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Don Hahn

Howard – A Documentary

6 August 2020 by Suzannah Otis Leave a Comment

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The 1980’s were a transformative time not only personally, but as a Disney fan as well. My interests of course changed as I grew. I went from being obsessed with Strawberry Shortcake and Barbie dolls, to being obsessed with movies like Annie and E.T. In the animation realm, I was more into The Last Unicorn and The Secret of NIMH. I guess I felt Disney animation wasn’t for me anymore, and as a result, I still haven’t seen The Great Mouse Detective.

In non-movie terms, I was newly discovering EPCOT Center in 1983 and falling in love with Figment and Walt Disney World in general. I left my interest in animated Disney movies behind, and it seems like I was not alone in that feeling, based on the numbers those early 80’s films pulled in.

By my sophomore year in high school, I had been in 5 different schools in 3 different states in 5 years (my parents liked to move around). I was firmly ensconced in the “theatre kid” life as a coping mechanism. I watched and listened to musicals, I was in drama club and several school productions and competitions.  At my 5th and last school, I arrived in the middle of sophomore year, wondering if I could yet again make a new set of friends and start over. It was their production of Little Shop of Horrors that pushed me to audition for the next show. I was (and still am) absolutely in love with Little Shop, “Somewhere That’s Green” and “Suddenly, Seymour” are two of the best written and most pure musical numbers of all time.

Before the days of wikipedia (or me paying attention perhaps), I had no idea that the brilliant minds behind one of my favorite shows were working on something that would put Disney animation back on the map and change it forever. The Little Mermaid appeared on the horizon and looked and sounded unlike anything I’d seen before. It was the perfect time for this brand new relatable princess, with a soundtrack that told the story of the entire movie, with memorable, sing-along-to songs, to completely win me over.

I was also particularly obsessed with Phantom of the Opera and the Beauty and the Beast television series, as well as Labyrinth. I was fully embracing the villain-turned-good-guy storyline. (Okay, maybe Jareth in Labyrinth wasn’t ever a good guy, but come on, it was David Bowie…what’s a teenage girl supposed to think?) I distinctly remember Beauty and the Beast coming out at just the right time in my 17-year-old life and being so captivating that it was an instant classic. Again, I wasn’t alone.

What these new films managed to do was combine my love of Disney, musicals, and animation, as well as really cement my Disney fandom, even if I mostly kept it to myself at that point. Sure, Disney parks were full of animated movie references and attractions, but they were all at least 20 years old by then. These compelling tales gave life to various shows, parades, and attractions, while this new generation of fans felt at home with their new-found favorites represented in the parks. We didn’t realize it at the time, but this was the second golden age of Disney animation – the renaissance, if you will. And really, we have Howard Ashman to thank for that.
Howard documentary

All of this personal backstory leads me to Howard, Don Hahn’s latest documentary chronicling the life and times of Howard Ashman. Even casual fans have heard of the Ashman and Menken duo, and seen the dedication on Beauty and the Beast: “To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman 1950–1991.” But who is the man behind that dedication? What is his story? Die-hard fans have heard some bits and pieces from those who were there, but what Howard does is tell us where that man came from, and how his life was tragically cut short.

We recently discussed Don Hahn’s previous look at this time period, Waking Sleeping Beauty, on our Up the Waterfall podcast. I wanted to revisit it as a precursor to this new film, as it really sets the stage for when and how Howard came into the Disney realm. More than just that, we are treated to first-hand accounts of his childhood from the mouths of his sister and mother. Stories of his work ethic and dreams from his close friends. Tales from Disney and former Disney colleagues of the process of coming to Disney, and creating the stories that would soon live on forever. Heartbreaking memories from his partner, Bill. Howard is truly a love letter to all fans of Disney certainly, but also to those who are filled with creative spirit; a love letter to those with a dream.

More than just a dry documentary with talking heads and old still photos, Howard is crafted to draw you in and make you feel as if you are a part of the story. As Howard’s sister shares a moment in time when Howard created a whole other world for her from cowboy and Indian figures and whatever else lay about the room, the memory is recreated before you on screen. You hear his sister’s wistful remembrance and know how important this point on a timeline is, in explaining who Howard Ashman became.

