Now most carousels just go round and round without getting anywhere. But on this one, at every turn, we’ll be making progress. And progress is not just moving ahead. It’s dreaming and working and building a better way of life. Progress is the sound of a motor, the hum of a turbine, the heartbeat of a factory, the sound of a symphony, the roar of a rocket. Progress is people getting release from drudgery, gaining more time to enjoy themselves and live richer lives. And as long as man dreams and works and builds, this progress will go on…in your life and mine.
And with those words, Rex Allen began the original “Progressland” attraction hosted by General Electric at the 1964-65 World’s Fair in New York. Progressland is more familiar to us as the theatre portion of the experience – the Carousel of Progress. In truth, there was quite a lot more to the World’s Fair exhibit and we go over all of its retro-fabulous history. While we may all be able to recite the current iteration of the classic Carousel of Progress attraction, it does have a very interesting and storied past, including Walt Disney’s personal involvement in its creation.
General Electric’s Progressland pavilion – a Walt Disney Production – from the 1964-65 World’s Fair in New York
In this episode of Up the Waterfall podcast, we journey back to the very beginnings of this beloved attraction, the changes it has experienced over the decades, and what we hope will happen for its future. We hope you enjoy this info-packed episode, I know we loved recording it!
General Electric’s Progressland pavilion at night
You can listen anywhere you download and listen to podcasts, including:
(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)
You can also watch on our Up the Waterfall YouTube Playlist– where you can see our fun opening sequence and some fun images of the Carousel of Progress over the years. Here’s the latest episode:
Feel free to comment below with your memories of Carousel of Progress, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Carousel of Progress fans!
Early concept art for the Progressland energy-filled future
Artist rendering of the incredible drama of nuclear fusion from the Progressland exhibit
Here are some of the books and recordings mentioned in this episode (the links will go to the item on amazon.com and are affiliate links – meaning no extra cost for you but a small portion goes back to zannaland if you make a purchase – thank you for supporting our site!):
The images from this post are from this CD set and booklet an amazing trove of Disney history!Designing Disney – Imagineering and the Art of the Show by John Hench Walt Disney Imagineering – A Behind the Dreams Look at Making Magic Real
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Hello friends! This week’s episode of Up the Waterfall podcast could get a little heated! Scott and I have each compiled our lists of what we think are the biggest hits and the biggest misses/flops/disappointments or whatever you’d like to call them, across the Disney parks. Will you agree? Will you want to yell at us next time you see us in the parks?! Have a listen or a watch and see if you agree!
I know for me, some of my “misses” may not be the concept itself, but what it has turned into, or what effects it had on the parks and the way they run, as well as the way we visit them. As usual, Scott’s ideas may surprise you as they surprised me, and we even had the same item for a miss, unplanned.
You can listen in everywhere you download and listen to podcasts – if there’s a place you’d like to listen and can’t find us, let me know and I’ll be sure we add it there. You can of course find it on Apple podcasts and Google Play in addition to Anchor and many other locations. If you’d like to see our facial expressions and the amazing opening sequence that Christian created for us, head to ZannaLand on YouTube to watch (and see our other vlogs and videos too!)
Some fun other blogs to read relating to this topic are:
We hope you enjoy this episode, and invite you to share your favorite hits and misses in a comment below, or find us on whatever social channel you prefer to share your comments there.
WE THANK YOU AGAIN FOR LISTENING AND WATCHING! HAVE AN IDEA FOR A NEW EPISODE? LET US KNOW BELOW! AND TELL YOUR FRIENDS!
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Up the Waterfall is a weekly Disney history podcast hosted by Zanna and her husband, Disney history buff and bibliophile, Scott Otis, where they share stories of Disney past, present and future.
This week we take a stroll back in time…and space. Space Mountain that is. Pull back on your safety bar and sit back as we explore the history of this beloved attraction, from concept art to present day, and everything in between.
Space Mountain concept art by John Hench from the Top of the World lounge at Bay Lake Tower
Scott takes us on a journey through the years and the historic milestones of the Space Mountain attraction in Walt Disney World, Disneyland, and beyond. Believe it or not, I only rode Space Mountain at age 31. Crazy, right? Anyway, we hope you enjoy our chat and stories along the way as we share some fun facts and history of this iconic attraction that is the cornerstone of Tomorrowland (or Discoveryland) in every Disney park.
