisingly this was not the case.

Cats 2019 lives in a weird place in my head, because unlike all other things I’ve properly reviewed, I don’t necessarily ‘like it’ or ‘not like it’. There are a few movies like this for me – when you see 60+ new releases in the year, it happens. But I didn’t think Cats would be one of them.

Jellicle Cats

There are certainly a few things that really bothered me, but there were more than a few things that I did really enjoy. When this movie works, it really works. I think Tom Hooper did an excellent job in transferring this adaptation to the screen, and more so, Andy Blankenbuehler did an incredible job in modernizing the performances – but I’ll elaborate on that later.

So, let me begin with the few things that bothered me. One of the more annoying ones is hard to describe. I’m inclined to say ‘the cast,’ but I don’t know that having anyone different could’ve fixed the issue.

If you’ve seen any of the trailers you’ll be very aware of the star-power of this movie. Dame Judi Dench, Ian McKellen, Idris Elba, James Corden, the list goes on. Most of these celebrities play really very minor roles in the movie, and are more used to get people to come see it – as in, “Come see Cats starring Rebel Wilson” rather than, “Come see Cats, with the strange singing CGI animals.” But even with these minor roles, characters like Rebel Wilson-cat and James Corden-cat still manage to feel annoying and unnecessary. None of their one-liner “funny” banter occurred in any of the songs, and as a result felt like more of an obligation from the producers than an actual moment from the director.

The single thing that bothered me the most, though, was the scale. That is, the sizing of objects in relation to the cats, or even in relation to other objects. It’s one thing if a stage production of Cats the Musical has props that aren’t all directly proportionate to the cats themselves or the set around them, but when the $95M budget film version does it, it comes off as absurd.

It sounds like a minor gripe, but it really was very noticeable in some parts of the movie. It’s very hard to describe in text alone, but even if you’re not looking for it, I think you’ll definitely see it when you watch the movie. It’s even visible in some shots of the trailer – look at the surrounding objects and scenery during the Rebel Wilson shots.

Musical Cats

The last thing I wasn’t the biggest fan of, was the new original song. For the soundtrack of this version, they actually stayed mostly true to the 80s-synth-style backing tracks of the original, which I think made it a lot more fun and exciting. It certainly worked with the visual look they were trying to go for. But, as is the case with movie musicals, they added a new song that was not in the original. This track, ‘Beautiful Ghosts,’ was co-written by Taylor Swift and original composer Andrew Lloyd Webber, and it’s very easy to tell who wrote which parts.

Don’t get me wrong, I’m a very big Taylor Swift fan, but when this very stylized neon-dreamscape musical experience turns into a Taylor Swift music video halfway through, it feels very out of place. The same could be said about Swift’s take on the ‘Macavity’ track from the original. I like her songs, but she doesn’t have a very theatrical voice, and as a result, that otherwise totally fine scene feels like Taylor Swift running around in a cat outfit.

Conversely, as I started to say, I really enjoyed nearly all of the rest of the songs. Jason Derulo and Jennifer Hudson are the major players here, and they really make it worth their while. James Corden obviously entertains. But this starts to touch on another issue I had, the lack of spotlight for the rest of its cast.

Theatrical Cats

The ‘main character’ of the movie is played by Francesca Hayward, a principal ballerina at the Royal Ballet, but she isn’t shown very often. I’m okay with this because she’s actually the most uninteresting of all of the cats – her character isn’t in the original, she just plays the role of the audience, to whom many of the songs are directly sung in the original. But I think the best performances come from Robbie Fairchild and Laurie Davidson. They have gotten absolutely zero public press, but are far and away the most entertaining members of the cast.

Visually this movie is a treat, if you can look past the scaling issue. With Andy Blankenbuehler – of Hamilton and In the Heights fame – it’s no surprise the choreography was amazing. Even the simple addition of tail-choreography (something not possible in the stage version), works so well. I noticed too that the director was very successful in making the audience aware of the position of each independent cat at all times, a sure challenge with such a large ensemble that’s always on screen. This made it feel like a stage production that was just filmed, rather than a movie version of a musical.

Fantastical Cats

I thought the experience, as a whole, was fun. It has its lows, which every production does, but it never stopped being entertaining. That’s what makes it so conflicting to rank amongst other movies this year. Was it bad? Aspects, yes. I didn’t even touch on the objectively off-putting CGI, but that’s because during some parts of the movie it’s not even noticeable because of how fun the numbers are. But it wasn’t terrible by any means.