Particularly poignant is the scene when Howard and Alan Menken were invited to speak at the 92nd Street Y in New York. We hear the event’s audio, we see the crowd in the audience, but we look at empty chairs on the stage. Knowing that right before this is when Howard learned of his HIV diagnosis makes the scene that much more powerful. You hear the difference in Howard’s voice, the weary uncertainty of what his future holds.

Beyond his time at Disney, Howard truly takes you on the journey of Howard Ashman’s life. From his childhood antics to children’s theatre performances in Baltimore, through his varied education and bold moves to open a theatre in derelict New York City of the 70’s – and make a success of it. He built a black box theatre from nothing, and put on some amazing shows, including, of course, Little Shop of Horrors. That success led to a failure, when he worked with Marvin Hamlisch to create Smile, which made it to Broadway, but was a flop. It was on the coattails of that failed dream, that his story led him to Disney.

Howard Ashman and Paige O'hara

We also aren’t shielded from his personal life, which does play an important role. Don Hahn created this film back in 2018, without “Disneyfying” and it is now being shared on Disney+ as it was envisioned by the director. Howard Ashman’s past comes into play, his diagnosis is shared, and of course, the tragic end of his life is covered. We share in Howard’s fears of sharing his HIV news with colleagues, we hear his worry about sending in his demo tape of “Belle” for Beauty and the Beast. Rumors of Howard representing himself as “The Beast” due to his diagnosis are quelled. All in all, it is a fully fleshed out story and one that you won’t want to miss.

Howard AshmanHoward premieres August 7 on Disney+, which if you haven’t yet subscribed to, this is certainly reason enough to go for it. There are a handful of true gems within this Disney+ platform, Howard and Waking Sleeping Beauty among them. On a recent press call with Don, I asked if we could look forward to any “extras” or “bonus features” from the cutting room floor with the Howard release. Don said that in revisiting the film, he did find so much more content and he hopes to someday release them, perhaps as a webseries. So fingers crossed that all gets the green light.

On a personal note, I am truly grateful that we have people like Don who not only were there when this history played out, but have the incredible talent to share these gifts of knowledge and understanding with us all. People often ask “why Disney?” “why are you so into it, it’s just for kids” but stories like this one prove that behind every fairy tale is a lot of hard work, a lot of heartbreak, and almost always, the answer to the “reason why” we love what we love. Thank you, Don, and thank you, Howard.

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Filed Under: Disney Movie News & Reviews, Disney News, Disney Past, Latest News, Movies & Books, Top Stories Tagged With: alan menken, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Little Shop of Horrors, Waking Sleeping Beauty

Waking Sleeping Beauty – Disney Animation Renaissance – Up The Waterfall Episode 34

5 August 2020 by Suzannah Otis Leave a Comment

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Eleven years may have passed since the 2009 Don Hahn directed documentary release, Waking Sleeping Beauty. Don Hahn has another documentary coming out in just a couple of days on Disney+. Howard, which premiers on Disney+ August 7 and tells the story of Howard Ashman. Howard is of course half of the Ashman/Menken duo that really played an integral part in the Walt Disney Animation renaissance of the late 80’s and early 90’s. I recently got the chance to be on a press call for Howard with Don Hahn, and view the film in advance. I’ll have an article reviewing Howard coming up so keep an eye out. For now, we thought discussing Waking Sleeping Beauty on our Up the Waterfall podcast would be a great way to set the stage for the upcoming Howard Ashman film.

waking sleeping beauty

On this week’s episode, we discuss just that; the importance of this time period in Disney and Disney animation history and the impact these major changes and shake-ups within the company had on the animation side things. Hear our thoughts and some insights as we recall this time and its representation in this fly-on-the-wall documentary.

As mentioned on the podcast, there is an upcoming Evening with Alan Menken concert with Lin-Manuel Miranda put on as a fundraiser for the Walt Disney Family Museum. It is taking place this Thursday August 6 at 5pm pacific time. If you are able to donate, it is such a wonderful foundation, but if not, there is a free registration option as well.

