I feel like there are a few things I should preface before this review. I am into theater, and really like musicals (I even liked the Tom Hooper version of Les Miserables), so I had already obviously been aware of Cats 2019. When the trailer came out, I think people reacted poorly because the characters look like people – not cats – but that’s what the original is, so it didn’t bother me at all.
But this is about where my knowledge ends. Other than the ‘Memory’ song, and the general idea that there wasn’t really much of a plot in the stage show, I had no prior impressions.
That being said, as the days counted down to my viewing of this movie, I found myself getting more and more excited about the prospect of seeing it. Let me be clear, in the four days before this movie, I watched all 10 previous Star Wars movies, and then attended a showing of Star Wars: The Rise of Skywalker, and somehow was *still* more blindly excited for Cats. I was prepared for it to be a trainwreck that was funny in how bad it was, and mostly laughable because of the absurdity of it all. Surprisingly this was not the case.
Cats 2019 lives in a weird place in my head, because unlike all other things I’ve properly reviewed, I don’t necessarily ‘like it’ or ‘not like it’. There are a few movies like this for me – when you see 60+ new releases in the year, it happens. But I didn’t think Cats would be one of them.
Jellicle Cats
There are certainly a few things that really bothered me, but there were more than a few things that I did really enjoy. When this movie works, it really works. I think Tom Hooper did an excellent job in transferring this adaptation to the screen, and more so, Andy Blankenbuehler did an incredible job in modernizing the performances – but I’ll elaborate on that later.
So, let me begin with the few things that bothered me. One of the more annoying ones is hard to describe. I’m inclined to say ‘the cast,’ but I don’t know that having anyone different could’ve fixed the issue.
If you’ve seen any of the trailers you’ll be very aware of the star-power of this movie. Dame Judi Dench, Ian McKellen, Idris Elba, James Corden, the list goes on. Most of these celebrities play really very minor roles in the movie, and are more used to get people to come see it – as in, “Come see Cats starring Rebel Wilson” rather than, “Come see Cats, with the strange singing CGI animals.” But even with these minor roles, characters like Rebel Wilson-cat and James Corden-cat still manage to feel annoying and unnecessary. None of their one-liner “funny” banter occurred in any of the songs, and as a result felt like more of an obligation from the producers than an actual moment from the director.
The single thing that bothered me the most, though, was the scale. That is, the sizing of objects in relation to the cats, or even in relation to other objects. It’s one thing if a stage production of Cats the Musical has props that aren’t all directly proportionate to the cats themselves or the set around them, but when the $95M budget film version does it, it comes off as absurd.
It sounds like a minor gripe, but it really was very noticeable in some parts of the movie. It’s very hard to describe in text alone, but even if you’re not looking for it, I think you’ll definitely see it when you watch the movie. It’s even visible in some shots of the trailer – look at the surrounding objects and scenery during the Rebel Wilson shots.
Musical Cats
The last thing I wasn’t the biggest fan of, was the new original song. For the soundtrack of this version, they actually stayed mostly true to the 80s-synth-style backing tracks of the original, which I think made it a lot more fun and exciting. It certainly worked with the visual look they were trying to go for. But, as is the case with movie musicals, they added a new song that was not in the original. This track, ‘Beautiful Ghosts,’ was co-written by Taylor Swift and original composer Andrew Lloyd Webber, and it’s very easy to tell who wrote which parts.
Don’t get me wrong, I’m a very big Taylor Swift fan, but when this very stylized neon-dreamscape musical experience turns into a Taylor Swift music video halfway through, it feels very out of place. The same could be said about Swift’s take on the ‘Macavity’ track from the original. I like her songs, but she doesn’t have a very theatrical voice, and as a result, that otherwise totally fine scene feels like Taylor Swift running around in a cat outfit.
Conversely, as I started to say, I really enjoyed nearly all of the rest of the songs. Jason Derulo and Jennifer Hudson are the major players here, and they really make it worth their while. James Corden obviously entertains. But this starts to touch on another issue I had, the lack of spotlight for the rest of its cast.
Theatrical Cats
The ‘main character’ of the movie is played by Francesca Hayward, a principal ballerina at the Royal Ballet, but she isn’t shown very often. I’m okay with this because she’s actually the most uninteresting of all of the cats – her character isn’t in the original, she just plays the role of the audience, to whom many of the songs are directly sung in the original. But I think the best performances come from Robbie Fairchild and Laurie Davidson. They have gotten absolutely zero public press, but are far and away the most entertaining members of the cast.
Visually this movie is a treat, if you can look past the scaling issue. With Andy Blankenbuehler – of Hamilton and In the Heights fame – it’s no surprise the choreography was amazing. Even the simple addition of tail-choreography (something not possible in the stage version), works so well. I noticed too that the director was very successful in making the audience aware of the position of each independent cat at all times, a sure challenge with such a large ensemble that’s always on screen. This made it feel like a stage production that was just filmed, rather than a movie version of a musical.
Fantastical Cats
I thought the experience, as a whole, was fun. It has its lows, which every production does, but it never stopped being entertaining. That’s what makes it so conflicting to rank amongst other movies this year. Was it bad? Aspects, yes. I didn’t even touch on the objectively off-putting CGI, but that’s because during some parts of the movie it’s not even noticeable because of how fun the numbers are. But it wasn’t terrible by any means.
I think if you don’t like musicals, you won’t like Cats, because the barrier to entry is pretty unforgiving, even for the stage version. But if you do, you’re likely already able to look past all of its shortcomings to appreciate the parts you will like even more.
