Reviews

REVIEW: Burton’s Dumbo Soars Higher than Ever

26 March 2019 by Chris Ryan Leave a Comment

There’s no question that the original 1941 release of Dumbo is a landmark animation release. It’s truly a triumph of the techniques of the time that come together to cement a piece of Disney history unlike any other.

Respecting a classic…

For one reason or another, I was not very excited for the 2019 remake of Dumbo. It could’ve been because I personally was not a fan of the original for a handful of reasons. Or maybe it was because (despite him being one of my favorite directors) the recent work of Tim Burton has been rather sub-par. Either way, I didn’t know what to expect. Needless to say, I was pleasantly surprised. From the first scene of the film, where a familiar score introduces itself while we see a newer, updated Casey Jr., I knew everything was going to be okay.

WHEN I SEE AN ELEPHANT FLY — In Tim Burton’s all-new, live-action reimagining of “Dumbo,” former circus star Holt Farrier (Colin Farrell) and his children (Nico Parker and Finley Hobbins) find themselves caring—and advocating—for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. Directed by Burton and produced by Katterli Frauenfelder, Derek Frey, Ehren Kruger and Justin Springer, “Dumbo” flies into theaters on March 29, 2019. © 2018 Disney Enterprises, Inc. All Rights Reserved.

And yes, you heard that right, I was not a fan of the original. This isn’t a review of that film, so I won’t get into it, but to sum it up, I think the original release of Dumbo is very outdated today. Comparing the runtime of the two films alone – 112 minutes to the original’s 64 – it’s clear that Burton has a much larger story to tell.

Where I find faults in the original, I find nothing but success in this retelling. But that isn’t to say that Burton completely erases any memory of the original. I think this remake pays homage to the original by respecting its legacy, and building upon it to tell a new story. You don’t need to have seen the original at all to understand this new film, but there are certainly a few nods to it that those classic fans will pick up.

…and bringing it to life.

For the past 5 years, we’ve been subject to a new kind of Disney film – the remake. It’s become something of a joke that Disney just keeps remaking their classic movies, creating an endless cycle of profitability. I personally have not been very kind to these remakes. At the base level, I don’t understand the point of remaking a classic movie as they have been doing.

2015’s Cinderella, 2017’s Beauty and the Beast, and (from the look of it) 2019’s The Lion King – just to name a few – all tell the exact same story as the original film they’re based on. The remake simply updates the graphics, or makes it “live action”, or adds a few new songs to the soundtrack, and doesn’t make any attempt at doing something radically different with the story. I don’t like these films because they seem like a waste of time. Yes, I would love to see Childish Gambino as Simba the lion, but I’d like even more to see him doing something I’ve never seen before, not exactly what I saw Matthew Broderick do 25 years ago.

I appreciated Maleficent for this reason. It wasn’t a remake of Sleeping Beauty, it was a retelling from a different perspective. Ultimately, I didn’t like that movie as a whole, but it’s the only “remake” that I felt actually justified its existence. That is, until Tim Burton’s Dumbo.

Dumbo (2019) takes the simple concept of the original movie, ‘a flying elephant in a circus’, and runs away with it. Burton’s movie does feature some of the same events as the original, but builds upon them in a way that is wholly unique and more powerful than the original was.

DREAMING BIG — In Tim Burton’s all-new, live-action reimagining of “Dumbo,” persuasive entrepreneur V.A. Vandevere (Michael Keaton) decides that a young elephant from a struggling circus belongs in his newest, larger-than-life entertainment venture, Dreamland. Directed by Burton and produced by Katterli Frauenfelder, Derek Frey, Ehren Kruger and Justin Springer, “Dumbo” flies into theaters on March 29, 2019. © 2018 Disney Enterprises, Inc. All Rights Reserved.

Burton was clearly the best choice to tell this story. Don’t go into this movie expecting his typical gothic atmosphere, but do expect his ability to turn a dark story or dark events into a bright and vibrant world. This movie feels very similar to his remake of Willy Wonka & the Chocolate Factory. From the soundtrack to the over-the-top visuals, they both respect the classic and truly bring it to life.