We hope you enjoy this week’s show – give us a comment below if you’ve seen Waking Sleeping Beauty and tell us your favorite part of the film. Are you looking forward to Howard on August 7? Don’t forget to listen and answer our trivia question too! You can email zanna with your trivia answers before next week!

Don’t forget to keep an eye out for our LIVE show, starting Monday, August 3, 2020. We’ll be broadcasting live from the Zannaland facebook page, so be sure you are following along there and like the page to be notified when we go live!


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Filed Under: Disney Movie News & Reviews, Disney Past, Movies & Books, Up the Waterfall Podcast Tagged With: alan menken, Disney animation Walt Disney Animation, Disney documentary, Disney renaissance, Don Hahn, Howard Ashman, Howard Ashman documentary, Jeffrey Katzenberg, Up the Waterfall, Up the Waterfall podcast, Waking Sleeping Beauty, Waking Sleeping Beauty review

Something There That Wasn’t There Before: Beauty and the Beast 2017

17 March 2017 by Suzannah Otis 2 Comments

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BelleLike many others, I will admit to being afflicted with a bit of “live-action overkill” when it comes to Disney animated classics being “reborn” with live actors, or in the case of Jungle Book, an actor and a lot of computer animation. Disney has waved its magic wand to varying degrees of success when it comes to live-action reboots, and while some did indeed steal my heart (Cinderella), others, well, didn’t. So I approached Beauty and the Beast with great caution, having been such a fan of the original.

The animated Beauty and the Beast premiered a few weeks before my birthday the year I graduated high school. I had been obsessed with the story-line for years, having been entranced by fairy tales all my life, and watching the Ron Perlman / Linda Hamilton television show that wrapped up right before the animated film debuted. I was super into books and reading. I always felt out of place. Typical high school to just-out-of-high school emotions that made Belle such a relatable character. I suppose I should also note that at the time I was very into Phantom of the Opera too, so I kind of had a thing for “unlikely love interests,” I guess. This was also a great era for Disney Animation. Leaps and bounds were being made with technology, and the ballroom scene, quite hyped at the time, did not disappoint. My favorite bit of animation will always be how Belle tilts her head during her opening song, and a little piece of hair falls into her face. It made Belle so real, so perfectly imperfect. So in short, the film had a great impact on me, and I was a little bit worried that Disney was setting itself up to fall short by reinventing the wheel. Boy, was I surprised.

Beauty and the Beast delighted me from start to finish. It was a feast for the eyes and ears. I’ve been trying to put my thoughts into words since I saw a screening of the film on Tuesday, and now as it premieres tonight, I still find myself searching for the best way to convey just how wonderful it was. A thought that kept returning to me as I watched was how Walt Disney himself used to talk about “plussing,” of course referring to his creation of Disneyland park:

“I wanted something live, something that could grow, something I could keep plussing with ideas, you see? The park is that. Not only can I add things, but even the trees will keep growing; the thing will get more beautiful every year. And as I find what the public likes—and when a picture’s finished and I put it out—I find out what they like, or they don’t like, and I have to apply that to some other thing; I can’t change that picture, so that’s why I wanted that park.” — Walt Disney

Now, Walt may have been referring to Disneyland, and even noted that he can’t change a picture once it’s released, but future generations have proven it can be done, and done right, if you have the right folks involved. Something that made this production of Beauty and the Beast so special was the gift of two original production members: Don Hahn and Alan Menken, working to “plus” this version. Don Hahn, a producer of the original (among many other Disney films) returned as a producer. Alan Menken, who wrote the score of the original, working alongside the great lyricist Howard Ashman, had previously written new songs for the Broadway musical adaptation with Tim Rice. Menken wrote even more new music for the 2017 film, which he managed to weave in seamlessly to enhance the story we all knew and loved. Who better to retell the tale than those who gave so much to the original 1991 production?