Disneyland Paris Space Mountain in Discoveryland
For this episode, we highly recommend you watch the video version as well, Christian has added some great images of the topics we bring up, from the many books Scott brought out for this episode. We will link to those books on amazon below, some of which may be through 3rd party Marketplace Sellers on Amazon, or you may find them on ebay as well:
We hope you enjoyed this episode, if you did, please share with a friend so they can discover us too. What are your favorite memories of Space Mountain? We’d love to hear about it either in a comment below or on social media. Feel free to comment wherever is easiest for you with the hashtag #UpTheWaterfallPodcast. We thank you for listening and for your support of our passion project – Up the Waterfall.
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The Disney park currently known as Disney’s Hollywood Studios has been the much maligned “not-a-full-day-park” for years and years now. It usually comes in 3rd or 4th place, depending on whether the person choosing enjoys Disney’s Animal Kingdom or not. I have personally defended Disney’s Hollywood Studios in the past, based on the memories and the hope it once held, and the potential future I thought it could enjoy. However, as of late, much like the former EPCOT Center, DHS has been slowly cannibalizing itself in the name of “progress” and throwing the old “Disneyland will never be finished” quote around as justification for whatever NEXTNEWNOW change comes down the line.
When the Disney-MGM Studios first opened, it was a fun, light-hearted, action-packed look through the history and current world of entertainment. The park combined a mix of Hollywood history with architecture and icons reminiscent of the golden days of the silver screen, along with a behind-the-scenes glimpse into how movies, tv shows and the stunts within them were made. The park also offered a loving and closer look at some of what made Disney famous; animation and its animated characters. It was a fun mix of the two other parks down the street; the fantasy of Magic Kingdom and the discovery and education aspect of EPCOT Center. Even with the advent of the cry “we need more thrill rides!”, efforts were made to keep new areas of the park and their rides fit in to the theme of the park, one way or another.
Then, something happened, and suddenly, this fun, well-loved, full-day park began to decline. I’m sure there were several factors of which I am unaware, since I’m not in Imagineering or the boardroom discussing budgets, theme park attendance, profits, and whatever else results in the decisions Disney makes regarding its attention or lack-of toward specific parks or attractions. The hopes that this would be a “working studio” never really came to fruition. Hollywood stars didn’t really want to travel to Orlando to work, and certainly the conditions of humid, humid and more humid are not the best compared to sunny and 72 degrees every day in Hollywood. The Backlot Tour became more and more stagnant, with less and less relevant references, props, and costumes to interest newer guests. Part of the charm and allure for me as a young 13 year-old Disney fan visiting the park, was the wow factor of seeing props from favorites like the Rocketeer or Flight of the Navigator and actually believing “they are just storing these props here until they need them for a new film.” The pretense that “this is how movies and tv shows are made and you are getting an insider’s look” worked on me and I loved it. But when the pretense changed, the curtain fell and suddenly, the whole story and message of the park changed.
The once hour-plus-long Backlot Tour was broken up into two parts to create more attractions and make it easier on guests to enjoy. The special effects tour was still an incredibly fun and educational attraction. Seeing blue screen effects, miniaturization, sound effects and more, plus a short movie filmed right at the park ending in a walk through the props/sets of that movie was great. But again, soon the films used became outdated. These things could’ve been updated, or even treated in a kitschy manner, “back in the late 1980’s, this was the highest technology at the time for special effects!”. But instead, the tour was just closed. The death knell for the Backstage Tour was the demolition of Residential Street in 2003, to make room for Lights, Motors, Action!, which, while loud, and not particularly efficient in terms of loading and unloading the immense theatre to view the show, does fit in to the movies theme. After that, the Backlot Tour was an attraction you never really had to wait for, and went the way of Listen to the Land over in Epcot – replacing a live, interactive human cast member with a pre-recorded spiel. I remember how sad it was the first time I rode the tram tour through Catastrophe Canyon, and there was no presumption of driving through during a production break and the “surprise” of being caught in the middle of an elaborate special effects scene with potential “danger” that followed. It was a sad moment.