I’ll leave it at this – this is the movie we thought we were watching when we saw the original Dumbo. You can go back and watch the original and still respect it for its legacy, still honor the achievement it made, and still love the story it told. But watching Burton’s new take on the film brings back all of the wonder and amazement of truly seeing it for the first time. It’s the movie that made me a Dumbo fan.

GOTTA FLY – Visionary filmmaker Tim Burton helms the live-action reimagining of Disney’s 1941 animated classic “Dumbo.” “’Dumbo’ was always one of my favorite Disney films,” said Burton. “We’re trying to give it the same heart, feeling and emotion that we all loved about the original.” Starring Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Nico Parker and Finley Hobbins, “Dumbo” is currently in production in England. © 2017 Disney Enterprises, Inc. All Rights Reserved..

Dumbo opens Friday, March 29, 2019 in theatres everywhere. You can read Zannaland’s original Dumbo animated feature review here.

NEW: Toy Story 4 Full Trailer -But…Do We Need THIS Toy Story?

19 March 2019 by Suzannah Otis 1 Comment

DisneyPixar just released the newest trailer for Toy Story 4, and unlike our previous short glimpses at new characters, this full trailer reveals the storyline and plot of the fourth Toy Story movie. If you haven’t seen it yet, here it is:

So, what did you think? My initial viewing left me scratching my head. I mean, I love most all of the Pixar films, even Cars 2 (for its visuals) which most people did not rave about. I appreciate a good cry, despite knowing Pixar is manipulating my heartstrings and leaving me a blubbering mess.

When former Disney Animation Chief Creative Officer John Lasseter spoke about Toy Story 4 at the D23 Expo in 2015, he mentioned that it was going to be Woody and Bo Peep’s love story. I was cautiously optimistic about that, even tho, Toy Story 3 had wrapped the toys’ lives up so neatly, I figured there would be a backstory/prequel aspect to Woody and Bo Peep, and perhaps they’d be reunited. Well, a LOT has happened since that D23 Expo, and obviously, whatever tale John Lasseter may have planned to tell, probably got changed a bit if not completely. Just as we no longer have “Gigantic” to look forward to (which I must admit I am thankful for, after learning a bit about it at the same 2015 D23 Expo), ideas change, directors change, and sometimes things get shelved altogether. I’m not sure why Pixar felt like this was a story they needed to tell, especially after Toy Story 3 left everyone with such warm fuzzy feelings (at least that’s what I was left with after sobbing uncontrollably for about 20 mins).

Let’s go through my initial reactions as I watched, and see if you agree…Ok, Bonnie makes “Forky” and Woody gloms onto him (having learned not to be threatened by new toys way back in the original Toy Story) and proclaims Forky to be the most important toy to Bonnie right now, and as such must be protected at all costs. Now this is where they lost me right off the bat. Maybe if this movie came out in 1999, I might relate better to this concept. That’s when I had my first child, and sure, if there was something that he created and loved more than anything, I could see myself going to extreme lengths to make sure this toy was always there. However, this is a spork with googly eyes and pipe cleaners attached. A craft project, that – and this is the joy of arts and crafts – you could create again and again. If my son made a spork guy and that spork got stepped on and cracked, or his eyes fell off, or he simply got lost, we’d make a new one. I understand that Woody may not know or understand this concept, but the majority of the audience watching should.

So while I can see what they were trying to do here with Woody “doing the right thing” and saving the spork, it just doesn’t hold as much weight as losing Buzz, or Slinky Dog, or even Bo Peep, who he seemed resigned to forget about in Toy Story 3. Additionally, if the message they are trying to send is “every friend a child ‘creates’ is special and must be preserved at all costs…” that’s not a very realistic parenting message.

