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Movies & Books

DisneyPixar’s Luca Teaser Trailer

25 February 2021 by Suzannah Otis Leave a Comment

Disney Pixar Luca posterI will admit, this movie snuck up on me! I had no idea this was in the works, so it was exciting to see a new image released yesterday and now a teaser trailer. If you haven’t heard what Luca is all about, here’s the scoop so far:

Disney and Pixar’s upcoming original feature film “Luca” is a fun and heartwarming story about friendship, stepping out of your comfort zone and two teenage sea monsters who experience a life-changing summer. Directed by Academy Award® nominee Enrico Casarosa (“La Luna”) and produced by Andrea Warren (“Lava,” “Cars 3”), “Luca” features a remarkable voice cast.

  • Jacob Tremblay (“Room,” “Wonder”) lends his voice to Luca Paguro, a bright and inventive 13-year-old sea monster with endless curiosity—especially when it comes to the mysterious world above the sea.
  • Jack Dylan Grazer (“We Are Who We Are,” “Shazam”) voices Alberto Scorfano, an independent, free-spirited teenage sea monster with unbridled enthusiasm for the human world.
  • Emma Berman provides the voice of Giulia, an outgoing and charming adventurer who befriends Luca and Alberto.
  • Maya Rudolph (“Bridesmaids,” “Saturday Night Live,” “Big Mouth”) voices Daniela, Luca’s mother.
  • Marco Barricelli voices Massimo, Giulia’s father.
  • Jim Gaffigan (“The Pale Tourist,” “Troop Zero”) voices Lorenzo, Luca’s father.

Fun fact, I almost named my son Gio Luca but settled on Giovanni with the understanding that he’d be called Gio. But I have always loved that name, probably since Suzanne Vega’s “Luka” back in 1987, but I’m dating myself haha. Anyway, here’s the Luca trailer:

 

 

What I find very interesting is the art style for Pixar has kind of morphed a little. To me, this definitely has a look similar to Sony Animation’s Cloudy with a Chance of Meatballs style. It looks very pretty to look at and the story definitely seems fun.

Disney Pixar Luca

Here’s some commentary from director Enrico Casarosa from a recent Variety interview:

“This is a deeply personal story for me, not only because it’s set on the Italian Riviera where I grew up, but because at the core of this film is a celebration of friendship. Childhood friendships often set the course of who we want to become and it is those bonds that are at the heart of our story in ‘Luca,’” Casarosa said in a statement. “So in addition to the beauty and charm of the Italian seaside, our film will feature an unforgettable summer adventure that will fundamentally change Luca.”

Disney Pixar Luca
Concept art from Pixar

“Luca” releases Summer 2021. What do you think of the new trailer for Luca?

You can follow along on their social channels:

http://instagram.com/pixarluca/

https://twitter.com/pixarluca

http://facebook.com/pixarluca

Hashtag: #PixarLuca

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Filed Under: Disney Movie News & Reviews, Latest News, Movies & Books, Official Disney Tagged With: Disney Animation, Disney Luca, Disney Pixar Luca, Disney|Pixar, DisneyPixar trailer, Luca, Luca trailer, Pixar Luca

Holiday Magic at the Disney Parks Book Review – Up the Waterfall

14 October 2020 by Suzannah Otis Leave a Comment

Everyone loves Disney books, and Scott has made no secret that it is his greatest passion. I recently bought him a couple of new releases that came out, and we were given a new holiday book to review – Holiday Magic at the Disney Parks. This book looked so amazing that I thought it deserved its own episode to share the fun and spread the word of this great new title. While we certainly could’ve devoted an entire hour to this one book (it’s THAT chock-full of Disney holiday nuggets), we added a few more recent titles, like the Disney Monorail book and Disney Maps of favorite movies.

As promised, here is a rundown of the books we discussed. The links are affiliate links, which means no extra cost to you, but we will get a very small commission amount, which helps offset the costs to run Zannaland and Up the Waterfall. We appreciate your help and consideration. Just click on the book title or cover image to go to the link to purchase.

Mickey Mouse: From Walt to the World, by Andreas Dejas:

A companion book to a recent exhibition at the phenomenal Walt Disney Family Museum at the Presidio in San Francisco, California, this book details the global phenomenon of the Walt Disney Original, Mickey Mouse, and his contributions to the world, including black and white and color cartoons and films, merchandise, comic books, and even modern art. This book and all the other companion books for all the previous retrospective exhibitions at this first-rate museum are excellent keepsakes showcasing amazing displays. Very highly recommended.Mickey Mouse Dejas book

The Disney Monorail: Imagineering a Highway in the Sky, by Jeff Kurtti, Vanessa Hunt, et al.:

This book is a fantastic must-have addition to anyone’s Disney book collection. It is filled with not only the history of the monorail itself, but also how Walt Disney became interested in transportation, futurism, and the desire to bring monorails to the parks. Here are some photos from the book (not high-quality scans, just to give you an idea of what lies in store!).

Walt Disney monorail model
Monorail construction
Monorails of Disneyland and Walt Disney World list
Monorails of Disneyland and Walt Disney World list
Disney Monorail concept art panorama
The Disney Monorails book inside jacket – as mentioned on the show! – sorry for the quality, but you get the idea.