Photo courtesy of Parkeology.com
This brings me to my next point, that yes, Catastrophe Canyon could work as a “hey, we’re now going to drive through a set and you’ll see how an action scene could be filmed” just as the park itself could work as a “hey, welcome to the Everything-We-Couldn’t-Fit-in-Magic-Kingdom Park. Enjoy the random attractions!” But that’s not what this park was created for. It’s like when you see an old band you loved in the 80’s on tv, and now they have super trendy haircuts and hair dyed a couple shades too dark, and clothes that really don’t work on a 60+-year-old…and they are screaming “look at me, I’m still relevant! I’m still fun and cool!” Except they aren’t. They are focusing on all the wrong things and forgetting why their fans loved them to begin with. Disney basically created fans back in the 80’s with both EPCOT Center and Disney-MGM Studios, fans with discerning tastes, that appreciated and then cravedstory…history…and yes, even education.
Those fans were then pushed aside for the quicker, easier-to-control fan. Disney Jr. shows, make-shift “experiences” with little to no theming, and audience sing-a-longs receive no complaints from this new fan. This new fan is happy to see Olaf and take photos with rocks (sleeping trolls!), and just pretend most of the park doesn’t exist. A park that now, with the closure of the Magic of Disney Animation and One Man’s Dream (unofficially confirmed as of this post), has SIX attractions (rides), plus 5 “shows” and is a thin, staple-gunned-together shell of its former self. A park where, just because they can, turned a former queue of a former temporary replacement attraction, into a “lounge” with metal benches, air conditioning, and a few photos on the walls. These new fans will love this. A place to sit and cool down. Oh look, old black and white photos of Walt, wow! These new fans don’t come to this park expecting a story, details, or something new around each corner. They come to this park thinking, “I like Frozen. I like Star Wars. I like Pixar movies.” They walk in and see Frozen. They see Star Wars. They see Pixar films. They drink Olaf drinks. They buy Elsa dresses and build lightsabers. They leave happy, never knowing or wanting anything else. Leaving the old fans saying, “but…wait…what about…?”
A new Frozen attraction?
Errr…
Art! Who needs to draw Olaf!
Oh, it must be a pirate ride…no?
Well at least there’s a lot of charging stations for phones. Oh, wait…
BUT, at least these benches look comfy! Right? They must be.
Now I’m not saying there isn’t hope. Just like with EPCOT, I cannot abandon all hope for a place that fostered and nurtured my love for Walt Disney World to begin with. I just can’t. At the same time, I can’t just forget all that “once was” and blindly accept whatever replaces it. It saddens me that the ideals and ideas that once created such amazing, unique, and entertaining places seem to have disappeared. I know that the ideas are there. I know that there are Imagineers who remember and value the once (truly) untouchable Disney Difference. Imagineers who want to create amazing environments and experiences for guests. Who wanted to be Imagineers because of how affected they were by some aspect of Walt Disney or the empire he created, and wanted to be a part of that creativity. But who are also sadly restrained by budgets and projections and profits and return on investment and how to get the most dollars out of the least materials/space/investment/time. The hope is still there, it just needs to be let out of its box and released upon the world. I get that the parks here in the states aren’t ever going to have the budget and carte-blanche that a place like Tokyo Disney Resort has. But I also get that Disney as a company isn’t exactly scraping together funds to pay the electric bill each month. There has to be a better way, which will, in the long run, create and keep more and more dedicated guests, fans and yes, brand evangelists. Yes, it’s harder and takes longer. It’s much easier to get a large group of people hyped over a particular facet of a brand and spread that hype across the land so that everyone wants to buy all the Elsa and Anna dresses/dolls/cups/pins/dessert parties/VIP experiences vs. getting a set group of people educated, interested and loyal to a place and the attractions within that place. Obviously it makes sense from a business perspective. Does it make sense in a long-term investor sense? I don’t know. Does it matter? I guess time will tell.
