Disney movies

Marvel Studios Releases New SHANG-CHI Featurette

30 July 2021 by Chris Ryan Leave a Comment

After the recent release of Black Widow, the train to the next inclusion in the Marvel Cinematic Universe is truly rolling. Today, Marvel Studios gifted us a new featurette of the film, SHANG-CHI AND THE LEGEND OF THE TEN RINGS.

In the featurette, we join producer Kevin Feige, stars Simu Liu and Awkwafina, and director Destin Daniel Cretton as they provide some of the backstory to Shang-Chi as a character.

Marvel Studios’ “Shang-Chi and The Legend of The Ten Rings” stars Simu Liu as Shang-Chi, who must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization

Marvel Studios’ SHANG-CHI AND THE LEGEND OF THE TEN RINGS opens in U.S. theaters on September 3.

Be sure to check out our other updates on the film here.

Disney Halloween Movie Must-See List – Up the Waterfall Episode 40

16 September 2020 by Suzannah Otis Leave a Comment

This week we are discussing favorite Disney Halloween movies that you MUST SEE! Scott and I each share a list of our personal favorites and we try to cram as much in as we can to cover all of the Disney Halloween themed shows, movies and more!

There is a huge catalog of Disney titles, from animated shorts to full-length films to Disney Channel Originals to choose from. We have a good mix of all of them I think, but you’ll have to see if we included your picks too! Did we miss a Halloween classic that’s on your Must-Watch list? Let us know in the comments below! Don’t forget to answer the trivia question too!

You can watch the episode below and see some fun images and video of the movies we discuss. You can of course listen too. We’ll include all the places to listen and connect with us below the video:

As always, we thank you for watching and listening! If you enjoyed, please share with a friend so more folks can learn about our growing podcast! Thank you!

Listen to Up the Waterfall:

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(If there’s a podcast service where you can’t find our show, let us know and we’ll get it added there!)

Watch Up the Waterfall:

Head to our Up the Waterfall YouTube Playlist – where you can see our opening sequence and see some unique images during some episodes.

Feel free to comment below with your opinions on ANY of these movie choices, any questions or info you’d like to add, or if it’s easier, head to the Zannaland Facebook page and join the discussion there with fellow Disney Parks fans!

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REVIEW: MULAN 2020 is The Highest Budget Hallmark Movie

5 September 2020 by Chris Ryan 2 Comments

On Thursday, March 19th, 2020, I was scheduled to attend a press screening of Disney’s Mulan. I thought this would be a totally normal event – and the last screening I attended was not too long prior: The Hunt (a movie so egregiously bad I couldn’t even bring myself to review it). But on March 12th, I was informed that the screening had been cancelled as the release of the film had been postponed. Needless to say, a few other significant events have taken place since then.

Because of this, Mulan 2020 kept piquing my interest. I was already invested into the concept of the film: the original 1998 film is a classic, and while this one was certainly different, I thought the trailer looked really good. In any event, when the time finally came for its release, I couldn’t wait to take a look.

HONORING THE PAST

2020’s Mulan is a testament to Disney’s in-house production teams’ ability to make only one kind of film anymore: the high-budget, low-effort blockbuster. This is really all you can find looking back at their previous releases. From shot-for-shot live action remakes of their animated successes, to 22 superhero stories that they know will draw an audience just because of the Marvel name. They know that if the poster says ‘Disney’ on it, people will buy it, and because of that, they really don’t have to try.

So can you tell I wasn’t the biggest fan of Mulan 2020?

The movie also draws upon its recent predecessors stylistically. That is to say, even though the tone of the plot is very different, if this movie came on during a Marvel movie marathon, it wouldn’t be all too jarring. It’s shot in the same way: big establishing shots of the lush CGI world they built, faster-than-you-can-blink cuts during action sequences, and shots that are staged almost exclusively with trailers or promotional videos in mind.

I will give them this: in our home theater, we have a very good screen, and this movie was a great way to showcase that. Most of the recent releases on Disney+ are presented in 4K UHD with Dolby Vision, so even a shot of a bug crawling on the ground looks fantastic.

BE TRUE

One of the biggest headlines about this movie before it even came out was that it was a more ‘realistic’ telling of the Mulan legend. They nixed the songs, the dragon sidekick, and all the other cartoon-y choices that the 1998 version added themselves.

I was very interested in this as soon as this was announced. Yes, the soundtrack to the 1998 version is good, but it only has four songs anyway, so I wouldn’t miss them (sidenote, if you like the soundtrack of the original, do yourself a favor and research how much of a mess it apparently was to make). And while Mushu is a fun character, I’m always in favor of changing that type of thing for realism – I’m a big fan of how it was done in Aladdin on Broadway to change the monkey sidekick into three human friends of Aladdin.