Disney Maps: A Magical Atlas of the Movies We Know and Love, by Disney Book Group:

This is a fun book that families will love. I know Gio would love getting his hands on this book to explore the various lands we know and love from Disney animated movies. It provides a character list and fun facts about each film too. Here is an example of the Ratatouille pages:

Disney Maps Ratatouille
Disney Maps Ratatouille

 

Entertaining with Disney: Exceptional Events From Mickey Mouse to Moana! by Amy Croushorn:

This book is like Pinterest in book form. Entertaining with Disney is all organized by theme and has detailed instructions for creating the crafts, making the snacks, and setting the scene for your exceptional Disney events. I got this book for Scott as kind of a joke because he’s not really an entertainer in any way, but he is a completist, so he can cross this one off his list. However, *I* love it, and even if I don’t make any of these super cool themed parties, it’s really relaxing and fun to look at! Here’s the Peter Pan spread:

Entertaining with Disney Peter Pan

 

The Art of Disney Costuming – Heroes, Villains, and Spaces Between, by Jeff Kurtti and the Staff of the Walt Disney Archives:

This book is a companion piece to the D23 Expo Archives exhibit from the most recent Expo in 2019. There are spectacular close-ups of the many beautiful and detailed costumes displayed there, as well as backstories. There are also sections on the costumes created for Disney parks, really fascinating stuff. Here are a couple of pages from the book:

 

Disney Costuming book
Disney Costuming book

 

Holiday Magic at Disney Parks: by Graham Allan, Rebecca Cline, and Charlie Price:

The headliner of this episode, Holiday Magic at the Disney Parks (out October 20, available for pre-order now) is a must-have for any collection. Packed with nearly 1,900 amazing photographs, it truly is an encyclopedia of information, detailing the history of the Fall and Winter holidays at Disney parks. This includes decorations, snacks and food items, parades, spectaculars, parties, and rethemed attractions at ALL of the Disney Parks, and Disney resorts as well.

Featuring comprehensive descriptions and photos, the authors have documented the history of these holiday offerings from Disneyland’s earliest years to present day. This book is a great way to see all the holiday fun and remember the magic. We can’t say enough about this masterpiece. Here are just a few of the many, many, pages of documentation:

Disneyland holidays Tomorrowland
How amazing is this vintage Tomorrowland photo from Disneyland??
Santa atop Disneyland's Matterhorn
Disneyland Paris Halloween decor
Disney's Boardwalk Holiday decor

Again, these are not high-quality scans, just some photos to show you the treasures that lie inside these books. I know I can’t wait to get my hands on them myself and dig into this Disney history. We hope you enjoyed this book-filled episode. If so tell us in the comments below, leave us a review wherever you watch or listen, give us a thumbs up on Zannaland’s YouTube and Subscribe to see all our other videos. Thank you as always for watching and listening! We’d love to know if you pick up any of these titles for your Disney book collection! You can watch this week’s episode right here:

Ways to Help Laid Off Cast Members: 

As we mentioned on the end of the show, it is such a devastating time for so many. As locals, and a Cast Member family, we want to spread the word as much as possible about ways to help if you can. 

Cast Member Pantry Facebook group for Orlando area Cast Members

Ear for Each Other Facebook group featuring Cast Members from both coasts offering their services or talents for sale

Google Sheet with Cast Member run Small Shops and businesses

Also check out our friends Sarah and Tom Bricker’s post on ways to help, including donating to the Second Harvest Food Bank in both Orlando and Orange County, California. Thank you for reading, and thank you for helping the magic makers. 


As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

You can listen anywhere you download and listen to podcasts, including: 

  • Apple Podcasts
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(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

Feel free to comment below with your opinions on ANY of these movie choices, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Disney Parks fans!

Zannaland and Up the Waterfall Community – Let’s Connect!

FOLLOW THE ZANNALAND FAMILY ON SOCIAL MEDIA, WATCH OUR VIDEOS, VLOGS AND PODCAST TOO: 
  • Twitter: @zannaland, @otisney
  • Instagram: @zannaland, @UpTheWaterfall, @otisney
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  • Listen to Up the Waterfall podcast, subscribe on iTunes, or watch Up the Waterfall on YouTube

We thank you for your support and for sharing the love! 

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Filed Under: Books, Disney Holidays, Disney Movie News & Reviews, Up the Waterfall Podcast Tagged With: Andreas Dejas, Becky Cline, Disney book collection, Disney books, Disney costuming book, Disney entertaining book, Disney history, Disney maps book, Disney monorail book, Disney monorail history, disney podcast, Holiday Magic at the Disney Parks, Jeff Kurtti, Mickey Mouse book, Rebecca Cline, Up the Waterfall podcast, Up the Waterfall show, Vanessa Hunt

Disney Halloween Movie Must-See List – Up the Waterfall Episode 40

16 September 2020 by Suzannah Otis Leave a Comment

This week we are discussing favorite Disney Halloween movies that you MUST SEE! Scott and I each share a list of our personal favorites and we try to cram as much in as we can to cover all of the Disney Halloween themed shows, movies and more!

Disney Must Watch Halloween Movies

There is a huge catalog of Disney titles, from animated shorts to full-length films to Disney Channel Originals to choose from. We have a good mix of all of them I think, but you’ll have to see if we included your picks too! Did we miss a Halloween classic that’s on your Must-Watch list? Let us know in the comments below! Don’t forget to answer the trivia question too!

You can watch the episode below and see some fun images and video of the movies we discuss. You can of course listen too. We’ll include all the places to listen and connect with us below the video:

As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

You can listen anywhere you download and listen to podcasts, including: 

  • Apple Podcasts
  • Google Podcasts
  • Spotify
  • Stitcher
  • I Heart Radio
  • Anchor

(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

Feel free to comment below with your opinions on ANY of these movie choices, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Disney Parks fans!

Zannaland and Up the Waterfall Community – Let’s Connect!