Life is about growth; growing up, making changes, some harder than others, and yes, some things get left behind. A spork made in school simply does not equate to a childhood dog, or friend, or toy that never left your side. But as a parent of 3 children, if any of them did lose a special toy, and nothing could be done to find it or bring it back, we would move on and that toy would become a cherished memory. Because as much as we, as parents, may grow attached to certain things our children once loved or played with or even wore, chances are more than likely they will cast them aside as they grow up and move on to bigger and better things. (Which I am knee-deep in as my youngest, now 10, is finally cleaning out his room and donating some toys that he’s either had from birth, inherited from his older brother and sister, or were once beloved and now collecting dust.)

And THAT is the lesson that Pixar made so clear in Toy Story 3. After ripping our hearts out with “When Somebody Loved Me,” the song woven throughout Jessie’s backstory, we all felt incredible guilt for donating toys we once loved. Toy Story 3 wiped that guilt clean with the acknowledgement that toys can be passed on to new generations of children who will love and care for them, creating new everlasting memories.

So whether Woody represents a parenting mentality in this tale, not wanting to upset Bonnie, or one of a friend not wanting to leave another friend behind, it seems like a very weak storyline to build an entire movie on, even if it’s only a stepping off point to get to finding Bo Peep. And the spork doesn’t even want to be alive! So let him go. There are so many other sporks available to stick googly eyes on. But it’s happening. This is the path Pixar has chosen. Woody flies out after Forky, and their journey to get back to ~~Andy~~ Bonnie, now begins.

Next up, Woody spies Bo’s old lamp in an antique shop, and has to go in to see if she’s there. As is the case with Toy Story 2 (Stinky Pete) and Toy Story 3 (Lotso) there are “bad toys” (in this case ventriloquist dummy dolls under the command of a creepy talking doll) in the antique shop, which try to attack and capture Woody and Forky. I mean…is this the best they could do? I appreciate the nod to the original ventriloquist concept that Woody was once going to be before the first Toy Story was completed, but apart from that, it’s getting a bit repetitive here, no? And this time instead of Jessie coming to the rescue as she did in the Toy Story of Terror short, it’s Bo Peep who rescues Woody. From what we can see, Bo has become a strong, independent woman while she’s been away from Andy’s room.

At this point in the trailer, we also see Buzz has jumped out of the moving RV where all the toys began with Bonnie, and stumbles into a pretty permanent-looking carnival set up. Bo Peep also gestures to this same carnival, asking Woody if he wouldn’t rather live there than a kid’s room. Forky seems to have been converted to the cult of being a kid’s toy, and asks if they are going back to Bonnie. So the same hijinx will now ensue, with Woody and Buzz separated, both of them separated from their kid, Bonnie in this case, and new toys who either hinder or help them along their journey back to where they belong.

The whole thing just left me with a very “meh” reaction. It doesn’t seem like anything new will be learned here, it’s the same old story with a new location, and the same ending looks likely. I’m sure I could be mistaken, and I welcome being proven wrong and loving this movie. For now, though, it seems like Pixar is just trying to rewrite the same story (and I’m not sure who they are trying to appeal to). Maybe they are hoping a whole new generation of fans will just jump on the Woody bandwagon. But as mentioned before, they ended things so perfectly with Toy Story 3, it would’ve taken an exceptional story or backstory to top that.

So long, partner.

So what do you think? Did we need this new story? Do you like how the plot looks in the trailer? Do you think there’s a lot still missing that may make this a new Toy Story favorite? Share your thoughts below or with me on social media!

REVIEW: Captain Marvel; or Living with Marvel Fatigue

5 March 2019 by Chris Ryan Leave a Comment

Over the course of 10 years, we have all slowly been indoctrinated into the cult of the Marvel Cinematic Universe. We have simply come to accept that seeing a Marvel movie is part of the yearly routine – or as of late, part of the seasonal routine. I accept it willingly, myself. Even at their worst, the MCU has been able to produce 21 movies that are quite entertaining. Some are great, some are Thor: The Dark World. Regardless, Groot, Thanos, and Doctor Strange have all become household names thanks to the MCU.