However, maybe the biggest reason I was looking forward to a new take on the plot, was following the recent Lion King movie – a full blown shot-for-shot remake of the original with almost nothing added and almost nothing removed. A new telling of the story means that it’s more likely to justify its purpose as a live action remake, something that none of them have been able to do thus far.

Ultimately, this was not the result. The movie relies very heavily on its audience’s pre-existing knowledge of the original film, despite being so starkly and, honestly, harshly different from it. It’s loaded with visual references to the original. Something will happen, and the film will pause for a beat, and wait for the audience to say “Hey, that’s the thing from the original movie, I remember that!” Or the soundtrack, which, while not including the lyricized songs from the original, plays the instrumentals of them in emotional moments, so you again say “Aww, I remember that.”

I say it comes off as harsh because while the movie devotes so much time to profiting off of the audiences memory of the first, it’s also completely different plot-wise. While we hear the powerful instrumental of ‘Reflection’ from the first film, we watch our new Mulan use the force to kick arrows into the chest of a nameless enemy.

Yeah, I guess we should talk about the force.

MULAN’S MIDI-CHLORIANS ARE OFF THE CHARTS

1998’s Mulan is a movie that empowers young girls to take a stand, and shows them that even if the world says they’re of less value, they can be just as strong and powerful as those that hold them down. You would think that, in (current year), 2020’s Mulan would try to do the same. And to an extent, it does, but it does so oh-so strangely.

From literally the very first scene, Mulan is described as using Chi. Now, I’m aware that chi is a real thing in Chinese culture. It’s described as an underlying principle in traditional Chinese medicine or martial arts. And, while it is a ‘force’ that is in tune with your energy flow, the movie treats it as a midi-chlorian-style ‘force that binds us’ that can be used to grant someone jedi-like abilities in dexterity.

It’s underlying message may be one of female-empowerment, but the movie pushes very heavily that Mulan can only succeed because she has some innate supernatural ability. She is a weak fighter – everyone in the Imperial Army seems to be. But by harnessing her ‘inner Chi’ she can be ‘just as good as the men.’ It’s very bizarre, and honestly belittles her character. She’s never able to take down opponents one-on-one: every single fight she takes part in ends with her “controlling her Chi” to do a flip-kick and toss a spear or an arrow back into them.

The film even does a Revenge of the Sith-level side plot where a villain who has mastered their Chi tries to influence Mulan into joining the ‘dark side,’ so that she can realize the full potential of her power.

THE HIGHEST BUDGET HALLMARK MOVIE

Obviously I felt strongly enough about this to make it the title of the review, but it’s true. The movie is all around just pretty mediocre. We followed up our viewing of Mulan by watching 2019’s The Lion King, which, let’s just say, I’m notably not a fan of. At least with The Lion King (while upsetting that it exists), it is still just ‘The Lion King’ so it’s a fun story with fun songs and is just fun in general. Mulan 2020 is really very different from the original film in about every aspect. This upsets me, because like I said before, that normally would be a reason that I would enjoy it. But it’s different in a few too many ways.

This is a humourless, bland, movie. There is action, the music is good. It’s very pretty to look at. Most of the costumes are nice. But I don’t think I would ever bother watching it again because most unfortunately of all, it’s just boring.

This Mulan is the equivalent of, instead of watching the original film, someone just describes to you the original Ballad of Mulan upon which it is based. The pacing is very strange, so it feels like someone just telling the story in a very haphazard way. And, despite starring seasoned vets like Donnie Yen and Jet Li, the acting is notably bad. Aside from Jason Scott Lee, every actor here gives the most lackluster boring performances of their career. For some, like Jet Li, it feels like the only filmed one take before he just walked off set and they had to use it.

Because of all of this, it truly feels like a Hallmark movie in both it’s plot and it’s production. The acting is subpar, the plot and writing is very low-quality, the special effects feel rushed, the list honestly goes on.

There’s more I could say about the plot alone, like how the villains (specifically the witch Xian Lang) are legitimately the only redeemable characters. Every member of the Imperial Army and of her own family dislikes and belittles Mulan, and she relentlessly follows them to the ends of the earth regardless. Meanwhile, the villains of the movie, donned in all black, with mysterious intent and magical witch in tow, provide a Palpatine-esque alternative that actually sounds way more appealing than what any of the other characters are offering Mulan.

IN CONCLUSION

I don’t want it to sound like this is a terrible terrible movie that is not worth anyone’s time. It’s not. It’s, at worst, “okay.” But it’s also the -nth “okay” movie that Disney has released in a row, and it’s tiresome at this point. This is objectively a better film than The Lion King, for example, but it’s so boring and bizarre that that’s like saying an ant bite is better than a bee sting – I’d still rather not have either.