FOLLOW THE ZANNALAND FAMILY ON SOCIAL MEDIA, WATCH OUR VIDEOS, VLOGS AND PODCAST TOO: 
  • Twitter: @zannaland, @otisney
  • Instagram: @zannaland, @UpTheWaterfall, @otisney
  • Zannaland’s facebook page, Up the Waterfall on Facebook
  • Zannaland on YouTube
  • Listen to Up the Waterfall podcast, subscribe on iTunes, or watch Up the Waterfall on YouTube

We thank you for your support and for sharing the love! 

Up the Waterfall logo

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Filed Under: Disney Movie News & Reviews, Movies & Books, Up the Waterfall Podcast Tagged With: Disney animated Shorts, Disney Channel Original movies, Disney Halloween Movies, Disney movies, Halloweentown, Hocus Pocus, Ichabod Crane, Lonesome Ghosts, Must watch Disney, Must Watch Disney Halloween movies, Sleepy Hollow, Something Wicked This Way Comes

REVIEW: MULAN 2020 is The Highest Budget Hallmark Movie

5 September 2020 by Christian Ryan 2 Comments

Mulan 2020 movie poster On Thursday, March 19th, 2020, I was scheduled to attend a press screening of Disney’s Mulan. I thought this would be a totally normal event – and the last screening I attended was not too long prior: The Hunt (a movie so egregiously bad I couldn’t even bring myself to review it). But on March 12th, I was informed that the screening had been cancelled as the release of the film had been postponed. Needless to say, a few other significant events have taken place since then.

Because of this, Mulan 2020 kept piquing my interest. I was already invested into the concept of the film: the original 1998 film is a classic, and while this one was certainly different, I thought the trailer looked really good. In any event, when the time finally came for its release, I couldn’t wait to take a look.

HONORING THE PAST

2020’s Mulan is a testament to Disney’s in-house production teams’ ability to make only one kind of film anymore: the high-budget, low-effort blockbuster. This is really all you can find looking back at their previous releases. From shot-for-shot live action remakes of their animated successes, to 22 superhero stories that they know will draw an audience just because of the Marvel name. They know that if the poster says ‘Disney’ on it, people will buy it, and because of that, they really don’t have to try.

So can you tell I wasn’t the biggest fan of Mulan 2020?

Mulan 2020The movie also draws upon its recent predecessors stylistically. That is to say, even though the tone of the plot is very different, if this movie came on during a Marvel movie marathon, it wouldn’t be all too jarring. It’s shot in the same way: big establishing shots of the lush CGI world they built, faster-than-you-can-blink cuts during action sequences, and shots that are staged almost exclusively with trailers or promotional videos in mind.

I will give them this: in our home theater, we have a very good screen, and this movie was a great way to showcase that. Most of the recent releases on Disney+ are presented in 4K UHD with Dolby Vision, so even a shot of a bug crawling on the ground looks fantastic. 

BE TRUE

Mulan 2020One of the biggest headlines about this movie before it even came out was that it was a more ‘realistic’ telling of the Mulan legend. They nixed the songs, the dragon sidekick, and all the other cartoon-y choices that the 1998 version added themselves. 

I was very interested in this as soon as this was announced. Yes, the soundtrack to the 1998 version is good, but it only has four songs anyway, so I wouldn’t miss them (sidenote, if you like the soundtrack of the original, do yourself a favor and research how much of a mess it apparently was to make). And while Mushu is a fun character, I’m always in favor of changing that type of thing for realism – I’m a big fan of how it was done in Aladdin on Broadway to change the monkey sidekick into three human friends of Aladdin.

However, maybe the biggest reason I was looking forward to a new take on the plot, was following the recent Lion King movie – a full blown shot-for-shot remake of the original with almost nothing added and almost nothing removed. A new telling of the story means that it’s more likely to justify its purpose as a live action remake, something that none of them have been able to do thus far.

Ultimately, this was not the result. The movie relies very heavily on its audience’s pre-existing knowledge of the original film, despite being so starkly and, honestly, harshly different from it. It’s loaded with visual references to the original. Something will happen, and the film will pause for a beat, and wait for the audience to say “Hey, that’s the thing from the original movie, I remember that!” Or the soundtrack, which, while not including the lyricized songs from the original, plays the instrumentals of them in emotional moments, so you again say “Aww, I remember that.”

I say it comes off as harsh because while the movie devotes so much time to profiting off of the audiences memory of the first, it’s also completely different plot-wise. While we hear the powerful instrumental of ‘Reflection’ from the first film, we watch our new Mulan use the force to kick arrows into the chest of a nameless enemy.

Yeah, I guess we should talk about the force.

MULAN’S MIDI-CHLORIANS ARE OFF THE CHARTS

Mulan 2020 villains1998’s Mulan is a movie that empowers young girls to take a stand, and shows them that even if the world says they’re of less value, they can be just as strong and powerful as those that hold them down. You would think that, in (current year), 2020’s Mulan would try to do the same. And to an extent, it does, but it does so oh-so strangely.

From literally the very first scene, Mulan is described as using Chi. Now, I’m aware that chi is a real thing in Chinese culture. It’s described as an underlying principle in traditional Chinese medicine or martial arts. And, while it is a ‘force’ that is in tune with your energy flow, the movie treats it as a midi-chlorian-style ‘force that binds us’ that can be used to grant someone jedi-like abilities in dexterity.

It’s underlying message may be one of female-empowerment, but the movie pushes very heavily that Mulan can only succeed because she has some innate supernatural ability. She is a weak fighter – everyone in the Imperial Army seems to be. But by harnessing her ‘inner Chi’ she can be ‘just as good as the men.’ It’s very bizarre, and honestly belittles her character. She’s never able to take down opponents one-on-one: every single fight she takes part in ends with her “controlling her Chi” to do a flip-kick and toss a spear or an arrow back into them.

The film even does a Revenge of the Sith-level side plot where a villain who has mastered their Chi tries to influence Mulan into joining the ‘dark side,’ so that she can realize the full potential of her power.

