Steampunk

Festival of Fantasy Parade in Words and Pictures

14 March 2014 by Suzannah Otis 7 Comments

As was all the buzz this week, a brand new daytime parade debuted over at the Magic Kingdom. Kicking off on Sunday, March 9, the Festival of Fantasy Parade has been well-received with praise and adoration. I lined up Sunday to see for myself and share some photos and video (see Instagram and Facebook) and was also invited as a guest of Walt Disney World on Monday March 10, to see the parade again and speak to some of its creators. What has struck me overall with Festival of Fantasy is the absolute spectacle that this parade is. I don’t think it’s news to anyone that the daytime parades at Magic Kingdom have been severely lacking in the last, oh, 10+ years. We’ve had several incarnations of basically the same style of float and general parade feel for ages now. And visitors or locals to California’s Disneyland will no doubt evangelize about their Mickey’s Soundsational Parade and with good reason. Soundsational is a fun, unique look at the songs and characters we all love and have come to expect at Disney parks. A lot of comparisons have been made with Soundsational and Festival of Fantasy and I’ll go into a bit of that below. So read on for my thoughts on Festival of Fantasy and enjoy some of my favorite photos from the parade.

First, I must say that Festival of Fantasy is visually stunning. From the unique and sometimes outrageous costumes to the gigantic, kinetic, sensory-overloading floats, this is an impressive parade. After my first viewing, I quickly realized that it is a parade which needs to be viewed multiple times to take everything in or notice each detail. And that makes it a perfect fit for Walt Disney World, a resort catering to tens of millions of visitors each year, many of whom will visit the park just once, or perhaps every few years or so. While Walt Disney World does have a large and dedicated group of locals, it does not begin to compare to that of Disneyland, whose majority of visitors are locals – making the frequent changing of parades and entertainment a wise decision for the most part. Here, in Walt Disney World, if you are planning your yearly vacation, you will probably look forward to seeing this parade again and count on it being there. My point is, Festival of Fantasy is a great repeat-viewing parade, because you will likely see something new each time.

There have been some comments online about this parade being disjointed and just a random mix of themes and floats. And while I agree that, compared to Soundsational, which features a cohesive color-scheme and design element throughout, I don’t think Festival of Fantasy lacking that cohesion is a bad thing. Certainly the design and feel of Soundsational matches, until the very last float, which looks like a completely different style of float and artistry. Festival of Fantasy just happens to do this with each float, I think. This is a parade dedicated to Fantasyland, both its spirit and its presence within the park. Of course there is no “Sleeping Beauty” attraction other than a princess meet and greet, yet an entire float features one of Disney’s most famous animated villains. Snow White, while not having her own attraction any more, will have the Seven Dwarfs Mine Train opening up soon, yet all we see of them in the parade are Snow and the Dwarfs themselves. It is not so much a literal definition of “everything in Fantasyland” but more of the essence of what we love about these parts of Disney in film. In a sense, we get eight mini parades rather than one long one.

{Enjoy the gallery of photos below – click to see full-size – more text after the pictures!}

Festival of Fantasy Princess Garden Frozen

A constant throughout Festival of Fantasy are the innovative and eye-catching costumes. I’ll let the photos speak for themselves on this one, but I am in love with all of these designs and love how each set of dancers preceding a themed float seems to represent the elements from each movie, from coral and seahorses, to thorns and ravens, to Pleasure Island treats and circus tents. The costumes and choreography are a show unto themselves. The Lost Boys receive a fun make-over in the style of Broadway’s Newsies with some fun dance moves. Randy Wojcik, Senior Show Director, Walt Disney Parks and Resorts, Creative Entertainment, likes to call each float a “mini Broadway show rolling down the street.”

I spoke to Randy about the costumes, wondering if they would survive wear and use, 365 days a year and he let me know how extensive the design and testing process was, getting approval for ergonomic wear and support. He’s rightly very proud of both the costumes and floats, especially the jaw-dropping Maleficent, represented as a steampunk contraption of a fire-breathing dragon. When I asked which came first, wanting Maleficent in the parade, or wanting a steampunk element in the parade, he said they always knew they wanted Maleficent, and the steampunk just came about through various pitch ideas and boardroom sessions.

Maleficent is definitely the show-stopper of the parade, but really, so many of the floats can stand up on their own merit. Maleficent, however, is part of a larger scene where Prince Phillip is battling the “thorns” (represented by stilt-walkers) conjured by Maleficent, as stylized ravens circle around. The battle then turns to Maleficent, who rears her head and breathes fire, a sight unparalleled outside of a nighttime spectacular in the parks. If you are looking to catch a photo of the fire, watch for Maleficent to lean her head all the way up, as that’s the only way she breathes fire. It seems to happen twice in Frontierland and twice around the hub turn by the Castle. I’ve yet to catch a perfect fire photo, but I plan to return and get one soon (research!). Be sure to enjoy all of Maleficent though; take note of her moving wings, her eyes and teeth, the thorn-spiked spinning wheel in the center of the dragon, all of it is amazing. It’s quite a detailed and impressive piece at 53 feet in length and 26 feet tall, designed in partnership with Tony Award-winner Michael Curry.