We all know that the Studios park is in flux. There are things happening, we just don’t officially know what yet. Cars Land, Star Wars Land, Pixar Play Land, all of these things have been thrown around as rumor or fact depending on who you talk to. The problem, and really the impetus for this post, is that how these changes and “updates” have been handled is an embarrassingly good example of bad show. If you are going to close half of the physical park, have an announcement! Have a “Coming Soon!” sign or wonderful artist renderings of the future of the park for all of us to look forward to. Why the secrecy? Why the quietly displaced cast members and closed attractions with zero plans or hopes or ideas to look forward to? Even with the polarizing Avatarland/Pandora over in Disney’s Animal Kingdom, we had a reason for Camp Minnie-Mickey closing, for walls being up, for construction happening. Even with the walls everywhere that characterized Disney(‘s) California Adventure, we knew Cars Land and Buena Vista Street were waiting. With each closure at DHS, we get nothing but a generic message. Are they waiting for the D23 Expo to announce all of the changes? Perhaps. But these closures and temporary band-aid pop-up attractions have been going on for quite some time here, with no explanation or alternative other than sing-a-longs and specialty drinks. With this much advanced knowledge of closings of attractions, surely better planning and action could’ve been taken to create replacements that don’t shine a light on flaws and problems, but rather are worthy of making positive impressions on all the park’s guests. Or, in absence of that, at the very least, some sort of acknowledgement that the park is growing and changing and please pardon the pixie dust. But to act like the park as is today, is okay is very “pay no attention to that man behind the curtain…” and we all know how that turned out.
There has been much speculation as to what the new iteration of a Studios park will be called. Disney Studios doesn’t fit because there are no studios left, real or imagined. Disney’s Hollywood Adventure doesn’t fit because the Hollywood is limited to the main Hollywood Blvd. shops leading to the Great Movie Ride, and Sunset Blvd. Disney Movie Magic? Disney Movies Park? Disney Entertainment Adventure? Disney-Frozen-Fun-Time-Featuring-Olaf-with-Added-Mater-and-Star Wars-Cause-We-Know-You-Like-That-Too-Oh-and-Also-a-Ride-About-Movies-Other-Than-Frozen? I kid, but seriously, the park is just digging itself further and further into a hole that die-hard fans won’t be able to let go (that does NOT count as a Frozen pun) for quite some time, even if the changes are spectacular. The recent Great Movie Ride update with Turner Classic Movies treatment has its plusses and minuses, in my opinion. Part of what made that ride was the spiel and the cast members who recited it, and that has now changed, with the addition of Robert Osborne narration. We are no longer passing through the streets of London or the seedy underbelly of the gangster film, we are discussing movie facts, with an occasional aside from our driver. The ride itself is still intact, with newly added films to the end montage, and the interactive gangster or cowboy element is there, but makes a little less sense now, to me. That said, I’m glad it wasn’t ripped out and that a major sponsor such as TCM was willing to come on board. My plea is for Those Who Make the Decisions to remember what made this park so special to begin with. It was a giant inside joke that we were all in on – “we’re just tourists, but we get to go behind-the-scenes!”. That message can and has changed, but there should still be some sort of cohesive theme that ties all of the different portions together and makes the park worthy of the love and adoration its former incarnation once had. Maybe a little less synergy and a little more of letting the Imagineers do what they do best.
A little over a week ago, I was treated to a sneak peek at the newest attraction in New Fantasyland, the Seven Dwarfs Mine Train. I wanted to take some time to really put my feelings about this new gem into words, and share my thoughts with you. This much anticipated finishing touch on this new land was full of a contradictory mix of secrecy and hype for the last year or so. The Disney Parks Blog would tease us with Imagineer videos, ride vehicles and tiny tastes of what to expect with this next generation of hybrid dark ride and thrill ride, while keeping certain aspects behind walls and under wraps. But would this experience live up to its hype? Would the wait be worth it? And will the standby queue be worth it? My answer to all of those questions is a resounding heigh ho! And here’s 7 reasons why:
1. An Immersive Experience – And no, I don’t mean immersive queues, although this attraction does have a cool one. What I mean is themed lands, which take you out of the “hey, I’m in a theme park in Orlando” experience, and put you in a “wow, I’m in the middle of a fairy tale kingdom with mountains and forests and castles!” New Fantasyland has done that incredibly well, from walking in to an old timey circus with animal prints and peanut shells embedded into the ground, to a Provincial village with a castle looming above a mountain, to a beautiful little town square (that just happens to house some restrooms too). Seven Dwarfs Mine Train has given this new land depth, character and, yes, story. Now when you walk through the castle walls, you see the mountain, but not what’s within it. You are treated to foliage, sounds of wildlife, waterfalls, and the faint melody of miners singing a familiar tune in the distance. You are transported and have left the other lands of the Magic Kingdom behind.
