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review

REVIEW: DEAR EVAN HANSEN, Your Movie Is Bad

22 September 2021 by Chris Ryan Leave a Comment

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As with all of my reviews, I want to make sure people are aware that I won’t be spoiling any of the plot here. That being said, the Dear Evan Hansen stage production premiered in 2016, and it’s been a moderately well known story since. Even if you’ve never heard a song off the soundtrack, you likely understand the concept of the story – which is so simple conceptually that you’ll be able to guess exactly how it ends.

Even if the film was good, the story would’ve been a hard sell on its own. To describe the film, the word that kept coming to mind was ‘cringe-worthy.’ Not ‘cringe’ in a modern ‘uncouth’ or ‘out of touch’ way, but cringe-worthy in the way you would describe watching someone’s marriage proposal get rejected. It’s just genuinely hard to watch Evan’s actions in the film – it’s not an enjoyable experience.

Evan Hansen is not a character that anyone is rooting for (and I don’t think by the end anyone will be), but the movie expects us to listen to this character who is so self-centered and sociopathic that he ruins the lives of people around him. I do believe that a large part of this is due to Evan’s casting – and we’ll get to that in a moment.

Dear Benj Pasek and Justin Paul,

Ben Platt as Evan Hansen in Dear Evan Hansen, directed by Stephen Chbosky.

I’d like to take a brief pause to talk about the music. It’s a big musical, so surely the music is good right? Well, not necessarily. 

I personally have never been a fan of the songwriting duo behind Dear Evan Hansen. The only work of theirs I particularly enjoy is 2016’s La La Land – and that’s entirely because the soundtrack is primarily the work of Justin Hurwitz. 

Benj Pasek and Justin Paul, who’s previous work also includes The Greatest Showman and two original songs for the 2019 Aladdin remake, have a particular style to their music – pop songs pretending to be musical theatre songs. And I definitely understand that some people are very big fans of their work – The Greatest Showman’s soundtrack is very popular to this day, and Dear Evan Hansen’s stage production won just about every Tony imaginable. It’s just not the best that the musical theatre genre has to offer, despite now making up its most popular tracks in decades.

Still, I would be lying if I said ‘Waving Through A Window’ didn’t make a frequent appearance in my musical theatre playlist. Before watching the film, I deliberately avoided listening to the original soundtrack again to enter bias-free. As a result, when the film began, I was really enjoying the first three tracks – and I thought to myself ‘Wow, this is way better than I remember!’ But after ‘Sincerely Me,’ the track list takes quite a dip.

The issue with Pasek and Paul’s work is that – with a few exceptions – most of their songs sound pretty identical. If you were to randomly assign a singer four songs from the duo’s discography, I don’t know if you’d be able to identify what songs came from what production.

Needless to say, there’s nothing in the film version that adds musically to the original version. If you’re curious at all about the show, I really recommend just listening to the Broadway recording instead, it’ll save you some money and about 137 minutes of boredom.

Dear DEH Cast,

(from left) Larry Mora (Danny Pino), Cynthia Murphy (Amy Adams) and Zoe Murphy (Kaitlyn Dever) in Dear Evan Hansen, directed by Stephen Chbosky.

Okay, so the story’s bad, the music’s bad, surely the cast has to be good right? You’d think that would be the case. Before I get too into the weeds here, I’ll begin with what I enjoyed. I didn’t know that Amy Adams was here, and she was a nice surprise. It’s not her most phenomenal role (she didn’t have very much to work with after all), but she’s still one of the more watchable characters of the film. 

The MOST watchable performance goes to Colton Ryan (no relation), who played Connor Murphy. It goes without saying that he doesn’t have very much screen time, but he truly makes the most of what he does have. He actually served as an understudy for the role in the original Broadway production, and it shows that he has experience with the character.

The last highlight goes to Kaitlyn Dever – who you may have previously seen in 2019’s Booksmart, one of my favorite films of all time. Her character isn’t the best written, but she does bring a lot of realism to Ben Platt’s scenes, which is extremely necessary.

Dear Ben Platt,

(from left) Evan Hansen (Ben Platt) and Jared Kalwani (Nik Dodani) in Dear Evan Hansen, directed by Stephen Chbosky.

Ben Platt may very well be the worst part of this film. As mentioned before, he also played the titular role in the original Broadway production. Now, I didn’t see his Broadway performance myself, but the Tony’s and clout he earned seem to speak to how good it was.

However.

He’s not the only person who played the role. The stage production cast a new lead 4 different times, not including the national tour of the show, which featured a different actor altogether. Many people have taken the helm of the lonely high schooler who takes a lie too far. As a result, many people were confused when Platt was announced to play the character in the film adaptation.