Beauty and the Beast 2017

Back to plussing, that was my overwhelming take away from this new Beauty and the Beast. The costumes, the sets, the characters and the music were all enhanced and improved upon. I realized, upon listening to the original songs, that most of what we learn about the characters within the animated feature is told to us, through narration or song. We learn that the Beast was a jerk and was punished for that. We hear that the townsfolk think Belle is weird because she reads. In the new film, we get backstory. Belle’s father Maurice isn’t just “crazy old Maurice, always good for a laugh,” he is an artist, who sacrificed the love of one for the safety of another. I really loved Maurice’s portrayal by Kevin Kline. I thought he was the perfect fit and we understand so much more through that performance. We see Belle’s mother, and where she came from. How did they end up in this poor provincial town? You’ll find out in the film. Why was Beast a jerk? You’ll find that out too. The character development is done really well and just enough to lend itself to the story without giving too many details or seeming implausible.

We still learn through song in this version too, with beautiful new music from Alan Menken. I daresay the new songs are my favorite part, with a couple of them causing me to shed a tear or two. “How Does a Moment Last Forever,” sung by Kevin Kline as Maurice is simple and poignant. “Days in the Sun” is a heartbreaking ballad sung by the enchanted castle residents and Belle. And “Evermore” is a show-stopping Broadway-worthy number sung by Beast as he lets Belle go free to help her father. These new songs, and additional lyrics from Howard Ashman that were cut from the original animated film, made me download the soundtrack the minute I left the theatre. The special effects, dance numbers, and sets that go along with many of these musical numbers are so rich and full of fun details, it really makes for a film you want to see again and again, which I think is the perfect tribute to the original.

As for the shocking news that LeFou is a gay character, it was truly much ado about nothing in my opinion. What I saw on screen was someone who had a huge love and admiration for Gaston as a person, and wanted both the best for him, and to be a part of that Gaston persona. But LeFou is also later confused when Gaston’s behavior doesn’t align with what he (or anyone with a heart) thinks is right. LeFou is not simply a bumbling sidekick in this version. He has evolving feelings of right and wrong. You can see him struggling to align his conscience with his adoration of Gaston, leading to an epiphany about Gaston’s personality (granted it takes a while, but he gets it). As for LeFou being gay, if anything, I’d say perhaps he’s bi-, or still just figuring it out. Which is just A-OK to feature in a Disney or any other film. Because, guess what? There are allllll different types of kids in the world, who become all different types of adults in the world, and wouldn’t it be great if all of them saw someone they could identify with on a big screen? Goodness knows I’d much rather have more LeFous in the world than more Gastons, and I’m sure I’m not alone there.

Beauty and the Beast 2017

The other performances did not disappoint, even though I wasn’t initially convinced about Belle’s casting. Emma Watson won me over and became the perfect Belle. I also loved seeing the relationship of Lumière and Plumette, as well as the love between Garderobe and Cadenza. You truly felt for these humans-turned-home-décor-items and their interrupted lives. Don’t even get me started on Chip and Mrs. Potts. As a mom of two older teenagers and one 8 year-old boy, Chip just about killed me. But unless you’ve lived under a rock for the last 25 years, you know it all works out in the end. Oh, one last side note: I’ll take Belle’s flowered “Celebration dress” at the end over the yellow ballgown any day – it was simply stunning!

I left the theatre lifted up and galvanized, as if I’d just seen this tale for the first time (in forever), despite it being as old as time. What a triumph to successfully breathe life (literally) into a beloved story that seemed to hold no place for improvements. The love and veneration of the original is present in abundance. The fresh take and inspired additions show us something there that wasn’t there before, making it an instant classic, yet again.

 

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Filed Under: Disney Movie News & Reviews, Movie Reviews, Movies & Books, Reviews, Top Stories Tagged With: alan menken, Beast, Beauty and the Beast, Beauty and the Beast 2017, Beauty and the Beast 3D, Beauty and the Beast live action, Beauty and the Beast review, Belle, Don Hahn, Emma Watson, Ewan McG, Gaston, Howard Ashman, LeFou

FIRST IMAGE: Production Begins With Angelina Jolie as “Maleficent”

19 June 2012 by Suzannah Otis 1 Comment

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We brought you the news back in April as Walt Disney Pictures officially announced it’s plans for Maleficent, starring Angelina Jolie. Now the Walt Disney Studios have released the first image from production along with a press release revealing more details:

Angelina Jolie as Maleficent
What do you think? Photo ©Disney (click to enlarge)

 

 

Burbank, CA  (June 19, 2012) – The Walt Disney Studios announced today that production began Wednesday, June 13th, on “Maleficent,” starring Academy Award®–winning actress Angelina Jolie.