I think if you don’t like musicals, you won’t like Cats, because the barrier to entry is pretty unforgiving, even for the stage version. But if you do, you’re likely already able to look past all of its shortcomings to appreciate the parts you will like even more.

Maybe the real cat was the friends we made along the way.

REVIEW: The Rise of Skywalker

18 December 2019 by Chris Ryan Leave a Comment

To prepare for Star Wars: The Rise of Skywalker, I watched all 10 previous Star Wars films – yes, including Solo and Rogue One, in the span of 4 days. 20+ hours of content, all leading up to this. And yes, it was worth it.

Before I get too far, I’ve ALREADY seen some spoilers floating around online, so I’d like to be clear that I will not be spoiling anything in this review. But if you’d like to be extra cautious and not read anything, just know that I liked it.

..Spoiler.

A Fitting End to the Greatest Story of Our Generation

Since The Force Awakens was released, the sequel trilogy has been my favorite of the three. Something about it has felt so much more full of life and fully realized than either the original nor the prequels ever did. Doing this full marathon ahead of time only strengthened that belief for me.

A lot of people like to find issue with 2017’s The Last Jedi, but I personally loved it. I do recognize some things I think Rian Johnson attempted that didn’t work out as well as others, but I don’t think that those mistakes were to the detriment of the story as a whole.

The Rise of Skywalker, to me, was a fitting end to this trilogy. I think they identified some of those things that didn’t work out so well, and paid them off tenfold.

I think it’s also just a good movie. Star Wars to me has always been successful at being a well made film on top of an interesting story and exciting action. The music, the visual atmosphere, the direction, are all excellently done. Also, it was funny. Like, really funny. When watching this full marathon of movies, C3-PO is one of the only constant characters through the full length of the story, but I never thought he was particularly notable. In this movie, not only is he a major player, he’s very funny!

I have seen a very large amount of new 2019 releases this year, so I don’t think this was a masterpiece by any stretch of the imagination, but I do believe that it was the best Star Wars has been executed on the screen, and I’m willing to defend that position (though most of that defense contains spoilers).

Succession of Skywalker

The Rise of Skywalker is a movie with a lot happening. Despite that, it never felt rushed, and it never felt like there was more than the director could handle.

One of my gripes with Last Jedi was that for the majority of the runtime, it juggles three story arcs of varying importance, and only one of them was really very exciting. Constantly switching between these unrelated events did make it feel very clunky at times. Skywalker did not have this issue.

It perfectly handles the amount of characters it has to carry (akin to Kevin Feige’s management of the MCU entourage), and is able to introduce new stakes without it seeming incredibly far fetched or rushed to try and clean them up.

Legacy of Skywalker

I will not be going into incredible detail, because I know that personally I would consider anything about Star Wars a spoiler, otherwise I could go on and on about specific moments that I think were incredibly masterful. It paid tribute to the legacy of the original films and of Carrie Fisher. It definitely was an honest homage to what Star Wars has become.

I know that some people will not like this movie. With a fanbase of this scale, you can’t please everyone, and Disney/Lucasfilm is already on thin ice to most people because of Last Jedi and because of general lack of faith with JJ Abrams. That upsets me, honestly, because I do think that, to genuine Star Wars fans, this is a fantastic finale. It is, in every aspect, a Star Wars movie. For every great moment in the previous movies, this one single film has a version of that and it was amazing.

A vocal group of Star Wars fans believe that the story should’ve ended with Return of the Jedi, and that everything since has been a mistake, and will never be as good as the originals. Obviously this is an incredibly narrow minded view, but I think it’s especially frustrating, because the amount of care and respect that has gone into the sequel trilogy is truly immeasurable. Skywalker is the culmination of those efforts.

I think the best recommendation that I can make is that if you go into the theater expecting to not like this movie because it’s not the three movies you saw from the original trilogy back in the day, then you won’t like it. Skywalker doesn’t try to recreate Return of the Jedi. It doesn’t even try to recreate The Empire Strikes Back. Skywalker is its own story and will define its own path.

Thankfully, I will be seeing it again very soon, and am very excited to do so. I think this quote from the Last Jedi sums the film up well:

“We are what they grow beyond”
– Master Yoda

VLOG: A Quick Preview of the Festival of the Holidays at Epcot!

23 November 2019 by Chris Ryan Leave a Comment

We visit Epcot’s World Showplace to get a quick preview of the upcoming events and things coming soon during the Festival of the Holidays this year. Featuring very special guests, CHIP AND DALE!