The beauty of these films is that they can be very rewarding for the fans of the original comics, who gasp at the sight of a character they never thought they’d see on a movie screen, who they recognize immediately from their childhood. And they’re able to do this without it being a turn-off for the general audience who don’t make those immediate connections, and who may have never heard of the characters.

Having watched all of these movies upon release, and then multiple times after, I have become inundated with the knowledge of things I didn’t think I would care about. But ever since Avengers: Age of Ultron, something has been lurking in my mind that I like to call ‘Marvel Fatigue’ (noun): Extreme tiredness caused by an excessive amount of Marvel movies, over, and over, and over.

So let’s discuss Captain Marvel.

Marvel Studios’ CAPTAIN MARVEL..Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

For those who manage to not stay into the know of every happening within the making of all of these movies, Captain Marvel takes place in the 90s. And if you didn’t know this before going into the movie, you’ll definitely know it by the end.

Don’t get me wrong, stylistically/culturally, the 90s is one of my favorite eras, so I’m ready for all the Nirvana and frosted tips you can give me. But I legitimately lost count of how many times the audience laughed at this movie for simply saying “Hey remember the 90’s? That was weird, huh!” It’s a minor gripe, sure, because it doesn’t really have much to do with the story, but it happened so many times it started to drive me crazy. I’m talking Blockbuster, Nine Inch Nails, Radio Shack, Payphones, Pagers, etc. all within the first act. To be fair, one could point out that the Guardians of the Galaxy films center on very late 70s and 80s culture. The difference is that Guardians is funny.

This feeling of being overcome with the same joke over and over again is how I feel with the MCU as whole. As of Marvel, I have seen 21 movies that all tie together with all of these very different characters. But the feeling of seeing new characters tie into a universe we already know things about can only last so long. The routine grows old eventually. Captain Marvel, to me, never seemed to find its place amongst these self-love reveals and the groan-worthy amount of 90s references.

Sure, I already mentioned people laughed, so obviously people managed to find it entertaining. That’s the point of all of the references. But it makes for lazy writing. Yeah, you can have a movie that just feeds off of audience members reacting positively to things they recognize, but if it needs all those references to survive, what will the lasting impact of the movie itself be? This was truly the Emoji Movie (or the Ralph Breaks the Internet) of the MCU: story aside, it thrived solely off of people recognizing the pieces of pop culture which it seemed to toss together into a collage of empty nostalgia.

Marvel Studios’ CAPTAIN MARVEL..L to R: Maria Rambeau (Lashana Lynch) and Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

Another glaring issue I had with Captain Marvel, was that it looks like it tried to be a ‘female empowerment’ movie. Whether or not this is what it actually was going for is something I may never know, but it’s certainly the impression I got from the trailers. Some parts of the movie still tried to be like this too, with random throwaway lines about how women can do anything. Which they can. But it definitely felt very very forced in this movie.

The Captain Marvel comics were not about female empowerment at all, at least from what the little research I have done after seeing the movie seems to indicate. Originally Mar-Vell is a man, and when, in 2012, the character of Carol Danvers (who we follow in the Marvel movie) takes over the role of Captain Marvel, it still is not about female empowerment. She simply takes over the mantle when Mar-Vell dies, because Captain America believes it’s what he would want.

My problem with this is that when 2016’s Wonder Woman came out, there was a sort of rallying cry around the empowerment aspects of it, because it was truly well done. While I still had other problems with Wonder Woman, I thought that arc they tried to convey really payed off. I think it’s pretty common knowledge that in the original comics, Wonder Woman is rubber-banded between being almost laughably stereotypical and being far superior to the men who hold her down. When the movie completely shatters all of those previous tropes, it comes across a lot stronger because it has a meaning behind it, and the story is almost directly linked to this point specifically.

When Captain Marvel attempts this, it feels as if executives saw the success of Wonder Woman, remembered they had a movie with a female lead in the works, and decided to try to replicate it when there wasn’t really anything there.