2. Family Friendly Ride – I think many of us were wondering just how family friendly this attraction was going to be…Barnstormer? Big Thunder? What about the inside? What was going to happen in there? Well, I was really surprised by the ride itself. It starts off with an instant thrill, but it’s not too too fast, and the drops are not really steep or high. It is, in a word, fun. It makes you laugh, it makes you look around at all of the wonderful scenery, and it makes you want to ride again. The height requirement is only 38″, so it is on par with the “first coaster” that many little ones can experience. Depending on where you sit, it can be more thrilling or tame, but it’s not as fast or as “scary” as Big Thunder Mountain for those who consider that attraction scary.
3. A Million Diamond Mine! Even though the two couldn’t be more dissimilar, when we first traveled inside the mine, my mind instantly went to Radiator Springs Racers out at Disney California Adventure. It’s just jaw-dropping to see all of this beauty, hidden within the mountain. The animatronics are unique and incredibly movie-like, the colors and the lights of the gems are just overwhelmingly pretty. You’ll be singing along, and not wanting to leave the mine.
4. A Different Ride Every Time – Seven Dwarfs Mine Train has a very high re-ride-ability factor. Mainly because, like most coasters, you have a different experience depending on whether you sit in the front, middle, or back section of the train. Other factors include how many people (and how heavy they are) are riding with you. When we first rode, it was pretty much solo, which didn’t do much for the swinging carts, or even the speed of the train. Later, we rode with a full car and the swinging carts was much more noticeable (but nowhere near the movement indicated in the cgi preview videos from back at the D23 Expo) and the train went much faster around curves. It felt like a completely different ride. And, much like riding Big Thunder at night, the experience on Seven Dwarfs Mine Train at night is a whole other animal. Seeing the views of both Cinderella and Beast’s Castles at dusk and then at night are spectacular. And the final scene of the ride is much more visible at night too, so make sure you ride at different times of the day to choose your favorite.
5. Views Unseen Since the Skyway – Speaking of views, when was the last time we were able to see this side of Cinderella Castle from up this high? Yep, way back when the Skyway was running (one of my most beloved and missed attractions!). So I am thrilled to be able to see views like this again, even if it’s briefly before a drop on a roller coaster. The views over to Beast’s Castle are equally beautiful, and riding by a waterfall and then high on a straight bridge as if we are the dwarfs marching home, is such an enjoyable experience, it just makes you grin from ear to ear.
6. Interactive Queue – I mentioned above how Seven Dwarfs Mine Train has one, and it’s quite fun. Not quite as big as some of the other interactive queues in Magic Kingdom, Seven Dwarfs Mine Train has the benefit of being under cover of shade, which will be ideal in the middle of summer (or spring, or fall or winter for that matter!). There’s a little something for everyone here, and you can stay as long as you like before moving on to the last part of the queue.
7. Seven Dwarfs Love – One of the enduring take-aways from the Mine Train event was the simple fact that Disney -as a company, and we – as guests, are celebrating, honoring, and shining a light on Walt Disney’s first animated feature film, Snow White, 77 years later. That’s pretty spectacular when you think about it. A testament to the art and artistry found within the film, combined with the newest Imagineering designs and technologies. What a wonderful thing. While at the party that night – all the dwarfs were out for photos, and as I stopped to take photos with some of them, I really got a new appreciation for their individual personalities. It can sometimes be easy to discount older characters, or ones we see on t-shirts all the time. But when you really stop and think about it, we can all relate to one or two dwarfs, and they really do stand the test of time. I left for the evening with a new love for both the Seven Dwarfs as individual characters and Snow White as a movie. The Seven Dwarfs Mine Train is a love letter to that film and its magic.
So to sum up, Seven Dwarfs Mine Train is a definite hit. It took a bit to grow on me as a ride, but once I experienced it at night, it won me over. The ride is smooth (you can barely hear the trains zooming by), swift, and beautiful with details everywhere and surprises around each turn. Whether young or old, it will be an instant must-do.