THE HIGHEST BUDGET HALLMARK MOVIE

Obviously I felt strongly enough about this to make it the title of the review, but it’s true. The movie is all around just pretty mediocre. We followed up our viewing of Mulan by watching 2019’s The Lion King, which, let’s just say, I’m notably not a fan of. At least with The Lion King (while upsetting that it exists), it is still just ‘The Lion King’ so it’s a fun story with fun songs and is just fun in general. Mulan 2020 is really very different from the original film in about every aspect. This upsets me, because like I said before, that normally would be a reason that I would enjoy it. But it’s different in a few too many ways.

This is a humourless, bland, movie. There is action, the music is good. It’s very pretty to look at. Most of the costumes are nice. But I don’t think I would ever bother watching it again because most unfortunately of all, it’s just boring.

This Mulan is the equivalent of, instead of watching the original film, someone just describes to you the original Ballad of Mulan upon which it is based. The pacing is very strange, so it feels like someone just telling the story in a very haphazard way. And, despite starring seasoned vets like Donnie Yen and Jet Li, the acting is notably bad. Aside from Jason Scott Lee, every actor here gives the most lackluster boring performances of their career. For some, like Jet Li, it feels like the only filmed one take before he just walked off set and they had to use it.

Mulan 2020 EmperorBecause of all of this, it truly feels like a Hallmark movie in both it’s plot and it’s production. The acting is subpar, the plot and writing is very low-quality, the special effects feel rushed, the list honestly goes on.

There’s more I could say about the plot alone, like how the villains (specifically the witch Xian Lang) are legitimately the only redeemable characters. Every member of the Imperial Army and of her own family dislikes and belittles Mulan, and she relentlessly follows them to the ends of the earth regardless. Meanwhile, the villains of the movie, donned in all black, with mysterious intent and magical witch in tow, provide a Palpatine-esque alternative that actually sounds way more appealing than what any of the other characters are offering Mulan.

IN CONCLUSION

I don’t want it to sound like this is a terrible terrible movie that is not worth anyone’s time. It’s not. It’s, at worst, “okay.” But it’s also the -nth “okay” movie that Disney has released in a row, and it’s tiresome at this point. This is objectively a better film than The Lion King, for example, but it’s so boring and bizarre that that’s like saying an ant bite is better than a bee sting – I’d still rather not have either.

What makes it worse, is that it’s thirty freaking dollars – or at least $29.99. Not including the Disney+ subscription that everyone who will watch this movie undoubtedly already has. Very, very few movies are worth that much, and there is absolutely no universe at all in which this one is.

Mulan 2020

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews, Top Stories Tagged With: 2020 disney, 2020 disney movie, Disney movie review, Disney movies, Disney Plus, disney plus original, disney plus review, disney review, Mulan, mulan 2020, mulan review

Howard – A Documentary

6 August 2020 by Suzannah Otis Leave a Comment

The 1980’s were a transformative time not only personally, but as a Disney fan as well. My interests of course changed as I grew. I went from being obsessed with Strawberry Shortcake and Barbie dolls, to being obsessed with movies like Annie and E.T. In the animation realm, I was more into The Last Unicorn and The Secret of NIMH. I guess I felt Disney animation wasn’t for me anymore, and as a result, I still haven’t seen The Great Mouse Detective.

In non-movie terms, I was newly discovering EPCOT Center in 1983 and falling in love with Figment and Walt Disney World in general. I left my interest in animated Disney movies behind, and it seems like I was not alone in that feeling, based on the numbers those early 80’s films pulled in.

By my sophomore year in high school, I had been in 5 different schools in 3 different states in 5 years (my parents liked to move around). I was firmly ensconced in the “theatre kid” life as a coping mechanism. I watched and listened to musicals, I was in drama club and several school productions and competitions.  At my 5th and last school, I arrived in the middle of sophomore year, wondering if I could yet again make a new set of friends and start over. It was their production of Little Shop of Horrors that pushed me to audition for the next show. I was (and still am) absolutely in love with Little Shop, “Somewhere That’s Green” and “Suddenly, Seymour” are two of the best written and most pure musical numbers of all time.

Before the days of wikipedia (or me paying attention perhaps), I had no idea that the brilliant minds behind one of my favorite shows were working on something that would put Disney animation back on the map and change it forever. The Little Mermaid appeared on the horizon and looked and sounded unlike anything I’d seen before. It was the perfect time for this brand new relatable princess, with a soundtrack that told the story of the entire movie, with memorable, sing-along-to songs, to completely win me over.

I was also particularly obsessed with Phantom of the Opera and the Beauty and the Beast television series, as well as Labyrinth. I was fully embracing the villain-turned-good-guy storyline. (Okay, maybe Jareth in Labyrinth wasn’t ever a good guy, but come on, it was David Bowie…what’s a teenage girl supposed to think?) I distinctly remember Beauty and the Beast coming out at just the right time in my 17-year-old life and being so captivating that it was an instant classic. Again, I wasn’t alone.

What these new films managed to do was combine my love of Disney, musicals, and animation, as well as really cement my Disney fandom, even if I mostly kept it to myself at that point. Sure, Disney parks were full of animated movie references and attractions, but they were all at least 20 years old by then. These compelling tales gave life to various shows, parades, and attractions, while this new generation of fans felt at home with their new-found favorites represented in the parks. We didn’t realize it at the time, but this was the second golden age of Disney animation – the renaissance, if you will. And really, we have Howard Ashman to thank for that.
Howard documentary

All of this personal backstory leads me to Howard, Don Hahn’s latest documentary chronicling the life and times of Howard Ashman. Even casual fans have heard of the Ashman and Menken duo, and seen the dedication on Beauty and the Beast: “To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman 1950–1991.” But who is the man behind that dedication? What is his story? Die-hard fans have heard some bits and pieces from those who were there, but what Howard does is tell us where that man came from, and how his life was tragically cut short.