Sure, he’s the most well known portrayer of the role, but that doesn’t mean he’s the only person who can play it for the rest of time. Take for example, the recent film adaptation of In the Heights: the character of Usnavi was initially played by Lin Manuel Miranda, someone who’s already become stereotyped with casting himself as a major role in whatever he writes. And yet, the role was instead taken by Anthony Ramos. LMM was older than he was in the initial production, and it was time to give it to someone else who deserved the spotlight.

It seems like a weird thing to be up-in-arms about, but Platt’s casting in the film seems even weirder when you learn that his father is a producer for the film, likely playing a big part in giving his son the lead role. Platt later responded to the cases against him by saying,

…were I not to do the movie, it probably wouldn’t get made. And so I think, you know, my defensive response is to want to like, go onto twitter and be like, you know ‘F you guys, like you don’t even know that like this wouldn’t exist without me.’

Never in my life have I seen something so disrespectful and egocentric from someone who was very publicly handed a lead role in a major film by his father. It does such a disservice to everyone else who has played the role on stage – one of whom I should point out is Platt’s current boyfriend – all of whom are equally as qualified to play the character again.

All of this to say, Platt’s performance is very difficult to watch. I had read that Platt would be digitally altered to appear younger (ideally to make a 27 year old appear 17). Either that article was fake, or it was done so subtly that it didn’t make a difference at all, because Platt still appears significantly older than any of the other high school students in the film.

Evan Hansen seeming like a creepy guy hanging around at a school severely changes the tone of the film. Rather than being a quirky misunderstood guy who gets caught up in wanting a life that he doesn’t have, Platt’s performance in the film instead gives us a hunched and awkward sociopath who is too egocentric to understand when he’s severely upheaving the familial lives of people who he doesn’t know at all.

I won’t even go into the issues now present Hansen’s romantic side plot with the character played by Kaitlyn Dever, an actress who just naturally looks young in general. Platt sadistically reciting all of the absurd minute details of Dever’s character who he obsessed over – of course, under the guise that these were actually the thoughts of her dead brother – is just something no one should ever be forced to sit through.

It really changes how Evan Hansen as a character will be interpreted by audiences, and it’s entirely because Platt got Daddy on the phone and decided he needed more attention.

Dear readers,

As a whole, this movie is not good. It’s absolutely minimalist stance on ‘mental health’ boils down to about as progressive someone tweeting ‘I just learned eating yogurt is a trauma response.’

I just truly cannot advise you enough to not see this. It’s not even entertaining in a “Oh I just want to see the train wreck” kind of way, it’s just not watchable at all. By the end of my screening, the audience, which was made up of the target demographic for this film, were simply laughing in embarrassment at Platt’s asinine emotional breakdown. 

I assume studios were clamoring for the chance to bring this to the silver screen, but all of the negative press and negative reviews pretty much guarantee this version will be unmemorable in about 6 months.

Just go listen to the Broadway soundtrack instead.

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Filed Under: Movie Reviews, Reviews Tagged With: ben platt, benj pasek, broadway, dear evan hansen, evan hansen, justin paul, movie musical, movie review, musical, review, tony award nominee, tony awards

Guest MOVIE REVIEW: The Bourne Legacy

22 August 2012 by Suzannah Otis Leave a Comment

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A few weeks back, my husband had the opportunity to attend a screening of Universal Pictures The Bourne Legacy – here’s his review of the film:

The Bourne Legacy is a good movie, and good addition to the Bourne franchise.  It can best be reviewed by breaking the movie down into…The Good, The Bad, and The Ugly. WARNING: The Ugly contains spoilers.

Bourne LegacyThe Good:
Tony and Dan Gilroy do a great job of working the story seamlessly into the previous Bourne trilogy of movies; fitting the story into the events of the third movie.  Jeremy Renner and Ed Norton are amazing in their roles and really stand out in an amazing cast.  Renner, in particular, is very believable as Aaron Cross and pulls off the roll with ease.

The Bad
Tony Gilroy directing was just…bad. In one of the opening scenes of the film, two people are talking in a small office. The camera, for some inexplicable reason, “helicopters” around them as they are talking, producing a motion sick feeling that will leaving you needing Dramamine.  The rest of the movie is okay directorally until the climatic car chase at the end.  This scene looks and feels like it was directed by my 4yo, with my 92yo grandfather working the camera.  There is a lot of fast action, but the camera always seems to be zoomed in on a random car bumper, or unaware passenger.