Seven Dwarfs Mine Train will officially open on May 28, but with cast members riding this week, I’m sure soft openings are just around the corner. If you’re visiting the Magic Kingdom this week, I’d keep checking!
If you’ve been reading Disney blogs, twitter, facebook or even instagram lately, you know that the D23 Expo is almost upon us! As you know, I am attending for my second time, and my fourth time at the happiest place on earth, the Disneyland Resort. This year, D23 has made some big changes in the way the Expo works, in response to guest and fan feedback from past Expos. Because of that, and the large amount of first-timers I’ve seen commenting online, I thought I would put together a D23 Expo 101. Here I’ll share my own personal tips and tricks, as well as get some insider info from D23’s own Jeffrey Epstein, who was nice enough to speak with me the other day and give me the run down.
What’s New:
In listening to guest feedback, according the Jeffrey Epstein, the biggest issue D23 worked to improve upon was capacity. As a result, they have doubled the size of the Stage 23 venue to 2000 seats. The Stage 28 venue also has an increased capacity and the Arena now has a 2000 seat overflow theatre, with closed-circuit live streaming of all Arena events. In addition, they have created a “StagePass” for the Stage 23 and Stage 28 sessions, similar to a FastPass system. We’ll discuss more about StagePass in a moment.
Additionally, D23 has added 2 concerts this year, of course the amazing combo of Alan Menken and Richard Sherman, which is a dream show for all Disney fans. There is also the Broadway and Beyond concert which is sure to thrill attendees and fans of Disney’s Broadway productions. Also this year, Imagineering is celebrating its 60th anniversary and has decided to showcase the creative process that fascinates so many who love the Walt Disney Company. Sunday will feature a full day of Imagineering panels, offering a look behind the scenes, which guests so often want to see. The full D23 schedule is available online and with the D23 App, which we’ll also discuss below.
StagePass:
When Stage Pass was first announced, there was a little confusion about how exactly it worked. Well our amazing pal Jeffery has given us the facts on how Stage Pass will work for us. Similar to a FastPass within a Disney Park, StagePass is free, and available on a first-come-first-served basis for sessions taking place after 11am in Stage 23 and Stage 28. StagePass is not available for morning sessions before 11am. Here’s exactly what to do:
For a session after 11am, line up with your activated D23 Expo credentials. Decide which session you want to get a StagePass for. Jeffrey recommends you have a second and even third choice because there will be a lot of people doing just what you are. Then if you want to get back in line to obtain another StagePass for a session after 3:00pm, you may do so after 12:30pm.
TIP: Also similar to FastPass in the parks, if you have activated credentials for other members of your party, you may bring them to obtain StagePasses for them as well. This will come in handy as you plan your Expo day. Someone may be waiting in line for a morning session, while someone else is in line for StagePass, letting you attend a later session with a guaranteed seat.
Unfortunately, StagePasses are not unlimited. When they are gone, they are gone, and that probably means that particular session will not have any seating. You are able to wait in a stand-by line for sessions if you do not have a StagePass, but you have to decide if that is a good use of your time, with no guarantee of seating. If you have a StagePass and still want to get a seat up front or center stage, you should probably still line up with a good amount of time to try and get a preferred seat location. StagePasses are for general admission seating and do not guarantee a particular seat location. Good luck!
What’s the Same:
Well, simply put, the lines and waiting. You will wait in line. You will probably miss out on some sessions you really want to see. It will be crowded. That is just par for the course with any convention and the D23 Expo is no exception. What’s also the same is LOTS of magic compressed into 3 days. Despite all the lines and waiting, you will have fun – it’s Disney! You’ll find the same great Walt Disney Company info and some great exclusive shopping too!
Surprises:
In addition to the larger venues and StagePass, the Show Floor is also expanded, offering even more ways to explore your favorite Disney interests and have fun. Roam the Collectors Forum to see your favorite Disney fan folks, websites, and vendors. Check out the latest from Disney Interactive, Disney Consumer Products, the Disney Channel, and more! As Jeffrey says,”the Disney Channel viewers of today are the Disney Geeks of tomorrow.” I love that quote, and it’s true! There are some great family options at the Expo and while fans of Disney history and news may not be heading there as our first choice, the fact that the Expo offers such great opportunities for all ages, is wonderful.