We recently discussed Don Hahn’s previous look at this time period, Waking Sleeping Beauty, on our Up the Waterfall podcast. I wanted to revisit it as a precursor to this new film, as it really sets the stage for when and how Howard came into the Disney realm. More than just that, we are treated to first-hand accounts of his childhood from the mouths of his sister and mother. Stories of his work ethic and dreams from his close friends. Tales from Disney and former Disney colleagues of the process of coming to Disney, and creating the stories that would soon live on forever. Heartbreaking memories from his partner, Bill. Howard is truly a love letter to all fans of Disney certainly, but also to those who are filled with creative spirit; a love letter to those with a dream.

More than just a dry documentary with talking heads and old still photos, Howard is crafted to draw you in and make you feel as if you are a part of the story. As Howard’s sister shares a moment in time when Howard created a whole other world for her from cowboy and Indian figures and whatever else lay about the room, the memory is recreated before you on screen. You hear his sister’s wistful remembrance and know how important this point on a timeline is, in explaining who Howard Ashman became.

Particularly poignant is the scene when Howard and Alan Menken were invited to speak at the 92nd Street Y in New York. We hear the event’s audio, we see the crowd in the audience, but we look at empty chairs on the stage. Knowing that right before this is when Howard learned of his HIV diagnosis makes the scene that much more powerful. You hear the difference in Howard’s voice, the weary uncertainty of what his future holds.

Beyond his time at Disney, Howard truly takes you on the journey of Howard Ashman’s life. From his childhood antics to children’s theatre performances in Baltimore, through his varied education and bold moves to open a theatre in derelict New York City of the 70’s – and make a success of it. He built a black box theatre from nothing, and put on some amazing shows, including, of course, Little Shop of Horrors. That success led to a failure, when he worked with Marvin Hamlisch to create Smile, which made it to Broadway, but was a flop. It was on the coattails of that failed dream, that his story led him to Disney.

Howard Ashman and Paige O'hara

We also aren’t shielded from his personal life, which does play an important role. Don Hahn created this film back in 2018, without “Disneyfying” and it is now being shared on Disney+ as it was envisioned by the director. Howard Ashman’s past comes into play, his diagnosis is shared, and of course, the tragic end of his life is covered. We share in Howard’s fears of sharing his HIV news with colleagues, we hear his worry about sending in his demo tape of “Belle” for Beauty and the Beast. Rumors of Howard representing himself as “The Beast” due to his diagnosis are quelled. All in all, it is a fully fleshed out story and one that you won’t want to miss.

Howard AshmanHoward premieres August 7 on Disney+, which if you haven’t yet subscribed to, this is certainly reason enough to go for it. There are a handful of true gems within this Disney+ platform, Howard and Waking Sleeping Beauty among them. On a recent press call with Don, I asked if we could look forward to any “extras” or “bonus features” from the cutting room floor with the Howard release. Don said that in revisiting the film, he did find so much more content and he hopes to someday release them, perhaps as a webseries. So fingers crossed that all gets the green light.

On a personal note, I am truly grateful that we have people like Don who not only were there when this history played out, but have the incredible talent to share these gifts of knowledge and understanding with us all. People often ask “why Disney?” “why are you so into it, it’s just for kids” but stories like this one prove that behind every fairy tale is a lot of hard work, a lot of heartbreak, and almost always, the answer to the “reason why” we love what we love. Thank you, Don, and thank you, Howard.

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Filed Under: Disney Movie News & Reviews, Disney News, Disney Past, Latest News, Movies & Books, Top Stories Tagged With: alan menken, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Little Shop of Horrors, Waking Sleeping Beauty

Waking Sleeping Beauty – Disney Animation Renaissance – Up The Waterfall Episode 34

5 August 2020 by Suzannah Otis Leave a Comment

Eleven years may have passed since the 2009 Don Hahn directed documentary release, Waking Sleeping Beauty. Don Hahn has another documentary coming out in just a couple of days on Disney+. Howard, which premiers on Disney+ August 7 and tells the story of Howard Ashman. Howard is of course half of the Ashman/Menken duo that really played an integral part in the Walt Disney Animation renaissance of the late 80’s and early 90’s. I recently got the chance to be on a press call for Howard with Don Hahn, and view the film in advance. I’ll have an article reviewing Howard coming up so keep an eye out. For now, we thought discussing Waking Sleeping Beauty on our Up the Waterfall podcast would be a great way to set the stage for the upcoming Howard Ashman film.

waking sleeping beauty

On this week’s episode, we discuss just that; the importance of this time period in Disney and Disney animation history and the impact these major changes and shake-ups within the company had on the animation side things. Hear our thoughts and some insights as we recall this time and its representation in this fly-on-the-wall documentary.

As mentioned on the podcast, there is an upcoming Evening with Alan Menken concert with Lin-Manuel Miranda put on as a fundraiser for the Walt Disney Family Museum. It is taking place this Thursday August 6 at 5pm pacific time. If you are able to donate, it is such a wonderful foundation, but if not, there is a free registration option as well.

We hope you enjoy this week’s show – give us a comment below if you’ve seen Waking Sleeping Beauty and tell us your favorite part of the film. Are you looking forward to Howard on August 7? Don’t forget to listen and answer our trivia question too! You can email zanna with your trivia answers before next week!

Don’t forget to keep an eye out for our LIVE show, starting Monday, August 3, 2020. We’ll be broadcasting live from the Zannaland facebook page, so be sure you are following along there and like the page to be notified when we go live!