What makes it worse, is that it’s thirty freaking dollars – or at least $29.99. Not including the Disney+ subscription that everyone who will watch this movie undoubtedly already has. Very, very few movies are worth that much, and there is absolutely no universe at all in which this one is.

REVIEW: Maleficent: Mistress of Lazy Filmmaking

16 October 2019 by Chris Ryan Leave a Comment

As soon as I sat down to watch this movie I regretted not re-watching the original 2014 film Maleficent to refresh my memory of the plot (as it stands, I actually remembered absolutely none of it). But as I got to thinking, I realized it was actually okay that I hadn’t done this. I assume that most people don’t really remember the plot of Maleficent, and that they too would be going in relatively blind.

If you’ve read any other film review I’ve written for this site, you’ll know they all largely follow the same basic theme: I don’t really care for the movie and think it has a lot of poorly executed elements, but in the end, it’s at least mildly entertaining. So it should be no surprise that I think Maleficent: Mistress of Evil really fits that mold too.

In passing I’ve definitely said previously that the original Maleficent was my favorite live-action remake. I feel like I need to clarify this. I don’t like the original Maleficent very much either, but I liked what it attempted to be – something that wasn’t just a 1:1 remake of an animated movie from several decades ago. It had its own perspective and take on the original story that could’ve made for something very compelling. Ultimately though, personally, I don’t think that idea was seen through very well at all.

My issue at this point is that all of these movies are extremely safe and marketable. The ‘live-action’ remakes yes, but even Disney’s seldom seen original IP are stale and worry-free. An avid viewer of such movies would be quick to point out something like The Nutcracker and The Four Realms; a unique take on a classic with a bold choice in design and fresh new elements. But this too sees the shortcomings of Disney’s safe/marketable rules. A new idea like Nutcracker is heavily constrained in its budget, and ultimately can’t do very much other than simply play it safe. Now, do I think that if Nutcracker hadn’t been so constrained it would’ve been good? No, but that’s beside the point.

Obviously it’s within Disney’s best interests to play to their biggest markets and try to make as much money as possible. They can’t necessarily do that if they were to make one-off films with a unique plot that breaks the mold – it’s way too risky. They’re in the business of making money, and every movie that has left Disney’s production team for at least the past five years has been well crafted to be perfectly safe.

Maleficent: Mistress of Confusing Art Design

Elle Fanning is Aurora in Disney’s live-action MALEFICENT: MISTRESS OF EVIL

I assume you can begin to gauge my opinion of Mistress of Evil from that alone. It took no risks, had no groundbreaking plot, made no profound statement.

I don’t think it’s necessarily fair to just criticize every aspect of the movie though – there were some things that I really did enjoy. I thought a lot of the art design was VERY good. Locations like the homeland of the Fae (from which Maleficent herself originates), felt straight out of Pandora: The World of Avatar – and ironically made me really look forward to Avatar 2.

But it would seem that no good deed goes unpunished, because I absolutely could NOT stand the design of the fairies/creatures of the Moors. Looking at them made me want to turn the movie off. I seriously wish that a photo of them had been publicly released or sent to us. For those who do see the movie, I’m talking about the strange hedgehog girl and the bizarre mushroom boy. For those who don’t see the movie, I’m sorry that I sound crazy right now. Those two examples are just so odd looking that I hated them, but people who’ve seen the first Maleficent may remember the incredibly uncanny valley Fairy Godmother characters. Be advised that the first 10 minutes of this movie are dedicated to full CGI establishing shots that are teeming with more and more of these weird and uncomfortable creatures that I did not very much care for.

Character-design-rant aside, I also happened to enjoy the soundtrack. It fell into the background a bit more than I would’ve liked, but there were some moments when I thought it was used in a very compelling way. In a similar vein, the sound design itself was actually pretty notable. There’s a lot of odd creatures in this movie but they all manage to sound exactly like how you’d expect them to.

I had never heard of the director before, and looking at his work again now, the only notable thing he’s made was 2017’s Pirates of the Caribbean: Dead Men Tell No Tales. Again, I enjoyed that movie – a bit more than Mistress of Evil – but it really just stayed the course of safe-bet movies.

Maleficent: Mistress of Unnecessary

Angelina Jolie is Maleficent in Disney’s MALEFICENT: MISTRESS OF EVIL.

So what do we take away from this? If you’re Disney, apparently nothing. I saw yesterday that on October 18th (opening day of the movie), my local theater is showing Mistress of Evil 28 separate times. It will definitely make money, unfortunately. Disney has placed all of their filming-eggs into one very safe and secure metaphorical basket.