Directed by two-time Oscar®-winning production designer Robert Stromberg (“Avatar,” “Alice in Wonderland”), in his directorial debut, and produced by Joe Roth, “Maleficent” is written by Linda Woolverton (“The Lion King,” “Beauty and the Beast”) and executive produced by Angelina Jolie, Don Hahn, Matt Smith and Palak Patel.

Co-starring in the film are Sharlto Copley (“District 9”), Elle Fanning (“Super 8”), Sam Riley (“On the Road”), Imelda Staunton (“Vera Drake”), Miranda Richardson (“The Hours”), Juno Temple (“Atonement”) and Lesley Manville (“Secrets & Lies”).

This is the untold story of Disney’s most beloved villain, Maleficent, from the 1959 classic “Sleeping Beauty.” The film reveals the events that hardened her heart and drove her to curse the baby, Aurora.

Behind-the-scenes talent includes Academy Award®–winning cinematographer Dean Semler (“Dances with Wolves,” “In the Land of Blood and Honey”), production designer Gary Freeman (“Saving Private Ryan,” “The Bourne Supremacy”), two-time Oscar® nominated costume designer Anna B. Sheppard (“Schindler’s List,” “The Pianist”) and seven-time Academy Award–winning makeup artist Rick Baker (“Planet of the Apes,” “Men in Black”).

“Maleficent” is scheduled for a March 14, 2014 release in 3D.

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Filed Under: Disney Movie News & Reviews, Disney News, Movies & Books, Official Disney Tagged With: 2014 movies, Angelina Jolie, Coming attractions, dean semler, Disney movies, Don Hahn, gary freeman, imelda staunton, lesley manville, linda woolverton, Maleficent release date, Malficent, official Disney, vera drake, Walt Disney Pictures, Walt Disney Studios

Frankenweenie Comes to Theatres October 5 – Official Images

22 February 2012 by Suzannah Otis Leave a Comment

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Many years ago, I would attend the Spike & Mike animation festivals that would tour through Boston, with my sister and later, boyfriend (now husband). That’s how we first saw Beavis & Butthead, Wallace & Gromit, and a short called Tin Toy, from a little company named PIXAR. One of those films was Vincent, by Tim Burton. I instantly became a fan of Tim Burton’s style of animation, and have been one ever since. I remember seeing Frankenweenie somewhere over the years, but always wondered why it wasn’t created in stop-motion, which seems to work best with Burton’s fantastical mind.

FRANKENWEENIE Logo

Official description: “Frankenweenie,” a heartwarming tale about a boy and his dog. After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life—with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers and the entire town all learn that getting a new “leash on life” can be monstrous.

A stop-motion animated film, “Frankenweenie” will be filmed in black and white and rendered in 3D, which will elevate the classic style to a whole new experience.

Burton had originally wanted Frankenweenie to be a stop-motion film, but budget constraints forced him to produce it as a live-action film. The finished product was not appreciated by his then-employer, Disney, who fired him for wasting company resources on the project. Burton had supporters in Disney, however and they eventually worked together again to bring us Nightmare Before Christmas, James and the Giant Peach, and Alice in Wonderland. Budget is no longer an issue and Burton is set to release his stop-motion animated version of Frankenweenie in October of this year.

FRANKENWEENIE Tim Burton
Tim Burton studies a model of Sparky

Some fun facts:

  • Over 200 puppets and sets were created for the film.
  • The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (“Beetlejuice,” “Edward Scissorhands”), Catherine O’Hara (“Beetlejuice,” “The Nightmare Before Christmas”), Martin Short (“Mars Attacks!”) and Martin Landau (“Ed Wood,” Sleepy Hollow”).
  • Several of the character names—Victor, Elsa Van Helsing, Edgar “E” Gore and Mr. Burgemeister— were inspired by classic horror films.