As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

You can listen anywhere you download and listen to podcasts, including: 

  • Apple Podcasts
  • Google Podcasts
  • Spotify
  • Stitcher
  • I Heart Radio
  • Anchor

(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

Feel free to comment below with your opinions on ANY of these hot button topics, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Disney Parks fans!

Zannaland and Up the Waterfall Community – Let’s Connect!

FOLLOW THE ZANNALAND FAMILY ON SOCIAL MEDIA, WATCH OUR VIDEOS, VLOGS AND PODCAST TOO: 
  • Twitter: @zannaland, @otisney
  • Instagram: @zannaland, @UpTheWaterfall, @otisney
  • Zannaland’s facebook page
  • Zannaland on YouTube
  • Listen to Up the Waterfall podcast, subscribe on iTunes, or watch Up the Waterfall on YouTube

We thank you for your support and for sharing the love! 

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Filed Under: Disney Movie News & Reviews, Disney Past, Movies & Books, Up the Waterfall Podcast Tagged With: alan menken, Disney animation Walt Disney Animation, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Jeffrey Katzenberg, Up the Waterfall, Up the Waterfall podcast, Waking Sleeping Beauty, Waking Sleeping Beauty review

Up the Waterfall Set Tour and Disney History Book List – Episode 30

29 June 2020 by Suzannah Otis Leave a Comment

We are now 30 whole episodes in to our passion project, Up the Waterfall podcast. We initially had a different topic planned for today, to mark this momentous occasion, with our first GUEST and everything! However, the tiki gods were angered by all our celebrating, so some pesky technical issues have put a delay on that. Instead we are bringing you a fun little episode where we give you a tour of all the little knick-knacks and collectibles we have around our podcast set.

In addition, Scott gives us a quick overview of the stack of Disney history books he has on display on the shelves behind us on our set. Who doesn’t need more Disney history books, right? As a bonus, there is a LOT of our resident kitty, Stella in this episode. What can we say, she loves Disney books as much as we do.

As promised on the episode, we are sharing links for every book he discusses so you can investigate picking up a copy for your Disney library if you don’t already have one. Some of them may be out of print and being sold by third party marketplace sellers, or you can find them on eBay or your local independent bookseller as well, but now you’ll have the list right here below:

Of course, due to the sheer number of books in this episode, Scott just gives a general overview of their contents. We will do other episodes focusing on one or two books in-depth. Do you have a favorite book you’d like us to discuss? What about our silly collectibles? What are some of your favorite Disney collectibles to display? We’d love to hear from you!

Up the Waterfall Podcast set

As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

You can listen anywhere you download and listen to podcasts, including: 

  • Apple Podcasts
  • Google Podcasts
  • Spotify
  • Stitcher
  • I Heart Radio
  • Anchor

(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

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Filed Under: Books, Up the Waterfall Podcast Tagged With: Disney books, Disney collectibles, Disney history, Disney history books, Disney history podcast, Disneyland books, Imagineering books, Marc Davis book, Up the Waterfall, Up the Waterfall podcast, Up the Waterfall show, Walt Disney World books

Top 10 Underrated Disney Animated Films – Up the Waterfall Episode 28

15 June 2020 by Suzannah Otis Leave a Comment

This week on Up the Waterfall, we take a lighthearted look at our favorite Underrated Disney Animated Films. Will our picks match yours? Did we forget a favorite animated feature that you think deserves some more love? Let us know!

If you missed last week’s episode on Jules Verne’s influence in Disney Parks and Films, in it I brought up one of my favorite animated films, Atlantis, and how that definitely had a Jules Verne feel to it. That sparked the idea for this week’s show: Underrated Disney Animated Films! Scott and I each share our top 5 picks, and of course, some runners-up along the way.

Atlantis: The Lost Empire
image via Disney

 

Our criteria for “underrated” may differ from yours, so we welcome discussion once you hear and see our picks. It definitely made us both want to head to Disney+ and watch all of these beloved films once again.

We also mentioned some books from Scott’s library at the end of the show, so I’ve listed them below in case you want to give them a look.

A quick note and apology…

Each week we record the audio separately from the video of our show and our producer, Christian uploads the audio and matches it to our 3 camera angles of video for the video version of the show. Unfortunately this week the audio file was corrupted and short of re-recording, we could not fix that track. So, we had to use the camera audio, which isn’t too terrible on its own, but when we switch cameras, there is a quick moment where the audio is noticeably different.

We do apologize for that, I really didn’t want to re-record the show because I kind of loved this one and how it unfolded. I didn’t want to ‘fake’ that magic by re-recording, so I hope everyone understands and bears with us for this week. We’ll have it fixed next week!

Thank you as always for listening or watching!


Books we discussed on the show:

Click to view them on Amazon – as an Amazon Associate I earn from qualifying purchases

 


As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

You can listen anywhere you download and listen to podcasts, including: 

  • Apple Podcasts
  • Google Podcasts
  • Spotify
  • Stitcher
  • I Heart Radio
  • Anchor

(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

Feel free to comment below with your opinions on ANY of these hot button topics, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Disney Parks fans!

Zannaland and Up the Waterfall Community – Let’s Connect!

FOLLOW THE ZANNALAND FAMILY ON SOCIAL MEDIA, WATCH OUR VIDEOS, VLOGS AND PODCAST TOO: 
  • Twitter: @zannaland, @otisney
  • Instagram: @zannaland, @UpTheWaterfall, @otisney
  • Zannaland’s facebook page
  • Zannaland on YouTube
  • Listen to Up the Waterfall podcast, subscribe on iTunes, or watch Up the Waterfall on YouTube

We thank you for your support and for sharing the love! 