Sure, Mistress of Evil was yet again moderately entertaining. But to me personally, so much of the movie felt poorly executed or lazily done that I came away from it not liking it at all. Even down to the structure of the plot, it felt like a direct-to-DVD sequel from the late 90s. The only difference is that this one had a massive budget and was shown to me in an IMAX theater.

I think lazy is the best way to describe Mistress of Evil. When asking around to my friends, over half of them didn’t even know that the movie was being made, let alone coming out in two days. Before the film started we were greeted with a few short promos of upcoming Disney productions to look forward to. Of these, Z-O-M-B-I-E-S 2, a Disney Channel Original sequel to a movie I’ve never seen, made for an age group I’m way too old for, piqued my interest far more than any part of Mistress of Evil did.

I’ll end it off by saying this: I don’t think Maleficent: Mistress of Evil is worth seeing. Normally I would add, “but that’s just me”, but this time, I really don’t think it’s just me. The Disney formula is growing old, and sure, it’s a profitable one, but for how long? Mistress of Evil probably would’ve worked better as a Disney Channel Original Movie (and from the production of it, it would’ve fit right in stylistically) or even a Disney+ Original. Especially given that it’s an unnecessary sequel to an unmemorable movie from five years ago.

REVIEW: Burton’s Dumbo Soars Higher than Ever

26 March 2019 by Chris Ryan Leave a Comment

There’s no question that the original 1941 release of Dumbo is a landmark animation release. It’s truly a triumph of the techniques of the time that come together to cement a piece of Disney history unlike any other.

Respecting a classic…

For one reason or another, I was not very excited for the 2019 remake of Dumbo. It could’ve been because I personally was not a fan of the original for a handful of reasons. Or maybe it was because (despite him being one of my favorite directors) the recent work of Tim Burton has been rather sub-par. Either way, I didn’t know what to expect. Needless to say, I was pleasantly surprised. From the first scene of the film, where a familiar score introduces itself while we see a newer, updated Casey Jr., I knew everything was going to be okay.

WHEN I SEE AN ELEPHANT FLY — In Tim Burton’s all-new, live-action reimagining of “Dumbo,” former circus star Holt Farrier (Colin Farrell) and his children (Nico Parker and Finley Hobbins) find themselves caring—and advocating—for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. Directed by Burton and produced by Katterli Frauenfelder, Derek Frey, Ehren Kruger and Justin Springer, “Dumbo” flies into theaters on March 29, 2019. © 2018 Disney Enterprises, Inc. All Rights Reserved.

And yes, you heard that right, I was not a fan of the original. This isn’t a review of that film, so I won’t get into it, but to sum it up, I think the original release of Dumbo is very outdated today. Comparing the runtime of the two films alone – 112 minutes to the original’s 64 – it’s clear that Burton has a much larger story to tell.

Where I find faults in the original, I find nothing but success in this retelling. But that isn’t to say that Burton completely erases any memory of the original. I think this remake pays homage to the original by respecting its legacy, and building upon it to tell a new story. You don’t need to have seen the original at all to understand this new film, but there are certainly a few nods to it that those classic fans will pick up.

…and bringing it to life.

For the past 5 years, we’ve been subject to a new kind of Disney film – the remake. It’s become something of a joke that Disney just keeps remaking their classic movies, creating an endless cycle of profitability. I personally have not been very kind to these remakes. At the base level, I don’t understand the point of remaking a classic movie as they have been doing.

2015’s Cinderella, 2017’s Beauty and the Beast, and (from the look of it) 2019’s The Lion King – just to name a few – all tell the exact same story as the original film they’re based on. The remake simply updates the graphics, or makes it “live action”, or adds a few new songs to the soundtrack, and doesn’t make any attempt at doing something radically different with the story. I don’t like these films because they seem like a waste of time. Yes, I would love to see Childish Gambino as Simba the lion, but I’d like even more to see him doing something I’ve never seen before, not exactly what I saw Matthew Broderick do 25 years ago.

I appreciated Maleficent for this reason. It wasn’t a remake of Sleeping Beauty, it was a retelling from a different perspective. Ultimately, I didn’t like that movie as a whole, but it’s the only “remake” that I felt actually justified its existence. That is, until Tim Burton’s Dumbo.

Dumbo (2019) takes the simple concept of the original movie, ‘a flying elephant in a circus’, and runs away with it. Burton’s movie does feature some of the same events as the original, but builds upon them in a way that is wholly unique and more powerful than the original was.