The last thing I’ll say about this issue was that in the end, shoe-horned in or not, the empowerment they tried to achieve wasn’t good at all. While I could easily say “Hey get yer darn feminist views out of my cool superhero movies!!”, the arc that was in the movie wasn’t even ‘feminist’ in any sense of the word. If Captain Marvel was played by a guy in this movie, the story could actually be exactly the same, because Danvers never battles any overpowering male force holding her back. In a way, it’s a human empowering story. She realizes that as a human, she can still be great, even if she thought she was something more.

I think it’s very okay to just have an ‘empowering’ movie. Not specifically female empowering, not specifically minority empowering. Both of those are obviously great, and super important. But I also think that a movie can just be empowering, and give anyone hope or a purpose or a voice or a way to see themselves on screen when they feel like they’re alone. Captain Marvel does a great job at this. But it does so after selling itself as something it is definitely not.

Marvel Studios’ CAPTAIN MARVEL..Goose ..Photo: Film Frame..©Marvel Studios 2019

So where do we stand? From what I’ve already written, it’s clear I didn’t like some major aspects of the story the way it was told – but did I like the movie or not? The answer is I really don’t know.

I think I appreciate what the movie tried to do; it tried to rewrite the book on how origin stories are told, by telling it How I Met Your Mother style. (She already has her powers, but where did they come from?) It tried to fill in what tiny gaps are left in the Avengers story we already know. It tried to serve as a lasting memorial to it’s infamous creator Stan Lee. But while I think it certainly did do some of those things, I also think that they alone did not justify it being a successful movie.

In a word, Captain Marvel was unmemorable – perhaps the worst fate for a movie that carries such importance. The 21st in a saga; the final film before a climactic ending 11 years in the making. And it was just forgettable. Captain Marvel was certainly an entertaining way to spend 2 hours. What $150+ million movie wouldn’t be? Visually it rivaled Guardians at some points. The performances were good, and Samuel L Jackson in particular was great as always. There were definitely some moments where I thought it was funny, or cool, or interesting, but not the whole thing. I could name any scene in Infinity War, or Ragnarok, or Doctor Strange, but walking out of Marvel – and still while writing this – I didn’t remember every character’s name.

So why? Why are those movies good and this one bad? Other than the issues with the story that I already pointed out – which already left a bad taste in my mouth, this one just felt bland. In a world where we already have an Infinity War, and even a Spider-Man: Into the Spiderverse, it’s hard for a Captain Marvel to truly leave a mark. If this was released before either of those, I think I would’ve let it slide as much as I let Ant-Man slide. But the release date of this turned it into the film-equivalent to eating dessert before dinner.

It should be noted that Marvel is not the first film in the MCU to leave this poor of a taste in my mouth. I think both Ant Man’s are boring, and I already joked about Thor earlier. It’s easy for a movie to just not be interesting at all when its sole purpose is to fit as a tiny piece into a much larger puzzle. Marvel Studios or Disney doesn’t need this movie to even be good because they know everyone is going to see it anyway. We have to do our homework and sit through the Marvels of the world so we get to enjoy the Avengers’. A film like Captain Marvel can often worsen the effects of Marvel Fatigue. The doctor recommendation is instead a healthy dose of Infinity War or Spiderverse.

Backstage Magic Tour – for the Disney Fan Who’s Seen it All

25 February 2019 by Suzannah Otis Leave a Comment

As a former cast member now married to a cast member of almost 30 years, we have between us amassed quite a bit of parks knowledge and history. I’ve been backstage at Walt Disney World more times than I can count, as a cast member, a guest of one, or during special events and tours. As excited as I was for the backstage tour I was about to experience, I was also a little jaded that it was probably “stuff I already knew.”

NOT JUST ANOTHER TOUR…

Within minutes of starting the Backstage Magic Tour, all of that (and any potential internal feelings of superiority) was thrown out the window. I took careful steps down the cement stairs, protective eye wear on my face, and looked to my right to see Mark Twain and Benjamin Franklin sitting together, mere inches from where I stood. I assure you, my safety glasses were not rose-colored!