Up the Waterfall logo

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Filed Under: Disney Movie News & Reviews, Movies & Books, Up the Waterfall Podcast Tagged With: Atlantis: The Lost Empire, Brother Bear, Disney Animation, Emperor's New Groove, Fantasia, Fantasia 2000, Hunchback of Notre Dame, Make Mine Music, Melody Time, Tarzan, Top 5 Underrated Disney films, underrated animated films, Underrated Animated movies, underrated disney animated films, Walt Disney Feature Animation

REVIEW: ONWARD is Pixar’s Step Backwards

21 February 2020 by Christian Ryan Leave a Comment

It may be bold of me to say, but in my opinion, Pixar has somewhat of a rough track record. I think they succeed pretty well at making entertaining films. But only a few have been notably exceptional. Onward is in an interesting position to review. I’m still not entirely sure whether I liked all of it or not.

THE QUEST BEGINS..

I had absolutely no expectations of this movie before watching it. I enjoy Tom Holland and Chris Pratt on their own well enough, but I hadn’t really even been following much of the promotion for the movie. Some of the art looked fun, and I really enjoyed the music choice for the trailer – which is honestly enough to sell me most of the time (and why I plan on seeing F9).

I knew I would inevitably see Onward anyway because the trailer starts with 5 letters and a little lamp jumping on screen. That’s what begins the issues with Onward for me, conceptually.

©2019 Disney/Pixar. All Rights Reserved.

The past couple Pixar releases have felt off, personally. I still haven’t seen the Good Dinosaur, I missed Finding Dory until 3 years later, Cars 3 was bad, and Toy Story 4 just felt like a tech demo for their animation interns to work on that they accidentally released. 

And even though I did actually like Finding Dory, Incredibles 2, and Coco, they did still feel a bit lazy. Pixar definitely has a particular format they like to stick to – I won’t blame them, it seems to work commercially every time. But Onward is the 22nd film in their collection of releases, and honestly feels exactly the same as 98% of them. 

THE CURSE

© 2019 Disney/Pixar. All Rights Reserved.

Onward seems like it missed the mark on quite a few subjects to me. The art style feels weird, to be blunt. In a world with actual magic and fantasy characters, I don’t see the need to give every character an odd humanoid face, even if they have only one absurdly large eye. 

It all looks a little odd, and I wish they would’ve done something a bit more creative. The main character of the film even looks like a recolor of Linguini from Ratatouille, which is something that I would think they could avoid.

But my disagreements with the world don’t stop there. Something about the atmosphere just feels kind of cheesy and almost lame. For all intents and purposes, the setting of the film is really doing the same job as that of Shrek, which somehow seems to pull it off more convincingly. That’s a sentence I didn’t think I’d be able to write.

© 2019 Disney/Pixar. All Rights Reserved.

A LITTLE MAGIC

What I did manage to like from the atmosphere of Onward is honestly just because I enjoy the fantasy genre as a whole. It could’ve been anything on screen but if they were doing magic with wizards and pulling out D&D terms I would be on board. There is certainly a bit of charm that comes along with the Pixar touch, but I don’t think this is something that had to try incredibly hard to pull off.

And that’s my biggest issue of all – it felt pretty easy. The art style was incredibly similar to things they’ve done before (even to things the Director had made before with the studio). The score was safe and almost nonexistent in some parts. 

The things the “Inclusion Team” allegedly insured were in the movie were really bare minimum and easily modifiable for foreign markets that still don’t accept characters being openly gay. All of this making it all feel very unnecessary and almost as if they were forced to include them but were graded on completion, not accuracy.

ANCIENT HISTORY

So what’s the issue, really? Well, co-star of our Up the Waterfall podcast, Scott Otis, pointed out to me that Pixar has had a couple years in the past with two releases: The Good Dinosaur and Inside Out, Cars 3 and Coco, and now Onward and Soul. So statistically, maybe I’m just not a fan of Onward so that I can be a fan of Soul. 

But in all seriousness, I didn’t hate everything about Onward. There were some funny moments, and I think even Pixar’s worst is always an entertaining time. There are definitely people who will like this. But for me, it just feels like another tired attempt for Pixar to play it safe and stick to their patented Pixar-style punch-you-in-the-gut emotional coming of age stories based on half-baked “What if?” ideas.

I would love to see them do something different, and take a massive risk. With the massive budget and solid teamwork they now have, I’m surprised they’ve stuck to this format for so long. The Pixar Sparkshorts on Disney+ are an interesting first attempt at this, but none have really stood out to me on their own, and they definitely feel like something that a small team makes every month or so on their lunch breaks.

ONWARD REVIEW

© 2019 Disney/Pixar. All Rights Reserved.

Pixar used to be known for pushing the medium of animation forward with compelling new takes. Their films were a fun break from the typical cliches of family animation. Now they’re essentially pushing out Disney’s B-stories that don’t get the bigger spotlight. And sequels.

So is Pixar truly taking a step backward with Onward? It depends on how much you’re able to relate to all of their stories – for me, not a whole lot. Or how much an emotional ending is enough to convince you you liked the movie on your way out of the theater. Again, not much here for me. Maybe it just depends on how much you’re able to enjoy a kids’ movie without thinking about it too much. And clearly I can’t. 

But that’s just me.

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Filed Under: Disney Movie News & Reviews, Latest News, Movie Reviews, Movies & Books, Reviews

REVIEW: Cats Was a Very Confusing Time

19 December 2019 by Christian Ryan Leave a Comment

I feel like there are a few things I should preface before this review. I am into theater, and really like musicals (I even liked the Tom Hooper version of Les Miserables), so I had already obviously been aware of Cats 2019. When the trailer came out, I think people reacted poorly because the characters look like people – not cats – but that’s what the original is, so it didn’t bother me at all. 