The first official poster has now been released:

Frankenweenie one-sheet
Tim Burton's Frankenweenie - as he intended it

 

frankenweenie scene
A scene from the upcoming film
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Filed Under: Disney Movie News & Reviews, Movies & Books, Official Disney Tagged With: Disney, Don Hahn, Frankenweenie, Frankenweenie official poster, stop-motion animation, Tim Burton, Vincent

It’s the Circle of Life. And it Moves Us All. Lion King Review and Giveaway

3 October 2011 by Suzannah Otis 20 Comments

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Lion King

I think part of what makes Disney animated films so memorable is how they reach in to the core of life’s lessons and messages and give back, through songs, laughter and amazing visuals. The Lion King is no exception to this rule. I remember when it first came out back in 1994, I was finishing up college and I bought the soundtrack on cassette and listened to it in my car, in between Liz Phair and Julianna Hatfield. The songs were so moving and catchy that I had no embarrassment rolling up to class with “Hakuna Matata” blasting in my speakers. Trust me, I was cool*.
*not in any way 😉

Being a huge Howard Ashman/Alan Menken fan, I was one of those skeptical about this new collaboration between Tim Rice and Elton John. Just one listen to the soundtrack made me a believer, however. The “Circle of Life” is poetry and truth in song:

From the day we arrive on the planet
And blinking, step into the sun
There’s more to see than can ever be seen
More to do than can ever be done
There’s far too much to take in here
More to find than can ever be found
But the sun rolling high
Through the sapphire sky
Keeps great and small on the endless round

It’s the Circle of Life
And it moves us all
Through despair and hope
Through faith and love
Till we find our place
On the path unwinding
In the Circle
The Circle of Life

It’s hard to imagine the task of putting the very definition of life on the planet into song, but there it is. Add to that the beautiful landscapes, skies and animal interactions unfolding before us, and you have a recipe for yet another tear-inducing scene in a Disney film.

While my family had The Lion King on vhs, it had been quite some time, with my oldest cubs at 11 and 12 and nary a VCR in the house. When Disney sent me the new Diamond Edition Blu-ray+DVD combo pack, I was excited to share it with my littlest guy, almost 3. My oldest children and I had just seen The Lion King in 3-D and I was blown away by the animation yet again, and it was as if my kids were seeing it for the first time. I loved hearing them say “Oh yeah, I remember this song!” and of course, checking to see if I was crying at certain parts of the movie. (I did.)

Even I had forgotten the hysterical jokes and one-liners in this film. The Lion King is a classic which could have been released today just as well as nearly 20 years ago.”What’s a motto?” “Nothing, whats a motto with you?” never fails to make me giggle. The life-lessons of not running away from your past or your problems and rising to both a challenge and doing what’s right are still powerful today. The themes of the loss of a loved one may go over the heads of some little fans, but older kids and adults can see how those who have passed are always with us, no matter how far away they may seem.

The DVD bonus feature is a fun behind-the-scenes look at the creation of the film, hosted by Don Hahn, producer of The Lion King, many other Disney animation productions and the DisneyNature films, including the upcoming Chimpanzee, due out in 2012. The Blu-ray bonus features offer a look at deleted scenes, and songs, as well as “bloopers,” a gallery, sing-a-long and more. Check out this trailer below:

The Lion King Diamond Edition hits the savanna tomorrow- 10/4 and one lucky winner could win a Blu-ray+DVD Combo Pack here on Zannaland. Just enter below by commenting with your favorite memory of The Lion King – it could be a song, a character, a joke, whatever made you love the film. Contest ends October 7, winner randomly drawn and announced October 8. Good luck – it is time!  Contest has ended.

Congrats to Adam Goldman for having comment #5 – he is the winner of the Lion King Blu-ray+DVD Combo pack! Thanks to everyone for sharing your wonderful Lion King memories, I really enjoyed reading them.

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Filed Under: Disney Movie News & Reviews, Giveaways, Movie Reviews, Movies & Books, Reviews Tagged With: Circle of Life, Don Hahn, dvd giveaway, Lion King dvd blu-ray, Lion King giveaway, movie giveaway, Movie Reviews, The Lion King

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