DREAMING BIG — In Tim Burton’s all-new, live-action reimagining of “Dumbo,” persuasive entrepreneur V.A. Vandevere (Michael Keaton) decides that a young elephant from a struggling circus belongs in his newest, larger-than-life entertainment venture, Dreamland. Directed by Burton and produced by Katterli Frauenfelder, Derek Frey, Ehren Kruger and Justin Springer, “Dumbo” flies into theaters on March 29, 2019. © 2018 Disney Enterprises, Inc. All Rights Reserved.

Burton was clearly the best choice to tell this story. Don’t go into this movie expecting his typical gothic atmosphere, but do expect his ability to turn a dark story or dark events into a bright and vibrant world. This movie feels very similar to his remake of Willy Wonka & the Chocolate Factory. From the soundtrack to the over-the-top visuals, they both respect the classic and truly bring it to life.

I’ll leave it at this – this is the movie we thought we were watching when we saw the original Dumbo. You can go back and watch the original and still respect it for its legacy, still honor the achievement it made, and still love the story it told. But watching Burton’s new take on the film brings back all of the wonder and amazement of truly seeing it for the first time. It’s the movie that made me a Dumbo fan.

GOTTA FLY – Visionary filmmaker Tim Burton helms the live-action reimagining of Disney’s 1941 animated classic “Dumbo.” “’Dumbo’ was always one of my favorite Disney films,” said Burton. “We’re trying to give it the same heart, feeling and emotion that we all loved about the original.” Starring Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Nico Parker and Finley Hobbins, “Dumbo” is currently in production in England. © 2017 Disney Enterprises, Inc. All Rights Reserved..

Dumbo opens Friday, March 29, 2019 in theatres everywhere. You can read Zannaland’s original Dumbo animated feature review here.

REVIEW: Black Panther – the Movie We All Needed

15 February 2018 by Suzannah Otis Leave a Comment

Oh hi, Zannaland readers, readers, readers…hmm, bit of an echo. I’m prefacing this review with a touch of editorial mea culpa. I’ve been embarrassingly absent from my beloved site, focusing mostly on instagram to share my mini-blog posts and thoughts and pretty photos. In addition, I’ve been working full-time, as I’ve mentioned before, but I really shouldn’t use that as an excuse for neglecting this place. Before opening up this “Add New Post” page, I re-read my cathartic 2014 post The State of Zannaland (don’t read it now, it’s really long and we have a movie to discuss. But if you want later, feel free.) and I was shocked at how 4 years later, I could’ve written the same thoughts today. Basically, I get too busy to post, rely on the quick and easy places, then get down on myself and wonder if I should continue writing at all. It’s a vicious circle, which, as I read my own words expressing the same emotions years later, was a bit of a wake-up call. I’ll get into more of that in a future post. For now I’m just acknowledging that yes, I’ve neglected this place, and I’m really going to try my best at more writing and less neglecting. And now, Black Panther!

I am a Marvel fan. I’m not, however, a Marvel nerd, by which I mean, I don’t know all the backstories and original comics and what parts in the movies are canon vs. artistic interpretation – though I will admit to looking many things up in the Marvel Universe to better educate myself before and after movies because, let’s face it, there are some confusing storylines and characters out there. After watching Thor: Ragnarok in theatres, which I loved, I felt the need to re-watch Doctor Strange (and look stuff up online), because hey, Doctor Strange was in there and everything’s connected and wow…so yeah, that’s where I am on the scale of Marvel fangirl.

When I first saw a preview for Black Panther, I was IN. Actually, I was in when he appeared in Captain America: Civil War and as he first appeared and was trying to kill “the good guys” I thought “oh no please let him be a good guy I love him and want him to be a hero not a villain!” Which really, says a lot about heroes and villains because as Civil War pointed out, who’s to say what is on the side of “right” and the side of “wrong?” Sometimes there are various indistinguishable shades, and just as half the internet may see a dress as blue, the other half sees it as gold. And certainly in this real-world of political divisiveness, taking a knee, gun control, healthcare, taxes, and more, we often see people on both sides who believe without a doubt that they are fighting for what’s “right” and “good” even if, in our minds, they are completely wrong. Before I get into that, I will just say again, I was very excited to see trailers for the Black Panther full length film.