But this is about where my knowledge ends. Other than the ‘Memory’ song, and the general idea that there wasn’t really much of a plot in the stage show, I had no prior impressions.

That being said, as the days counted down to my viewing of this movie, I found myself getting more and more excited about the prospect of seeing it. Let me be clear, in the four days before this movie, I watched all 10 previous Star Wars movies, and then attended a showing of Star Wars: The Rise of Skywalker, and somehow was *still* more blindly excited for Cats. I was prepared for it to be a trainwreck that was funny in how bad it was, and mostly laughable because of the absurdity of it all. Surprisingly this was not the case.

Cats 2019 lives in a weird place in my head, because unlike all other things I’ve properly reviewed, I don’t necessarily ‘like it’ or ‘not like it’. There are a few movies like this for me – when you see 60+ new releases in the year, it happens. But I didn’t think Cats would be one of them.

Jellicle Cats

There are certainly a few things that really bothered me, but there were more than a few things that I did really enjoy. When this movie works, it really works. I think Tom Hooper did an excellent job in transferring this adaptation to the screen, and more so, Andy Blankenbuehler did an incredible job in modernizing the performances – but I’ll elaborate on that later.

So, let me begin with the few things that bothered me. One of the more annoying ones is hard to describe. I’m inclined to say ‘the cast,’ but I don’t know that having anyone different could’ve fixed the issue. 

If you’ve seen any of the trailers you’ll be very aware of the star-power of this movie. Dame Judi Dench, Ian McKellen, Idris Elba, James Corden, the list goes on. Most of these celebrities play really very minor roles in the movie, and are more used to get people to come see it – as in, “Come see Cats starring Rebel Wilson” rather than, “Come see Cats, with the strange singing CGI animals.” But even with these minor roles, characters like Rebel Wilson-cat and James Corden-cat still manage to feel annoying and unnecessary. None of their one-liner “funny” banter occurred in any of the songs, and as a result felt like more of an obligation from the producers than an actual moment from the director.

The single thing that bothered me the most, though, was the scale. That is, the sizing of objects in relation to the cats, or even in relation to other objects. It’s one thing if a stage production of Cats the Musical has props that aren’t all directly proportionate to the cats themselves or the set around them, but when the $95M budget film version does it, it comes off as absurd. 

It sounds like a minor gripe, but it really was very noticeable in some parts of the movie. It’s very hard to describe in text alone, but even if you’re not looking for it, I think you’ll definitely see it when you watch the movie. It’s even visible in some shots of the trailer – look at the surrounding objects and scenery during the Rebel Wilson shots.

Musical Cats

The last thing I wasn’t the biggest fan of, was the new original song. For the soundtrack of this version, they actually stayed mostly true to the 80s-synth-style backing tracks of the original, which I think made it a lot more fun and exciting. It certainly worked with the visual look they were trying to go for. But, as is the case with movie musicals, they added a new song that was not in the original. This track, ‘Beautiful Ghosts,’ was co-written by Taylor Swift and original composer Andrew Lloyd Webber, and it’s very easy to tell who wrote which parts. 

Don’t get me wrong, I’m a very big Taylor Swift fan, but when this very stylized neon-dreamscape musical experience turns into a Taylor Swift music video halfway through, it feels very out of place. The same could be said about Swift’s take on the ‘Macavity’ track from the original. I like her songs, but she doesn’t have a very theatrical voice, and as a result, that otherwise totally fine scene feels like Taylor Swift running around in a cat outfit.

Conversely, as I started to say, I really enjoyed nearly all of the rest of the songs. Jason Derulo and Jennifer Hudson are the major players here, and they really make it worth their while. James Corden obviously entertains. But this starts to touch on another issue I had, the lack of spotlight for the rest of its cast. 

Theatrical Cats

The ‘main character’ of the movie is played by Francesca Hayward, a principal ballerina at the Royal Ballet, but she isn’t shown very often. I’m okay with this because she’s actually the most uninteresting of all of the cats – her character isn’t in the original, she just plays the role of the audience, to whom many of the songs are directly sung in the original. But I think the best performances come from Robbie Fairchild and Laurie Davidson. They have gotten absolutely zero public press, but are far and away the most entertaining members of the cast.

Visually this movie is a treat, if you can look past the scaling issue. With Andy Blankenbuehler – of Hamilton and In the Heights fame – it’s no surprise the choreography was amazing. Even the simple addition of tail-choreography (something not possible in the stage version), works so well. I noticed too that the director was very successful in making the audience aware of the position of each independent cat at all times, a sure challenge with such a large ensemble that’s always on screen. This made it feel like a stage production that was just filmed, rather than a movie version of a musical.

Fantastical Cats

I thought the experience, as a whole, was fun. It has its lows, which every production does, but it never stopped being entertaining. That’s what makes it so conflicting to rank amongst other movies this year. Was it bad? Aspects, yes. I didn’t even touch on the objectively off-putting CGI, but that’s because during some parts of the movie it’s not even noticeable because of how fun the numbers are. But it wasn’t terrible by any means.

I think if you don’t like musicals, you won’t like Cats, because the barrier to entry is pretty unforgiving, even for the stage version. But if you do, you’re likely already able to look past all of its shortcomings to appreciate the parts you will like even more. 

Maybe the real cat was the friends we made along the way.

 

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews, Top Stories Tagged With: Andrew Lloyd Weber, Cats 2019, cats 2019 review, cats live action, cats movie review, Idris Elba, James Corden, Jason Derulo, Jennifer Hudson, Judi Dench, taylor swift, tom hooper

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