The biggest surprise may be finding something you never expected to enjoy. If you can’t get into a session, don’t think of it as a loss, think of it as a way to see something you never thought you would. You just may be happy with where you end up. I’ve heard there will be a fun Virtual Scavenger Hunt announced during the Expo, and don’t forget the amazing alternate reality game, The Optimist, which has been playing out online and in person over the past month or so, and may culminate at the Expo. Be sure to visit the Disney Cartography booth on the Show Floor and visit Wallace for more info!
TIP: Head to the Disney In-Home Entertainment section of the Show Floor to see the latest in Disney home entertainment releases…and…enjoy the free charging station!
If you are looking for some unique things to check out, ESPN is joining the Expo for the first time this year and will feature their moving film The 99ers. The Disney Citizenship booth showcases 30 years of VoluntEARS and attendees become an honorary VoluntEAR. Also be sure to check out the Once Upon a Time Q&A session, hosted by Jeffrey Epstein. Be sure to say hi and thank him for speaking with us here! He promises the content they are sharing in that session is NEW and unique to the Expo. I can’t wait!
Jeffrey also let us know there will be a few other surprises and reveals sprinkled throughout the 3 days…so keep your eyes and ears open!
Must Do’s:
If you do nothing else, (and you should have already done this if you’re attending the Expo!) download the D23 App for your mobile device. It has tons of fun and important info for your Expo experience. You can plan your schedule, take and edit silly photos, and so much more. During the Expo, the app will be pushing live info and updates to us. Sweet!
Hopefully this gives you a little more idea of what to expect when you walk through those convention doors. Plan, prepare, but keep an open mind for changes or plan B’s (or C’s). You know, just like a Disney Parks vacation!
Huge thanks again to Jeffrey Epstein for taking time out of his insanely busy schedule to share with us here. It is an amazing amount of work to put together these Expos and as a fan, I am so appreciative of the opportunities D23 gives us to learn and share more about the company and the magic we all know and love.
{ P.S….If you are arriving early to the Disneyland Resort for the Expo, my great friend and fellow blogger Nicole of SparklyEverAfter and I are having a meet-up on Thursday night! Join us at Disney California Adventure’s Fiddler, Fifer & Practical Cafe on Buena Vista Street at 7pm on August 8 for some sparkles and Starbucks! We’d love to share a coffee with you and chat! If you’re in the area, be sure to stop by! }
I’m not sure if it’s because I’m a child of the 80’s, where I was a master sticker collector (I still have my album full of my favorite stickers, safely preserved), or because I am a collector at heart, but I LOVE challenges where you get stamps, badges, stickers, little passports, etc. I am all about collecting badges (oddly, I never made it beyond Brownies in the Girl Scout realm). So, I was excited to hear about this new adventure challenge at Disney’s Animal Kingdom, with a Wilderness Explorer (from the Disney-Pixar movie UP) theme. First announced back in January, Wilderness Explorers is now almost ready to debut in the next few weeks here at Disney’s Animal Kingdom.
Wilderness Explorers map of Animal Kingdom – challenges are spread throughout the park.
I was able to speak to Alex Wright, Senior Creative Designer from Imagineering, who was the Art Director on the project, at the Disney Parks Monstrous Summer event this past week. Alex described the challenges as not focusing solely on the animals found throughout the park, but also cultural aspects of certain areas represented, as well as Animal Kingdom’s theme of nature and conservation. So it’s not just a scavenger hunt to find animals, it’s an rich learning experience for all ages. He also mentioned that there are enough spots to visit and check off on your list, that it can be a multi-day adventure, and not something that has to or necessarily should be completed in one day.
Guests will take the Wilderness Explorer pledge and then earn sticker badges in their field guides along the way (yay, stickers!). The challenges are aimed at ages 7-10 but will appeal to all members of the family. The Wilderness Explorer activity is included in park admission and is a great way to deepen the element of discovery which is already so present at Disney’s Animal Kingdom. I can’t wait to play. Once it is available to the public, I’ll be sure to write up a full review, so check back here and on twitter and facebook for further updates.