Yes, I was now standing backstage at the American Adventure, something 8 year-old me would’ve sold her entire Barbie collection to experience. I even began to tear up a little thinking of my original, beloved EPCOT Center. I told one of our guides, Amber, that I thought I might cry. Without hesitation, she said “go ahead and cry, we understand, it’s really cool!” And it was then that I knew, I was going to love this tour. And I did.

Many of you may know that my day job is working at MEI & Mouse Fan Travel. I’ve been there for over 6 years, and along with many other fun hats I get to wear, I occasionally get to experience some amazing events. It’s a fun crossover from my blogging life where I’ve been sharing adventures like this for the past 10 years. This week I did just that as our agency got an invite to enjoy the 7 hour Backstage Magic Tour at Walt Disney World.

You’ve no doubt heard of the Keys to the Kingdom Tour at the Magic Kingdom, which is another 7 hour tour, but based solely within the Magic Kingdom. Keys to the Kingdom does go backstage but the Backstage Magic Tour is entirely facilitated by the Adventures by Disney team, and takes you out of the parks. You book the tour the same way, thru 407-WDW-TOUR (or having your Mouse Fan Travel agent book it for you when you book your next vacation package!).

In addition to walking through the famed Utilidor, the Backstage Magic Tour provides unprecedented access to areas of the Walt Disney World Resort usually reserved for Cast Members only.

Here are the highlights of the Backstage Magic Tour:

Epcot
Explore the inner workings of The American Adventure as we reveal the feats of engineering and artistry behind this inspiring Audio-Animatronics stage show.
Magic Kingdom Park
Become immersed in the story that started with Walt himself on Main Street, U.S.A.—navigate the “utilidor” tunnels, a network of underground passageways constructed beneath the theme park so Disney Cast Members and delivery vehicles can move around undetected.
Creative Costuming
Observe the talented professionals who design costumes for Character, show and parade performers.
Central Shops
Get up close with the artisans whose skill and craftsmanship make dreams come true all around the park—from the tiniest details to elaborate stage sets.
Disney’s Wilderness Lodge
Settle in for a delicious family-style barbeque lunch at Whispering Canyon Café—included with your tour.
Textile Services
Unfold an experience like no other within one of the world’s largest laundry facilities—complete with a unique photo opportunity!

TOUR DETAILS:

Disney was kind enough to invite MEI & Mouse Fan Travel out to experience this tour first hand. Not to sound dramatic, but it was life-changing. The 1970’s technology used to run the American Adventure show has aged well in its 37 years. In fact, they still use the same computers to run the show. I don’t want to give away too much of the process, since it was so impressive to me. I hope everyone can have that same jaw-dropping experience. Suffice it to say, the entire American Adventure portion of the tour was full of fun facts and history that any EPCOT Center fan will appreciate. Even I learned a new fact or two!

CREATIVE COSTUMING:

I thought the American Adventure section was my favorite, but then we arrived at Creative Costuming. I was again blown away by what goes on while we are riding rides and eating popcorn down the road. This location creates and updates costumes for all 12 Disney parks, Disney’s Aulani Resort, and Disney Cruise Line. We saw the entire costuming process from sketch and CAD design, to pattern, to construction and embellishment.

There are quite a few surprises within the Costuming building too. I’ll just say fans of the Great Movie Ride and the original Red Head will be very happy. There is so much history there – you’ll see a lot of old favorites and new designs. Creative Costuming did not disappoint.

TEXTILE SERVICES:

Another surprise winner on the tour was the Textile Services building. One of four on property, they are the 4 largest facilities of their kind in the nation. You might be thinking, “what could possibly be exciting about laundry?!” but just you wait…

When you see the largest track system in any theme park (think a laundry bag roller coaster) – machines washing 150lbs and drying 300lbs at a time – other machines pressing and folding. The end result of which is 2.5 million pounds of laundry washed and folded a week – you may change your mind! It is an impressive and efficient assembly line. You may not think about it, but it’s an extremely important part of the Walt Disney World Resort experience!