Now, dear reader, we come to a bit of a difficult point. I am, as most of you know, a suburban, white, middle-aged (gah that’s the first time I’ve admitted that one), wife and mom. The emotions I felt and the thoughts I have been trying to organize regarding this film, left me saying, “who am I, to have an opinion on this? Who am I to have a say in the themes presented on the screen? How can I rally in support of things I have had pretty much zero experience with in my real life? I don’t want to sound, as is so easy to do, like the person that says, ‘some of my best friends are (insert character descriptor here)!’ ‘Some of my favorite shows are Atlanta and Insecure!’ ‘I love Kendrick Lamar!’ or look like a bad YouTube video of someone trying desperately to be hip and relevant.” It’s awkward. It’s uncomfortable. My thoughts are my thoughts and my opinions and acceptances and loves are my own, but do they matter in a real-world environment of discrimination and brutality and defamation of character that by default I was born into the wrong side of? And then I realized, this is the point. This is the purpose. To feel uncomfortable. To get to that point where all you want to do is shout from the rooftops how amazing something is, even if you look like a fool for doing it, because it’s the right thing to do. To have the thoughts that make you question the way things are. To see the world from a different perspective. With discomfort comes growth. If we are comfortable with the way things always were, we will forever be living with the way things are vs. how they could be. So yes, here I am, a middle-aged (nope, still stings) white lady, discussing the film which is life-changing for many people of color and I’m just going to do it and it’s going to be a good time, I promise.

You may be starting to think, “Is this still a review for a Marvel super hero movie or did I accidentally click on a HuffPo link? It’s *just* a movie. A fun, action flick, not a commentary on the real world.” Yes, and the Princess and the Frog is just another animated cartoon. To many. To many more, it was the first time they got to go to a store and get a costume representing a character that looks like them. A princess that isn’t blonde with blue eyes with fair skin. A super hero that doesn’t look like he is a Viking god (sorry Thor). A friend of mine in the Disney community (I asked her permission to link to her 🙂 ) went with her sister and her nephew to DragonCon this past year, where he proudly dressed up as Black Panther. They took a group photo of all the Black Panthers there at the convention that day, and he was among all the other little guys looking like a mini army of Wakandan princes. And I teared up seeing the photos she shared because I felt just one tiny, miniscule, microscopic fragment of the pride of representation that they were feeling, and a big ol’ chunk of happiness. I don’t think I ever told her that, because, well, I felt dumb and again, like it wasn’t my place to celebrate that victory. That’s the thing with privilege, even if you don’t think you display it, seeing an instance where generations have gone without it, is very eye-opening. A little uncomfortable. And in that discomfort, you grow in understanding. This is not just an action movie.

Imagine a world, where a country was able to rely only on itself and its people, rich in resources, dependent on no one for trade, or benefits of any kind. Where your land and your people were not a place to be, in their terms: colonized, civilized, converted, saved – in our terms: exploited, suppressed, and oppressed. A place where your land, your people, your culture, your traditions, and your history was preserved, celebrated, venerated, expanded upon, magnified, glorified. This is more than just a list of adjectives, this is Wakanda.

In the Marvel universe, Wakanda is the richest nation in the world. Completely self-sufficient, it has never been colonized, and more than that, because of their great wealth and technological power, they have for the most part hidden themselves from the rest of the world. Why? Because they didn’t need us. To see the downtown city of Wakanda is to imagine our cities, if they weren’t built by people with no cultural traditions, no history to celebrate. I know that I’m painting the developed world with a very broad brush, but it’s true. You can’t celebrate traditions and history and tear it down to build the next biggest high rise full of multi-million dollar condos. You just can’t. We only see this downtown area briefly, but that is the “what if?” that struck me. How the modern was mixed with the traditional. You have a skyscraper with a thatched roof added on to the side or on top, because that is how your traditional buildings were built. The people of the different tribes of the country might wear the traditional attire and markings of their ancestors, or a modern suit paired with a lower lip plate and stretched earlobes. It is literally the best of both worlds, the past and the future living in cultural harmony and peace. I watched in awe and wished I could live in Wakanda. Sadly, this place is fictional, but it certainly makes you wonder, at least it did me, what if. What if centuries of colonization and conquering and oppression and yes, slavery, hadn’t taught the world how “progress” worked.

Now imagine our reality and the world we live in, with the struggles, and persecution, and keeping down of marginalized peoples. And as a marginalized person, you discover that Wakanda exists. Would you want to move there and live out your days? Or would you want to expose the overflowing resources and seemingly endless solutions to the problems the rest of the world faces, in hopes of creating a perfect world everywhere, at any cost? Therein lies the dilemma of Black Panther. Some of these same sentiments are felt by citizens of Wakanda as well. So the new king, T’Challa, must decide how he is going to rule. Will he save the world, or protect Wakanda?

That’s all I’m going to discuss in the way of plot details, I won’t spoil this for anyone because there were some great surprise moments in the film. I will say that Black Pantheris enjoyable from start to finish. From the sweeping Wakandan visuals, to the uber cool Black Panther tech, to the up to date(ish) pop culture references, it’s smart, funny, and everything you’d expect from a Marvel movie. With one token white guy. Martin Freeman is a great foil against the typical “token” character and I love how the movie embraces that, making us white folk squirm just a teensy bit, and doesn’t just pretend that isn’t a reality of the situation in this world.

The performances by all the actors were amazing. I loved the character development and the juxtaposition of the modern outside world against Wakanda’s isolated one. I loved the costumes – so many details. I can only imagine the amount of research that went into each tribe’s backstory, traditional garb and appearance. There is a whole Wakandan language that is spoken and written! The level of realism to create the country of Wakanda and all its history is a standalone success even without the acting, writing, backgrounds, and music too. And I loved the messages throughout the film. They are all important. It was wonderful to see strong (physically and emotionally) women represented on film without a second thought as well. This film on a whole is a great commentary on culture, traditions, rituals, and family; how even the mightiest of men can be flawed and, at the end of the day, we are our choices, so make good ones. And, it’s never too late to make up for the sins of the past and attempt to heal the damage done – and, to be open to new solutions.

So there you have it. My review, peppered with the lightest of social commentaries. I am not 100% sure I have expressed everything I wanted to express about Black Panther, but I am going to see the movie again tomorrow with my 17 year-old daughter, who is also dying to see it, so I may have more to add to this post. I look forward to hearing her perspective on it, as a member of the generation that has been a part of more social change and inclusion since perhaps the 60’s. Things like how the standard of beauty has done a 180 from a generation ago. The standard of human rights and representation is growing exponentially. We still have a long way to go, and I think we have seen recently that what has been the ‘norm’ cannot be the norm anymore. Change is afoot, and movies like Black Panther are the stepping stones to those changes.

Edited to add one more thing: IF I have, in fact, offended anyone, please – let me know. I tried to be completely open, honest, and transparent with some very important real world issues, but I completely understand if I have overstepped any bounds or if my tone did not come across as intended. I come in peace and love, and I hope that’s how it appears. I have had people I know tell me that they actually had no desire to see this movie, and when I asked why, they said (and I’m not making this up – I wish I was), “I’m just not a fan of the urban-ness of it all…” and that, my friends, is a very sad sentiment, which unfortunately is still all too common in 2018. So if anything, I wanted to show whoever did read this, that this IS an important and fun movie and if you can’t handle the “urban-ness” of a country full of peaceful, technologically advanced beyond anyone on the planet, and ridiculously rich citizens, then perhaps it’s time to move to a new galaxy.

WAKANDA FOREVER!

Like BLACK PANTHER on Facebook: https://www.facebook.com/BlackPantherMovie

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BLACK PANTHER arrives in theatres everywhere on February 16, 2018!

Pirates of the Caribbean Dead Men Tell No Tales Trailer

7 February 2017 by Suzannah Otis Leave a Comment

Hopefully everyone saw the amazing Pirates of the Caribbean – Dead Men Tell No Tales trailer that premiered during Super Bowl LI. I know we had to rewind it a few times to watch. Looks like another fun romp through pillaging and plundering as only our favorite pirates can do. Here is the official story line of the upcoming 5th installment of the Pirates of the Caribbean series:

Johnny Depp returns to the big screen as the iconic, swashbuckling anti-hero Jack Sparrow in the all-new “Pirates of the Caribbean: Dead Men Tell No Tales.” The rip-roaring adventure finds down-on-his-luck Captain Jack feeling the winds of ill-fortune blowing strongly his way when deadly ghost sailors, led by the terrifying Captain Salazar (Javier Bardem), escape from the Devil’s Triangle bent on killing every pirate at sea—notably Jack. Jack’s only hope of survival lies in the legendary Trident of Poseidon, but to find it he must forge an uneasy alliance with Carina Smyth (Kaya Scodelario), a brilliant and beautiful astronomer, and Henry (Brenton Thwaites), a headstrong young sailor in the Royal Navy. At the helm of the Dying Gull, his pitifully small and shabby ship, Captain Jack seeks not only to reverse his recent spate of ill fortune, but to save his very life from the most formidable and malicious foe he has ever faced.

Here is the full spot from Sunday night:

Exciting, yes? Can’t wait to see this when it opens May 26, 2017. Here’s where to get all your piratey action leading up to that day:

Follow PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES on Twitter: https://twitter.com/DisneyPirates

Like PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES on Facebook: https://www.facebook.com/PiratesOfTheCaribbean

Follow Walt Disney Studios on Instagram: https://www.instagram.com/disneystudios/

Visit the official website here: http://pirates.disney.com/

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES opens in theaters everywhere May 26th!

Beauty and the Beast Full Trailer and Character Posters

30 January 2017 by Suzannah Otis Leave a Comment

The time is almost here to Be Our Guest and experience Beauty and the Beast’s incredible story brought to life in theatres March 17th, 2017. Emma Watson will bring Belle to life and a host of other stars will make their appearance as the story unfolds on screen. Here is the latest full trailer of Beauty and the Beast, as well as the recently released character posters to give us a sneak peek at the amazing costumes and make-up effects used in the movie. I can’t wait to see it all come together!

What character or part of Beauty and the Beast are you most looking forward to seeing in person? To keep you entertained until you can see the movie, follow along on social media:

Like BEAUTY AND THE BEAST on Facebook: https://www.facebook.com/DisneyBeautyAndTheBeast
Follow BEAUTY AND THE BEAST on Twitter: https://twitter.com/beourguest
Follow BEAUTY AND THE BEAST on Instagram: https://www.instagram.com/beautyandthebeast/
Visit the official BEAUTY AND THE BEAST website here: http://movies.disney.com/beauty-and-the-beast-2017
BEAUTY AND THE BEAST opens in theatres everywhere on March 17th!

And if you are in Disney Parks on either coast, you can watch a sneak preview of Beauty and the Beast:

For a limited time starting this weekend, a sneak peek of Disney’s epic new live-action adaptation “Beauty and the Beast” will be presented as part of the One Man’s Dream attraction at Disney’s Hollywood Studios® at Walt Disney World® Resort, and in the Sunset Showcase Theater at Disney California Adventure® Park at Disneyland® Resort, where it can be seen in 3D with special in-theater effects. Each sneak peek location will feature an advance look at a scene from the film, along with a display showcasing a collection of props and costume pieces actually used in the film’s production.

This special 8-minute preview from Disney’s “Beauty and the Beast” begins Feb. 10, 2017 and will be available at Disney Parks for a limited time through March 26, 2017.

New Beauty and the Beast Teaser Trailer Revealed!

23 May 2016 by Suzannah Otis 1 Comment

With all of the recent live-action remakes of Disney classic animated tales, it can sometimes be hard to get excited about the next new thing. However, I will fully admit I’m officially excited. This is just a teaser, but it’s definitely doing what it promised. March 17, 2017 can’t get here soon enough.

See the official teaser trailer below, including the first sneak peek at Belle herself, played by Emma Watson. We also hear the voices of Lumiere and Cogsworth too! Click play:

What did you think? I’d love to hear in the comments below!

I grabbed some screenshots to take a closer look at some of the details from the trailer:

Beauty and the Beast 2017 — The ballroom

The official synopsis from Disney:

Disney’s “Beauty and the Beast” is a live-action re-telling of the studio’s animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs. “Beauty and the Beast” is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the Beast’s hideous exterior and realize the kind heart and soul of the true Prince within. The film stars: Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Oscar® winner Kevin Kline as Maurice, Belle’s eccentric, but lovable father; Josh Gad as Lefou, Gaston’s long-suffering aide-de-camp; Golden Globe® nominee Ewan McGregor as Lumiere, the candelabra; Oscar nominee Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; six-time Tony Award® winner Audra McDonald as Madame Garderobe, the wardrobe; Oscar nominee Ian McKellen as Cogsworth, the mantel clock; and two-time Academy Award® winner Emma Thompson as the teapot, Mrs. Potts.

Directed by Oscar® winner Bill Condon from a screenplay by TBD based on the 1991 animated film, the film is produced by Mandeville Films’ David Hoberman and Todd Lieberman with eight-time Oscar-winning composer Alan Menken, who won two Academy Awards® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three-time Oscar winner Tim Rice. “Beauty and the Beast” will be released in U.S. theaters on March 17, 2017.

Finding Dory Official Trailer Released

2 March 2016 by Suzannah Otis Leave a Comment

During the D23 Expo over last summer in Anaheim, we were treated to quite a bit of news and info about Finding Dory, including many of the voice actors, and some exclusive clips of the film. Now the first full-length trailer has been officially released today, on the Ellen Show and we can share it here with you too! Check it out below:

I like that we find out where she learned to speak whale, and the whole Monterrey Bay Aquarium-like location where Dory ends up while seeking her family looks really interesting and keeping in the theme of Finding Nemo of seeing things from the fish’s points of view. I’m most looking forward to HOW she lost her family though, and hope we get to learn about that too. (Also secretly hoping for another cameo by the Boston lobstahs too ;).)

Directed by Andrew Stanton (“Finding Nemo,” “WALL•E”) and produced by Lindsey Collins (co-producer “WALL•E”), the film features the voices of Ellen DeGeneres, Albert Brooks, Ed O’Neill, Kaitlin Olson, Ty Burrell, Eugene Levy and Diane Keaton. “Finding Dory” swims into theaters June 17, 2016.