Disclosure: Disney hosted us for this event, but these opinions are our own!

VLOG: A Very Successful Food Review of IAAPA 2019

21 November 2019 by Chris Ryan Leave a Comment

We continue IAAPA week by checking out all of the food options at IAAPA, of which there are definitely not way less than we thought, and everything doesn’t go completely wrong.

REVIEW: Frozen 2 Stays Warm

21 November 2019 by Chris Ryan Leave a Comment

If you were to read all of my other reviews on here and make an assumption as to what I thought of Frozen II, you would probably guess that I didn’t like it. And I’m happy to say that would be very incorrect!

I’ll start by saying that I had no expectations at all. I liked the original Frozen, but I certainly wasn’t obsessed with it or anything. I didn’t think it was anywhere near their best animated feature, but it was enjoyable. Fun and funny and fresh and new. Deep down somewhere, I was probably a little worried for Frozen II, because the previous animated film before this was another sequel, and worse, it was Ralph Breaks the Internet. I knew it couldn’t get worse than that, at least.

Luckily all of these slight worries were immediately sheltered in Frozen II. I thought that it too was fun and funny, and despite being a sequel to one of the most popular movies of the decade, it felt very new too. The characters we quickly came to love (or come to appreciate via Stockholm Syndrome of their impact on the company) are back, and they feel just like they did 6 years ago. I guess Some Things Never Change (cue theme of using the song titles in this post).

Frozen was certainly a notable moment in Disney history, and I think Frozen II was a very appropriate successor.

From the Academy Award®-winning team—directors Jennifer Lee and Chris Buck, and producer Peter Del Vecho—and featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad, and the music of Oscar®-winning songwriters Kristen Anderson-Lopez and Robert Lopez, Walt Disney Animation Studios’ “Frozen 2” opens in U.S. theaters on Nov. 22, 2019.
©2019 Disney. All Rights Reserved.

All Is Found

The biggest factors that contribute to this are twofold. Technically, this movie is stunning. It’s incredibly beautiful, and it’s the first Disney movie I had seen in this IMAX theater that I actually thought really benefited from that format. The backgrounds are crazy intricate, and the characters even better. The environments feel very breathable, and despite a lot of them being very new, they immediately feel welcoming and real.

The Frozen 2 soundtrack is the other key factor here. It’s no surprise that Frozen had a great soundtrack, that, like it or not, produced some of the most prolific Disney songs in recent memory. I can only speak for myself here, but I think the new film matches that and then some. I never knew I needed Jonathan Groff singing an 80s rock ballad with a bunch of reindeer, but apparently I did, and I don’t know how I lived without it. Obviously I can’t predict whether they will all be hits or not, but I can very easily imagine that being the case.

REINDEER GAMES — – In Walt Disney Animation Studios’ “Frozen 2,” Kristoff and Sven find themselves among a herd of reindeer. Featuring Jonathan Groff as the voice of Kristoff (and Sven), “Frozen 2” opens in U.S. theaters on Nov. 22, 2019. © 2019 Disney. All Rights Reserved.

Even the musical motifs that are carried through the length of the film are incorporated so masterfully that they connect all of the songs together, or even connect some songs to songs in the original film. I was *very* impressed.

The Next Right Thing

I would be remiss if I didn’t mention Ralph Breaks the Internet more though – that is to say, why I think this movie succeeds where that one did not at all. Ralph 2, for me, (and for Zannaland herself) felt like it lacked any real purpose, and didn’t gain it by the end. It showed a story we didn’t care about, with characters we didn’t need to hear more from, and was comprised largely of elements that just didn’t work together right for me. Ralph 2 got Lost in the Woods, but Frozen 2 stayed the path through and through.

The biggest issue, though, (and where I think Frozen II shines brightest) was that Ralph 2 felt incredibly un-Disney. Frozen II is a Disney movie through and through, and one that I know I will happily watch again and again, which I think I can say about exactly zero other Disney sequels. And, oh yeah, it was FUNNY! There were a lot of moments where I genuinely laughed, which is a nice change of pace from, say Maleficent 2, where I laughed more out of fear that it would never end.

Overall, Frozen II was great fun, and I enjoyed it way more than I thought I would. Now, if you don’t mind, I have to go back to listening to the Panic! at the Disco cover of ‘Into the Unknown’ for the 300th time. INTO THE UNKNOOOOOOOOWN!