Next up is a float which, despite it being borrowed from Tokyo Disneyland’s Jubilation parade (along with the opening Princess float), is one of my favorites design-wise. It’s such a fun, brightly-colored and unique take on Monstro and the Pinocchio film itself, along with various other early films like Fantasia and Dumbo. The parade ends with Mickey and Minnie, which I think is a great finale. Since Mickey and Minnie aren’t really represented in Fantasyland (aside from Mickey in Philharmagic), they are a good reminder of the rest of the Magic Kingdom and Disney in general. I love Mickey and Minnie in this float and to me, their costumes are very reminiscent of the characters we see in Tokyo at their parades. All of the classic characters have wonderful, fun costumes in this parade, making for some great photos.

As far as the music goes, there is a catchy and familiar-sounding “Festival of Fantasy” theme, composed by Mark Hammond, known for his work on World of Color, Mickey’s Soundsational Parade, Flights of Fantasy Parade at Hong Kong Disneyland, and Tokyo Disneyland’s Jubilation Parade and Happiness is Here Parade. I am hopeful that soundtrack will be released, and other merchandise too. All in all, I think Festival of Fantasy is a wonderful, vibrant, captivating parade, which actually makes me want to line up to watch it at 3:00! I’d love to hear your thoughts below if you’ve seen the parade – what is your favorite part?

John Carter – The Greatest Movie You Don’t Want to See

6 March 2012 by Suzannah Otis 3 Comments

When buzz first surfaced about John Carter, I took little notice. I thought it was cool that Andrew Stanton was branching out from Pixar animated films, the fact that it was an Edgar Rice Burroughs story piqued my interest slightly, but seeing the first teaser trailer, it was lost again quickly. To me, it seemed too similar to stories we’ve seen before; man gets transported somewhere foreign to him, must fight his way out/back/defend a race of people. Avatar or Gladiator on Mars. And in a nutshell, yes, that is what the film is. What I wish I knew going in, was that this film has a heart, a compelling story within it. From the sounds of the feedback before and after seeing the film, I don’t think I’m alone in my reservations and praise of John Carter.

The story opens in Arizona, where John Carter is instantly identified as a valiant Civil War soldier from the Confederate Army in Virginia, who has now left the service. For some reason we don’t yet know, has no desire to return to service, even when imprisoned as a last resort. John Carter has his sights set on a different purpose, however, and nothing will stop him. He is looking for his cave of gold, which makes him the laughing stock of his fellow frontiersmen. We learn in a chase scene that he has no ‘side’ in the war anymore, and can speak in Native American tongue. He is out for himself, and no one else. Or so it seems.

Escaping soldiers and Native Americans he does find his cave of gold and with it someone from Mars, who he shoots and in the process ends up on Mars itself. It is here that our real story begins. John Carter discovers he has the power to jump great distances. That excitement is tampered by the fact that he is soon captured by tall green alien creatures, with four arms and tusks – the Tharks. I won’t go into a play-by-play of the movie plot, but the story here parallels that on earth; he does not want to fight or defend anyone, but is drawn in to defend those he considers defenseless, in the course of trying to get back home.

At this point, we still don’t know why John Carter is who he is, or why he so strongly defies choosing a side and fighting in a war. We are treated to various flashbacks as the central characters make their way to what John hopes will be a way home. This culminates in a fight scene when a rival tribe of Tharks has been called in to destroy him. John makes his companions go as he stays to fight, in one of the most powerful and emotional scenes I have seen on film in a long time. It brought tears to my eyes, and it is what sums up John Carter’s character, purpose, and hatred of war. It is beautifully edited and worth seeing the film for that alone, in my opinion.

After this turning point, John Carter is then on the side of good on Mars, or Barsoom as it is known by its people, and the battles continue to save the planet and get John home. However, John then falls in love with Dejah Thoris, princess of Helium – the most human-like of Barsoom’s inhabitants. This leads to several other twists and plot turns as John Carter fights for their lives. Just when all seems well, John is sent back to Earth. Yet another battle then begins – where John must seek out a way to return to Mars and his love. Since those details tie up the final points of the film, I won’t reveal them here, but rest assured, they are well done.

I’m not sure why the marketing for John Carter has been so confusing and poorly received, even in reading twitter streams after seeing the premier, there was a lot of silly chatter about Disney daring to make an action film. Maybe audiences are just used to the Disney marketing machine being the same, whether the film delivers or not, but in this case, it is sad to see such bad pre-press about a film I really had no problems with. Well, I take that back. In the beginning, John Carter’s voice and tone seem a little like a bad John Wayne impression, but by the end of the movie, I attributed it to the mannerisms of the time, and was okay with it, overall.

I didn’t want to see this movie. I was going to send my husband and son in my stead. I was completely won over and I plan to see it again once it opens officially on March 9th. It has all the elements of a wonderful film, Disney or otherwise: a story you want to hear, characters you care about, and just enough special effects and eye candy to make you ooh and ahh. More than just an action sci-fi flick, I had no idea it had a steampunk feel to it, and as a fan of that style, I was thrilled to see its use on Barsoom. It is appropriate for all tweens and up, with minimal up-close violence and gore, with a great message about preserving our world and doing the right thing. Go see John Carter of Mars – even if you don’t want to.

Limited Edition Steampunk Vinylmation Set

2 August 2011 by Suzannah Otis Leave a Comment

I am a huge fan of the Steampunk genre and as such was thrilled to hear that a Steampunk Vinylmation – “Steam Park” set was coming out. It arrived on July 22 and while in D-Street at Downtown Disney last week, I was able to see this set in person. At $100 for the Limited Edition set of 6, it is definitely for serious collectors. Here’s what the 6 Vinylmation look like inside the themed box: