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alan menken

Howard – A Documentary

6 August 2020 by Suzannah Otis Leave a Comment

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The 1980’s were a transformative time not only personally, but as a Disney fan as well. My interests of course changed as I grew. I went from being obsessed with Strawberry Shortcake and Barbie dolls, to being obsessed with movies like Annie and E.T. In the animation realm, I was more into The Last Unicorn and The Secret of NIMH. I guess I felt Disney animation wasn’t for me anymore, and as a result, I still haven’t seen The Great Mouse Detective.

In non-movie terms, I was newly discovering EPCOT Center in 1983 and falling in love with Figment and Walt Disney World in general. I left my interest in animated Disney movies behind, and it seems like I was not alone in that feeling, based on the numbers those early 80’s films pulled in.

By my sophomore year in high school, I had been in 5 different schools in 3 different states in 5 years (my parents liked to move around). I was firmly ensconced in the “theatre kid” life as a coping mechanism. I watched and listened to musicals, I was in drama club and several school productions and competitions.  At my 5th and last school, I arrived in the middle of sophomore year, wondering if I could yet again make a new set of friends and start over. It was their production of Little Shop of Horrors that pushed me to audition for the next show. I was (and still am) absolutely in love with Little Shop, “Somewhere That’s Green” and “Suddenly, Seymour” are two of the best written and most pure musical numbers of all time.

Before the days of wikipedia (or me paying attention perhaps), I had no idea that the brilliant minds behind one of my favorite shows were working on something that would put Disney animation back on the map and change it forever. The Little Mermaid appeared on the horizon and looked and sounded unlike anything I’d seen before. It was the perfect time for this brand new relatable princess, with a soundtrack that told the story of the entire movie, with memorable, sing-along-to songs, to completely win me over.

I was also particularly obsessed with Phantom of the Opera and the Beauty and the Beast television series, as well as Labyrinth. I was fully embracing the villain-turned-good-guy storyline. (Okay, maybe Jareth in Labyrinth wasn’t ever a good guy, but come on, it was David Bowie…what’s a teenage girl supposed to think?) I distinctly remember Beauty and the Beast coming out at just the right time in my 17-year-old life and being so captivating that it was an instant classic. Again, I wasn’t alone.

What these new films managed to do was combine my love of Disney, musicals, and animation, as well as really cement my Disney fandom, even if I mostly kept it to myself at that point. Sure, Disney parks were full of animated movie references and attractions, but they were all at least 20 years old by then. These compelling tales gave life to various shows, parades, and attractions, while this new generation of fans felt at home with their new-found favorites represented in the parks. We didn’t realize it at the time, but this was the second golden age of Disney animation – the renaissance, if you will. And really, we have Howard Ashman to thank for that.
Howard documentary

All of this personal backstory leads me to Howard, Don Hahn’s latest documentary chronicling the life and times of Howard Ashman. Even casual fans have heard of the Ashman and Menken duo, and seen the dedication on Beauty and the Beast: “To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman 1950–1991.” But who is the man behind that dedication? What is his story? Die-hard fans have heard some bits and pieces from those who were there, but what Howard does is tell us where that man came from, and how his life was tragically cut short.

We recently discussed Don Hahn’s previous look at this time period, Waking Sleeping Beauty, on our Up the Waterfall podcast. I wanted to revisit it as a precursor to this new film, as it really sets the stage for when and how Howard came into the Disney realm. More than just that, we are treated to first-hand accounts of his childhood from the mouths of his sister and mother. Stories of his work ethic and dreams from his close friends. Tales from Disney and former Disney colleagues of the process of coming to Disney, and creating the stories that would soon live on forever. Heartbreaking memories from his partner, Bill. Howard is truly a love letter to all fans of Disney certainly, but also to those who are filled with creative spirit; a love letter to those with a dream.

More than just a dry documentary with talking heads and old still photos, Howard is crafted to draw you in and make you feel as if you are a part of the story. As Howard’s sister shares a moment in time when Howard created a whole other world for her from cowboy and Indian figures and whatever else lay about the room, the memory is recreated before you on screen. You hear his sister’s wistful remembrance and know how important this point on a timeline is, in explaining who Howard Ashman became.

Particularly poignant is the scene when Howard and Alan Menken were invited to speak at the 92nd Street Y in New York. We hear the event’s audio, we see the crowd in the audience, but we look at empty chairs on the stage. Knowing that right before this is when Howard learned of his HIV diagnosis makes the scene that much more powerful. You hear the difference in Howard’s voice, the weary uncertainty of what his future holds.

Beyond his time at Disney, Howard truly takes you on the journey of Howard Ashman’s life. From his childhood antics to children’s theatre performances in Baltimore, through his varied education and bold moves to open a theatre in derelict New York City of the 70’s – and make a success of it. He built a black box theatre from nothing, and put on some amazing shows, including, of course, Little Shop of Horrors. That success led to a failure, when he worked with Marvin Hamlisch to create Smile, which made it to Broadway, but was a flop. It was on the coattails of that failed dream, that his story led him to Disney.

Howard Ashman and Paige O'hara

We also aren’t shielded from his personal life, which does play an important role. Don Hahn created this film back in 2018, without “Disneyfying” and it is now being shared on Disney+ as it was envisioned by the director. Howard Ashman’s past comes into play, his diagnosis is shared, and of course, the tragic end of his life is covered. We share in Howard’s fears of sharing his HIV news with colleagues, we hear his worry about sending in his demo tape of “Belle” for Beauty and the Beast. Rumors of Howard representing himself as “The Beast” due to his diagnosis are quelled. All in all, it is a fully fleshed out story and one that you won’t want to miss.

Howard AshmanHoward premieres August 7 on Disney+, which if you haven’t yet subscribed to, this is certainly reason enough to go for it. There are a handful of true gems within this Disney+ platform, Howard and Waking Sleeping Beauty among them. On a recent press call with Don, I asked if we could look forward to any “extras” or “bonus features” from the cutting room floor with the Howard release. Don said that in revisiting the film, he did find so much more content and he hopes to someday release them, perhaps as a webseries. So fingers crossed that all gets the green light.

On a personal note, I am truly grateful that we have people like Don who not only were there when this history played out, but have the incredible talent to share these gifts of knowledge and understanding with us all. People often ask “why Disney?” “why are you so into it, it’s just for kids” but stories like this one prove that behind every fairy tale is a lot of hard work, a lot of heartbreak, and almost always, the answer to the “reason why” we love what we love. Thank you, Don, and thank you, Howard.

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Filed Under: Disney Movie News & Reviews, Disney News, Disney Past, Latest News, Movies & Books, Top Stories Tagged With: alan menken, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Little Shop of Horrors, Waking Sleeping Beauty

Waking Sleeping Beauty – Disney Animation Renaissance – Up The Waterfall Episode 34

5 August 2020 by Suzannah Otis Leave a Comment

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Eleven years may have passed since the 2009 Don Hahn directed documentary release, Waking Sleeping Beauty. Don Hahn has another documentary coming out in just a couple of days on Disney+. Howard, which premiers on Disney+ August 7 and tells the story of Howard Ashman. Howard is of course half of the Ashman/Menken duo that really played an integral part in the Walt Disney Animation renaissance of the late 80’s and early 90’s. I recently got the chance to be on a press call for Howard with Don Hahn, and view the film in advance. I’ll have an article reviewing Howard coming up so keep an eye out. For now, we thought discussing Waking Sleeping Beauty on our Up the Waterfall podcast would be a great way to set the stage for the upcoming Howard Ashman film.

waking sleeping beauty

On this week’s episode, we discuss just that; the importance of this time period in Disney and Disney animation history and the impact these major changes and shake-ups within the company had on the animation side things. Hear our thoughts and some insights as we recall this time and its representation in this fly-on-the-wall documentary.

As mentioned on the podcast, there is an upcoming Evening with Alan Menken concert with Lin-Manuel Miranda put on as a fundraiser for the Walt Disney Family Museum. It is taking place this Thursday August 6 at 5pm pacific time. If you are able to donate, it is such a wonderful foundation, but if not, there is a free registration option as well.

We hope you enjoy this week’s show – give us a comment below if you’ve seen Waking Sleeping Beauty and tell us your favorite part of the film. Are you looking forward to Howard on August 7? Don’t forget to listen and answer our trivia question too! You can email zanna with your trivia answers before next week!

Don’t forget to keep an eye out for our LIVE show, starting Monday, August 3, 2020. We’ll be broadcasting live from the Zannaland facebook page, so be sure you are following along there and like the page to be notified when we go live!


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Filed Under: Disney Movie News & Reviews, Disney Past, Movies & Books, Up the Waterfall Podcast Tagged With: alan menken, Disney animation Walt Disney Animation, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Jeffrey Katzenberg, Up the Waterfall, Up the Waterfall podcast, Waking Sleeping Beauty, Waking Sleeping Beauty review

Something There That Wasn’t There Before: Beauty and the Beast 2017

17 March 2017 by Suzannah Otis 2 Comments

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BelleLike many others, I will admit to being afflicted with a bit of “live-action overkill” when it comes to Disney animated classics being “reborn” with live actors, or in the case of Jungle Book, an actor and a lot of computer animation. Disney has waved its magic wand to varying degrees of success when it comes to live-action reboots, and while some did indeed steal my heart (Cinderella), others, well, didn’t. So I approached Beauty and the Beast with great caution, having been such a fan of the original.

The animated Beauty and the Beast premiered a few weeks before my birthday the year I graduated high school. I had been obsessed with the story-line for years, having been entranced by fairy tales all my life, and watching the Ron Perlman / Linda Hamilton television show that wrapped up right before the animated film debuted. I was super into books and reading. I always felt out of place. Typical high school to just-out-of-high school emotions that made Belle such a relatable character. I suppose I should also note that at the time I was very into Phantom of the Opera too, so I kind of had a thing for “unlikely love interests,” I guess. This was also a great era for Disney Animation. Leaps and bounds were being made with technology, and the ballroom scene, quite hyped at the time, did not disappoint. My favorite bit of animation will always be how Belle tilts her head during her opening song, and a little piece of hair falls into her face. It made Belle so real, so perfectly imperfect. So in short, the film had a great impact on me, and I was a little bit worried that Disney was setting itself up to fall short by reinventing the wheel. Boy, was I surprised.

Beauty and the Beast delighted me from start to finish. It was a feast for the eyes and ears. I’ve been trying to put my thoughts into words since I saw a screening of the film on Tuesday, and now as it premieres tonight, I still find myself searching for the best way to convey just how wonderful it was. A thought that kept returning to me as I watched was how Walt Disney himself used to talk about “plussing,” of course referring to his creation of Disneyland park:

“I wanted something live, something that could grow, something I could keep plussing with ideas, you see? The park is that. Not only can I add things, but even the trees will keep growing; the thing will get more beautiful every year. And as I find what the public likes—and when a picture’s finished and I put it out—I find out what they like, or they don’t like, and I have to apply that to some other thing; I can’t change that picture, so that’s why I wanted that park.” — Walt Disney

Now, Walt may have been referring to Disneyland, and even noted that he can’t change a picture once it’s released, but future generations have proven it can be done, and done right, if you have the right folks involved. Something that made this production of Beauty and the Beast so special was the gift of two original production members: Don Hahn and Alan Menken, working to “plus” this version. Don Hahn, a producer of the original (among many other Disney films) returned as a producer. Alan Menken, who wrote the score of the original, working alongside the great lyricist Howard Ashman, had previously written new songs for the Broadway musical adaptation with Tim Rice. Menken wrote even more new music for the 2017 film, which he managed to weave in seamlessly to enhance the story we all knew and loved. Who better to retell the tale than those who gave so much to the original 1991 production?

Beauty and the Beast 2017

Back to plussing, that was my overwhelming take away from this new Beauty and the Beast. The costumes, the sets, the characters and the music were all enhanced and improved upon. I realized, upon listening to the original songs, that most of what we learn about the characters within the animated feature is told to us, through narration or song. We learn that the Beast was a jerk and was punished for that. We hear that the townsfolk think Belle is weird because she reads. In the new film, we get backstory. Belle’s father Maurice isn’t just “crazy old Maurice, always good for a laugh,” he is an artist, who sacrificed the love of one for the safety of another. I really loved Maurice’s portrayal by Kevin Kline. I thought he was the perfect fit and we understand so much more through that performance. We see Belle’s mother, and where she came from. How did they end up in this poor provincial town? You’ll find out in the film. Why was Beast a jerk? You’ll find that out too. The character development is done really well and just enough to lend itself to the story without giving too many details or seeming implausible.

We still learn through song in this version too, with beautiful new music from Alan Menken. I daresay the new songs are my favorite part, with a couple of them causing me to shed a tear or two. “How Does a Moment Last Forever,” sung by Kevin Kline as Maurice is simple and poignant. “Days in the Sun” is a heartbreaking ballad sung by the enchanted castle residents and Belle. And “Evermore” is a show-stopping Broadway-worthy number sung by Beast as he lets Belle go free to help her father. These new songs, and additional lyrics from Howard Ashman that were cut from the original animated film, made me download the soundtrack the minute I left the theatre. The special effects, dance numbers, and sets that go along with many of these musical numbers are so rich and full of fun details, it really makes for a film you want to see again and again, which I think is the perfect tribute to the original.

As for the shocking news that LeFou is a gay character, it was truly much ado about nothing in my opinion. What I saw on screen was someone who had a huge love and admiration for Gaston as a person, and wanted both the best for him, and to be a part of that Gaston persona. But LeFou is also later confused when Gaston’s behavior doesn’t align with what he (or anyone with a heart) thinks is right. LeFou is not simply a bumbling sidekick in this version. He has evolving feelings of right and wrong. You can see him struggling to align his conscience with his adoration of Gaston, leading to an epiphany about Gaston’s personality (granted it takes a while, but he gets it). As for LeFou being gay, if anything, I’d say perhaps he’s bi-, or still just figuring it out. Which is just A-OK to feature in a Disney or any other film. Because, guess what? There are allllll different types of kids in the world, who become all different types of adults in the world, and wouldn’t it be great if all of them saw someone they could identify with on a big screen? Goodness knows I’d much rather have more LeFous in the world than more Gastons, and I’m sure I’m not alone there.

Beauty and the Beast 2017

The other performances did not disappoint, even though I wasn’t initially convinced about Belle’s casting. Emma Watson won me over and became the perfect Belle. I also loved seeing the relationship of Lumière and Plumette, as well as the love between Garderobe and Cadenza. You truly felt for these humans-turned-home-décor-items and their interrupted lives. Don’t even get me started on Chip and Mrs. Potts. As a mom of two older teenagers and one 8 year-old boy, Chip just about killed me. But unless you’ve lived under a rock for the last 25 years, you know it all works out in the end. Oh, one last side note: I’ll take Belle’s flowered “Celebration dress” at the end over the yellow ballgown any day – it was simply stunning!

I left the theatre lifted up and galvanized, as if I’d just seen this tale for the first time (in forever), despite it being as old as time. What a triumph to successfully breathe life (literally) into a beloved story that seemed to hold no place for improvements. The love and veneration of the original is present in abundance. The fresh take and inspired additions show us something there that wasn’t there before, making it an instant classic, yet again.

 

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews, Top Stories Tagged With: alan menken, Beast, Beauty and the Beast, Beauty and the Beast 2017, Beauty and the Beast 3D, Beauty and the Beast live action, Beauty and the Beast review, Belle, Don Hahn, Emma Watson, Ewan McG, Gaston, Howard Ashman, LeFou

D23 Expo 2013 – What to Know Before You Go!

6 August 2013 by Suzannah Otis 1 Comment

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If you’ve been reading Disney blogs, twitter, facebook or even instagram lately, you know that the D23 Expo is almost upon us! As you know, I am attending for my second time, and my fourth time at the happiest place on earth, the Disneyland Resort. This year, D23 has made some big changes in the way the Expo works, in response to guest and fan feedback from past Expos. Because of that, and the large amount of first-timers I’ve seen commenting online, I thought I would put together a D23 Expo 101. Here I’ll share my own personal tips and tricks, as well as get some insider info from D23’s own Jeffrey Epstein, who was nice enough to speak with me the other day and give me the run down.

D23 Expo

What’s New:

In listening to guest feedback, according the Jeffrey Epstein, the biggest issue D23 worked to improve upon was capacity. As a result, they have doubled the size of the Stage 23 venue to 2000 seats. The Stage 28 venue also has an increased capacity and the Arena now has a 2000 seat overflow theatre, with closed-circuit live streaming of all Arena events. In addition, they have created a “StagePass” for the Stage 23 and Stage 28 sessions, similar to a FastPass system. We’ll discuss more about StagePass in a moment.

Additionally, D23 has added 2 concerts this year, of course the amazing combo of Alan Menken and Richard Sherman, which is a dream show for all Disney fans. There is also the Broadway and Beyond concert which is sure to thrill attendees and fans of Disney’s Broadway productions. Also this year, Imagineering is celebrating its 60th anniversary and has decided to showcase the creative process that fascinates so many who love the Walt Disney Company. Sunday will feature a full day of Imagineering panels, offering a look behind the scenes, which guests so often want to see. The full D23 schedule is available online and with the D23 App, which we’ll also discuss below.

StagePass: 

When Stage Pass was first announced, there was a little confusion about how exactly it worked. Well our amazing pal Jeffery has given us the facts on how Stage Pass will work for us. Similar to a FastPass within a Disney Park, StagePass is free, and available on a first-come-first-served basis for sessions taking place after 11am in Stage 23 and Stage 28.  StagePass is not available for morning sessions before 11am. Here’s exactly what to do:

StagePass

For a session after 11am, line up with your activated D23 Expo credentials. Decide which session you want to get a StagePass for. Jeffrey recommends you have a second and even third choice because there will be a lot of people doing just what you are. Then if you want to get back in line to obtain another StagePass for a session after 3:00pm, you may do so after 12:30pm.

TIP: Also similar to FastPass in the parks, if you have activated credentials for other members of your party, you may bring them to obtain StagePasses for them as well. This will come in handy as you plan your Expo day. Someone may be waiting in line for a morning session, while someone else is in line for StagePass, letting you attend a later session with a guaranteed seat.

Unfortunately, StagePasses are not unlimited. When they are gone, they are gone, and that probably means that particular session will not have any seating. You are able to wait in a stand-by line for sessions if you do not have a StagePass, but you have to decide if that is a good use of your time, with no guarantee of seating. If you have a StagePass and still want to get a seat up front or center stage, you should probably still line up  with a good amount of time to try and get a preferred seat location. StagePasses are for general admission seating and do not guarantee a particular seat location. Good luck!

What’s the Same:

Well, simply put, the lines and waiting. You will wait in line. You will probably miss out on some sessions you really want to see. It will be crowded. That is just par for the course with any convention and the D23 Expo is no exception. What’s also the same is LOTS  of magic compressed into 3 days. Despite all the lines and waiting, you will have fun – it’s Disney! You’ll find the same great Walt Disney Company info and some great exclusive shopping too!

Surprises:

In addition to the larger venues and StagePass, the Show Floor is also expanded, offering even more ways to explore your favorite Disney interests and have fun. Roam the Collectors Forum to see your favorite Disney fan folks, websites, and vendors. Check out the latest from Disney Interactive, Disney Consumer Products, the Disney Channel, and more! As Jeffrey says,”the Disney Channel viewers of today are the Disney Geeks of tomorrow.” I love that quote, and it’s true! There are some great family options at the Expo and while fans of Disney history and news may not be heading there as our first choice, the fact that the Expo offers such great opportunities for all ages, is wonderful.

The biggest surprise may be finding something you never expected to enjoy. If you can’t get into a session, don’t think of it as a loss, think of it as a way to see something you never thought you would. You just may be happy with where you end up. I’ve heard there will be a fun Virtual Scavenger Hunt announced during the Expo, and don’t forget the amazing alternate reality game, The Optimist, which has been playing out online and in person over the past month or so, and may culminate at the Expo. Be sure to visit the Disney Cartography booth on the Show Floor and visit Wallace for more info!

TIP: Head to the Disney In-Home Entertainment section of the Show Floor to see the latest in Disney home entertainment releases…and…enjoy the free charging station! 

If you are looking for some unique things to check out, ESPN is joining the Expo for the first time this year and will feature their moving film The 99ers. The Disney Citizenship booth showcases 30 years of  VoluntEARS and attendees become an honorary VoluntEAR. Also be sure to check out the Once Upon a Time Q&A session, hosted by Jeffrey Epstein. Be sure to say hi and thank him for speaking with us here! He promises the content they are sharing in that session is NEW and unique to the Expo. I can’t wait!

Jeffrey also let us know there will be a few other surprises and reveals sprinkled throughout the 3 days…so keep your eyes and ears open!

Must Do’s:

If you do nothing else, (and you should have already done this if you’re attending the Expo!) download the D23 App for your mobile device. It has tons of fun and important info for your Expo experience. You can plan your schedule, take and edit silly photos, and so much more. During the Expo, the app will be pushing live info and updates to us. Sweet!

D23 App

Hopefully this gives you a little more idea of what to expect when you walk through those convention doors. Plan, prepare, but keep an open mind for changes or plan B’s (or C’s). You know, just like a Disney Parks vacation!

Huge thanks again to Jeffrey Epstein for taking time out of his insanely busy schedule to share with us here. It is an amazing amount of work to put together these Expos and as a fan, I am so appreciative of the opportunities D23 gives us to learn and share more about the company and the magic we all know and love.

{ P.S….If you are arriving early to the Disneyland Resort for the Expo, my great friend and fellow blogger Nicole of SparklyEverAfter and I are having a meet-up on Thursday night! Join us at Disney California Adventure’s Fiddler, Fifer & Practical Cafe on Buena Vista Street at 7pm on August 8 for some sparkles and Starbucks! We’d love to share a coffee with you and chat! If you’re in the area, be sure to stop by! }

Sparkles and Starbucks

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Filed Under: D23 Expo, Disney Special Events, Top Stories Tagged With: alan menken, arena events, broadway productions, D23, D23 Expo, D23 Expo 2013, D23 Expo Info, D23 Expo Primer, disney fans, Disneyland Resort, fan feedback, guest feedback, happiest place on earth, imagineering, insider info, jeffrey epstein, Richard Sherman, stagepass, walt disney company

Details on the D23 Expo Dream Store Merchandise and More!

30 May 2013 by Suzannah Otis 1 Comment

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Disney fans are counting down the days until the 2013 Disney D23 Expo (I’m one of them!) and with last week’s big announcement about the concert featuring both Alan Menken and Richard Sherman, excitement is building! Today D23 shared details about its Dream Store featuring exclusive Expo items, handbags, art, and more, including autograph sessions and their silent auction. I must say, the minute I saw the Harveys bag, I knew I had to add it to my Disney handbag collection. Here are more details and a photo from D23’s official release today:

D23 Expo 2013 Dream Store

Highlights include:

Official D23 Expo Merchandise will allow Disney fans to take home a piece of the magic from this year’s expo, with an assortment of official D23 Expo inspired merchandise including tees, baseball cap, fleece, jewelry, drink ware, accessories, pins, and Vinylmation™.

HARVEYS Seatbeltbags® are sure to make a statement at this year’s D23 Expo.  This new collection, which features Sorcerer Mickey, classic D’s and more on some of HARVEYS most popular silhouettes, were created especially for this year’s 2013 Expo.

Disney Theme Park Merchandise will showcase some of its newest releases from Disney licensees and artists, including ACME Archives Limited, Dave Avanzino, Disney Design Group, Dooney & Bourke, Duffy the Disney Bear, Noah, Robert Olszewski, Precious Moments, Linda Rick, Jim Shore, and more.

ACME Archives Limited invites guests to make the magic come alive in your home with the latest releases from Disney•Pixar, Disney Studio Art, Disney Limited, Disney Underground and more.

Disney Design Group highlights a new Signature Collection of artwork including four captivating pieces filled with imagination, which bring to life Sorcerer Mickey and some of Disney’s most beloved characters.

Disney Dream Collection and D23 Expo-Exclusive Jewelry will dazzle audiences with a sparkling new selection of fine jewelry debuting as part of this year’s D23 Expo and featuring classic Disney icons and characters like Mickey Mouse, Minnie Mouse and Tinker Bell, among others.

Dream Store Autograph Sessions will give Disney fans the opportunity to meet and greet some of their favorite authors, artists, Disney Legends and other notable celebrities. Autograph sessions will be posted daily at the D23 Expo Dream Store.

D23 Expo 2013 Silent Auction offers Disney enthusiasts the rare opportunity to bid on unique artifacts, artwork, experiences, props and more. The D23 Expo 2013 Silent Auction takes place Saturday, August 10, 2013. Tickets for the Silent Auction go on sale June 11, 2013, at 11:00 a.m. (Pacific) via ArtofDisneyParks.com. Separate D23 Expo admission is required.

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Filed Under: Disney Merchandise, Disney News, Disney Special Events, Top Stories Tagged With: alan menken, autograph sessions, D23, D23 2013 Expo, D23 Expo, D23 Expo 2013, Disney Dream Store, disney fans, dream collection, Expo Dream Store, Harveys, Harveys seatbeltbags, Harveys Sorcerer Mickey bag, Richard Sherman, silent auction, sorcerer mickey

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  • LIVE Updates from the 2022 D23 EXPO in Anaheim California
  • Walt Disney’s Grumman Gulfstream I Airplane Makes its West Coast Return for D23 Expo 2022
  • Lilly Singh and Raven-Symoné To Host ‘Disney’s Epic Entertainment Showcase: The Musical: The Extravaganza!’
  • ICE! To Return to Gaylord Palms Resort in Orlando for 2022
  • DIS Con 2022 Fan Expo Will Take Place at Disney’s Coronado Springs Resort
  • Disney+ to Highlight Upcoming Content Throughout D23 Expo Panels
  • D23 Expo 2022 Full Schedule Lineup – Including Muppets Christmas Carol
  • LEGOLAND Florida Brick-or-Treat presents Monster Party

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