Maybe the real cat was the friends we made along the way.
I will admit it, when I first heard about and saw snippets about Zootopia, I wasn’t super excited. “Another movie about animals that can talk,what will make this one any different,” I thought. I then saw the sloth DMV scene at the D23 Expo, laughed, and thought it had some promise. I do love Jason Bateman, and hearing him as the voice of Nick Wilde for over an hour couldn’t be too bad, right? Once home from the D23 Expo over the summer, I kind of forgot about it until recently, when I was able to attend a screening. I had seen a few little promo pieces about it, and saw that they were trying to make the Zootopia universe relatable by changing common things we were used to with “Z” words (zoogle rather than google, zuber rather than uber, etc.) I was then worried that it would be too corny, trying too hard. But really, that’s only in the marketing. In the actual movie, I was relieved to see, the gags and puns are little rewards for keen-eyed observers.
As a side note, I’ve found, in recent years, Disney marketing does tend to go a little overboard on the jokes of site gags found within its animated films, as if trying to ensure these things catch on and “go viral.” While I totally understand this is a necessary evil of marketing on this scale, it’s no less annoying, to me personally, and really makes me wish I could just watch things sight un-seen and make my own judgments from there. But then again, I’m not a typical movie-going Disney fan. I don’t laugh at all the jokes I’m supposed to, and do tend to like more subtle attempts at both humor and any moral-of-the-story lessons. So, maybe it’s just me.
In any event, I was proven wrong in my pre-judgment of Zootopia. Very wrong. I loved it and I think it has the true distinction of being engaging and relatable to everyone and every age. In addition, the universe created for the film and the city of Zootopia is absolutely amazing and so infinitely detailed, I want to live in each of the distinct little areas of their world. The opening scene of the movie tells all the backstory you need to know about both our main character, Judy Hopps, and the world of Zootopia itself. The different neighborhoods are perfect homes for the various types of animals best suited to that environment; Sahara Square for desert animals, the Rain Forest District for those used to jungle environments, Tundratown for polar bears and other cold-weather animals, along with Bunnyburrow, where Judy is from, and Little Rodentia, for the tiniest mammals (the scenes in this area are among my favorite in the movie), while the downtown area Savanna Central, is a bustling city environment where animals from every climate and environment come together to work and live.
Judy Hopps is, at the end of the day, a glass half full kind of bunny. She is an eternal optimist, not only in life, but in her own self-confidence. Despite the motto of Zootopia being “where anyone can be anything,” there is a sort of unwritten rule that in certain situations (when bunnies want to become police officers for example), that isn’t really the case. Judy is determined to prove them wrong, and most importantly, prove to herself that she can be and do anything, and do it well. What follows when Judy does graduate as the first bunny from the police academy, is, at the heart of it all, a buddy comedy. I can actually picture the storyline of Zootopia (minus some animal-specific aspects) translating to a live-action film with humans rather than animals, and that’s perhaps the best compliment for the writing and strength of the plot.
Another major-yet-more-subtle subplot to the movie is the idea of prejudice, profiling of different types of people (or animals in this case). As mentioned above, the animals in Zootopia may claim to be evolved and accepting of all different types of species and allowing them to be anything they want, but there are several lines and situations within the film that directly correlate to our own real-world racial profiling and embarrassingly stereotypical actions – “other bunnies can call each other cute, but other animals can’t call a bunny cute” for example. This may go over the average kid’s head as a funny throw-away line, but adults watching know where it’s coming from, and if it sparks conversation among parents to their kids, all the better. In any event, I love when “kids movies” don’t pander to kids and leave modern and important themes out of the mix. It is possible to have a fun story, animated characters, and important life lessons in one film. Zootopia does that with ease.
I won’t drone on with (much) more analysis of plotlines and characters, but I will say (again) that I loved Zootopia, I loved the message that it tells, and how it tells it. There was not a princess in site, and there was absolutely no feeling of “oh, this is a female empowerment theme” because the whole point of the story is literally, anyone can do anything, and that they should, if they want to. That we shouldn’t judge others based on preconceived notions, and although someone may do something differently than us, it doesn’t mean it’s any less right or valid. And I loved that take-away. I took my 7 year-old son to the screening I saw, and I love that he was exposed to those messages probably without even realizing it. Judy Hopps failed a few times, but kept going, learning all along the way. Nick Wilde lived his life one way because he thought that’s how he had to, and learned that he could and should do more. I hope it sticks in his little sponge-like brain to – as pop sensation Gazelle (played by Shakira) sang in the movie – “Try Everything.”
This was a movie I instantly wanted to see again, and cannot wait till I can do just that. The animation itself is gorgeous, robust and detailed. The character acting is great too, Idris Elba as the Chief of Police is so fun to listen to, as is J.K. Simmons as the mayor, and Nate Torrence as the lovable police station cop, Clawhauser.
I’m excited for Zootopia to be released and have a presence in Disney parks. A meet and greet has already been announced for Disney California Adventure, and Judy and Nick will join the “Move It! Shake It! Dance & Play It!” Street Party at the Magic Kingdom in Walt Disney World, both happening this spring. My son has already asked for a Zootopia backpack and lunchbox, so that means the movie has reached Star Wars level approval ratings in our home.
I’d love to hear what you think if you see Zootopia this weekend!
Disclaimer: I attended a free screening of this film in order to write this review. As you can see, my thoughts and opinions are my own.