The Ugly
I really liked the movie, and the storyline of a failed government project that is trying to swept under the carpet is riveting.  However, toward the middle of the movie you realize that Aaron Cross doesn’t know he’s being hunted down, in fact all he is looking for is more “chems” (the government supplied drugs that make you stronger and faster).  The movie proceeds with Aaron trying to save the life of a doctor in order to obtain more drugs, not realizing he is the one being hunted.  Then the bomb drops…figuratively.  It is revealed that Aaron is only looking for the “smart” drug because his iq test results on his entrance exams were pumped up by his recruiter, thus making him, in his pre-drug state, 12 iq points below normal…and he doesn’t want to go back to that.  So basically the moral of Aaron’s crisis is, it’s not good to be…well…not smart.  I felt not smart after realizing that was the guiding force behind the plot; he didn’t know he was trying to stay alive, he just didn’t want to be dumb.

All together, the movie was a great addition to the Bourne franchise and very fun to watch…it just won’t make you smarter. – J.F. DiMarzio

 

The Bourne Legacy opened in theatres August 10

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews Tagged With: bourne legacy, Bourne Legacy movie review, bourne trilogy, ed norton, Guest author, guest post, guest review, J.F. DiMarzio, Jeremy Renner, movie review, review, tony gilroy

REVIEW: The Odd Life of Timothy Green – A Heartwarming Instant Classic

5 August 2012 by Suzannah Otis 2 Comments

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timothy green posterI was almost reluctant to attend a media screening of Disney’s The Odd Life of Timothy Green, simply because I knew it would be a tear-jerker. Since I cry at the drop of a hat (just watching or listening to other people’s kids at Walt Disney World makes me tear up all the time, in addition to, of course, my own), I knew I was in for it when the premise was a couple who dreamt up the perfect child and he appeared in the garden one night. That said, I still wanted to see exactly what happened and where the story took us.

The tale unfolds in fictional Stanleyville, the “Pencil Capital of the World.” Filmed in Georgia, the town represents “Anywhere, U.S.A.,” bringing us back to a simpler time and place. The couple, Jim and Cindy Green, played by Joel Edgerton and Jennifer Garner, work in the small town’s pencil factory and pencil museum respectively. They live in an adorable farmhouse, and seem to want for nothing – except for the fact that despite trying everything they could, they were unable to conceive a child they so desperately wanted. Cindy handles her grief by wanting to just move on and put the pain behind them, while Jim decides that they need to write down qualities that they’d want their dream child to have. They laugh and cry together as they create this perfect little person on paper, then put the papers in a box and bury it in the garden. That night a crazy storm arrives and with it, Timothy – an 11-ish year old boy who appears with leaves on his legs, wanting to call the Greens “Mom and Dad.”


Click to watch the trailer.
Once the shock wears off and they realize that this is, in fact, the child they dreamed of, the real parenting begins. The film then brings us on a journey of life lessons, laughter, and heart, as we all fall in love with Timothy. Of course, Timothy Green is no ordinary child. In addition to the leaves, which his parents hide with socks, warning him that not everyone will understand, he also stands with arms raised when the sun shines, seeming to soak in its rays and be rejuvenated by them. In this way, I was reminded of the movie Powder, where someone so different arrived on the scene and everyone was able to learn from his differences. Timothy’s odd behavior attracts the attention of a girl who also feels different, and the two form a lovely relationship full of friendship, love and beauty.

The Odd Life Of Timothy Green

 

The overall tone of the movie reminded me of classics like Big, a film which I love watching because of the feeling of “home” you get and the lessons the characters learn along the way. Timothy Green is no exception, leaving us fondly remembering childhoods and family, and giving us messages of hope and love. The performances within the film are wonderful as well, CJ Adams as Timothy is just captivating and will own your heart. We can all identify with the various characters portrayed, from annoying bosses to competitive siblings to parents we don’t want to emulate, making the film relateable to all.

There are some details I won’t give away here, but I can definitely see The Odd Life of Timothy Green becoming a family classic. We are left remembering what’s truly important in this life, and, parent or not, how we treat others becomes how we live our lives. I definitely recommend watching it with family and friends, and hugging when it’s all over.

The Odd Life of Timothy Green opens August 15 in theatres everywhere. You can “Like” The Odd Life of Timothy Green on Facebook or Follow The Odd Life of Timothy Green on Twitter.

 

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews Tagged With: CJ Adams, classic movie, dream child, family movie, jennifer garner, joel edgerton, journey of life, mom and dad, movie review, odd life, perfect child, review, stanleyville, tear jerker, The Odd Life of Timothy Green, timothy green, Timothy Green review

War Horse REVIEW-Spielberg Fans Will Not Be Disappointed

21 December 2011 by Suzannah Otis Leave a Comment

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War HorseWhen I saw scenes from War Horse, the Broadway production, on the Tony Awards early this year, I was mesmerized and thought I would love to see this story in person. When I later heard that it was going to be a live-action movie from Steven Spielberg, I knew I’d probably never watch it.

As much as I love Mr. Spielberg, I just cannot watch movies where I know going in that animals will appear to be hurt. Even with that disclaimer at the end about no animals being harmed, my little brain cannot get past what the filmmakers want me to believe, that the animals are being hurt.

So when the opportunity to preview War Horse came about, I asked my movie buff husband, J.F. DiMarzio, to see the film and review it here. Now that I know a little more about it (I actually like spoilers with movies like this so I know what to expect) I may even see it myself. Spoilers are marked at the end if you’d like to avoid them:

…

When the Oscars come around a few weeks, War Horse will most likely win everything it is nominated for, and deservedly so.  Steven Speilberg has crafted an amazing movie.  If you are familiar with, and a fan of, Spielberg movies you will not be let down.  The lighting, cinematography, and sound design are impeccable.

All of the standard elements of a Spielberg movie are present and accounted for: close up on emotional facial reaction shot, check; obligatory crowd scene where everyone is looking at something that you cant see, check; locations are as much a character in the movie as the people, check; amazing John Williams score, check.  Honestly, this is all I was expecting out of War Horse.  After seeing the trailer I was not interested in the story at all, I did not want to see a glorified war movie about a boy missing his horsey..boo hoo.  That is what I was expecting going into War Horse.

However, what Steven Spielberg managed to do is divided the 2 hour and 20 minute movie into five distinct parts; five distinct stories about people that are woven together by the story of the horse.  This is not to say that the horse is a secondary character in the film, you are aware of its presence throughout every minute of the journey, but you find yourself gravitating more to the stories of the people who come into contact with the horse, than the horse itself.  Each story in the movie is unique and each one could have been an amazing short on it’s own.

The story of War Horse plays out over the backdrop of World War I.  Given Spielberg’s track record for war films (WWII ala Saving Private Ryan), you may be expecting a violent and realistically gritty portrayal of World War I, and you would be only half right.  Yes, the war is gritty and dirty, but because of the delicate handling of a very complex story 95% of all of the violence is shielded from the camera’s immediate view.  Showing realistic war violence would surely have overshadowed the surrounding story.

This does not mean that the story is violence-free.  There are some scenes that are very tough to take, even without the violence, but again Spielberg tempers this.  He manages to take the most harsh and violent scene in the movie and, before letting the audience get lost in greif, follows it up with the funniest scene of the film.  In short, the overall theme of the movie is brought home beautifully in the line: there are big days, and there are small days, and this is a very big day.

Is War Horse perfect? No, it has its faults (to read about those however, requires a few spoilers), but you will quickly forgive its faults after getting lost in its story.

Spoiler Alert below the photo >>>

War Horse Joey

So what is wrong with War Horse?  Steven Spielberg managed to figuratively turn a horse into Jesus, and it wasn’t necessary.  Lest you think I’m exaggerating: The opening scene of the moving has the horse being born to a mare with no stallion in sight, symbolic of the virgin birth.  A stretch you say? Wait, it gets better.  The horse is immediately labeled as ‘miraculous’, for no apparent plot reason.  Over the course of the movie it is crucified,  dies for the sins of the warring nations, is resurrected after they realize the error of their ways, has its feet washed to reveal its divinity, and even heals the blind.  A better name for this movie might have been Jesus Christ Superhorse – I kid.

Does it really detract all that much from the overall story? Only slightly, and only depending on how much thought you put into it.  Is the horse (Joey) literally crucified? No.  However, it what is the most disturbing scenes in the movie, the horse runs head long through a battlefield.  Because the horse never learned to jump (a running theme in he movie) he barrels through barbed-wire barricades, eventually becoming so entangled in the barbs that he is flipped motionless through the air and comes to rest on the ground in a mass of wire with a cross shaped wooden support on its back.  The warring nations break from their fighting and each sends a representative into the middle of the battlefield to cut free (resurrect) the horse.

If you can get past the overt correlation between the bible narrative and War Horse then it is still an amazing movie that will surely go down as one of history’s finest.

…

For real Spielberg fans, or those wishing to learn more about the filming process and story, watch this Q&A with director Steven Spielberg:

 

You can see more about War Horse, opening Christmas day – December 25 at the War Horse site, by liking War Horse on facebook or following on twitter.

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Filed Under: Movie Reviews, Movies & Books, Reviews Tagged With: Benedict Cumberbatch, David Thewlis, DreamWorks, Dreamworks Pictures, Emily Watson, J.F. DiMarzio, Jeremy Irvine, Joey, John Williams, Movie Reviews, movies, Niels Arestrup, Oscar buzz, Peter Mullan, review, Spielberg, Steven Spielberg, Toby Kebbell, Tom Hiddleston, War Horse, War Horse review, WarHorse

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