CENTRAL SHOPS:

The next part of our tour took us to Central Shops; the favorite of many guides for a reason. You just never know what you’re going to see when you step inside! Here at this backstage location is where ride vehicles, animatronics, props, and even trash cans receive maintenance, updates and refreshing. Sometimes it’s a quick fix or a coat of paint, but everything undergoes “cyclical maintenance” at certain intervals of time. This is when each ride vehicle, animatronic, etc, gets stripped down to its frame. Hardware is replaced, new paint or skins are applied. Whatever is required to appear as fresh as when it first appeared in the park, happens here.

Our guides shared (and we got to touch!) the different types of animatronic skins:

realistic silicone, which was really realistic feeling!
hot melt molds (which you see in older animatronics)
tougher plastisol – for animatronics exposed to harsh Florida weather conditions (blazing sun, daily rain, even hurricanes). Think Jungle Cruise animals.

We also saw several ride vehicles and parks items in various stages of maintenance, including:

Expedition Everest
Big Thunder Mountain Railroad
Space Mountain
Primeval Whirl
Pandora’s Flight of Passage “banshees”
Several animals from Jungle Cruise

Quite an eye-opening portion of the tour! Before we left, we were treated to an epic photo-op. The now-retired giant polar bear from the Maelstrom attraction in Epcot’s Norway pavilion was pretty exciting for this Maelstrom fangirl.

THE UTILIDOR:

We ended our day with a tour of parts of the underground (well, it’s at ground-level really) Utilidor beneath the streets of the Magic Kingdom. As a former Main Street, U.S.A. cast member, this was like going back home for me. It’s always exciting to see the bustling activity and efficiency under the kingdom. There have definitely been improvements since I walked to work this way back in 1995!

WHAT ABOUT FOOD?!

The halfway point of the tour is marked by lunch at Whispering Canyon Cafe. We enjoyed an all you care to eat skillet (any food allergies or special dietary needs are met as well). Lunch is a nice break, and a great way to get to know your fellow tour members and guides a little better. Snacks and water are available on the coach as you travel to each destination.

IS IT WORTH IT??

Our fabulous Adventures By Disney guides share stories, trivia, and tales of Walt Disney World history throughout the tour. Amber (mentioned at the start of this post) felt like an old friend by the time our tour was over. Part of the charm and enjoyment of this tour is hearing accurate stories of Disney past and present. Hearing the stories from cast members who clearly love their roles, and embody the ideals Walt would be proud of. It is a very full 7 hours, but the content makes the time fly by.

Unlike Keys to the Kingdom tour, guests aged 12 and up can experience Backstage Magic with a guardian 18+present. So if you have a budding Imagineer or Cast Member, you’ll be able to enjoy this tour with them too! I know when my youngest turns 12 in 2 years, we’ll definitely be going on this tour again.

Photos are not allowed backstage, but as you can see above, the guides take several fun photos along the way. You have instant access to download these photos at the end of the tour. You can then share your amazing experiences with your friends and family as soon as you get home!

TOUR UPDATE NEWS:

At the end of our tour, we were given some insider info, which Disney will be announcing this week. Starting June 1, the Backstage Magic Tour will experience two new changes! Lunch will now no longer be at Whispering Canyon, but rather Tiffins restaurant inside Disney’s Animal Kingdom park. Tiffins will make more sense, since the Textile Services tour will be replaced by a Rivers of Light backstage experience! We love the Rivers of Light show, so this is an exciting update! Now you have a choice! Book this tour in the next 3 months to see the mind-boggling Textile Services building (which will be inaccessible after June 1)…Or wait and experience the new parts of the tour? A tough choice – maybe both?!

HOW TO BOOK:

Contact your MEI & Mouse Fan Travel directly, to book the amazing Backstage Magic Tour with your next vacation package. Or, call 407-WDW-TOUR to book directly with Disney. The cost is $275 per person, but in my opinion, worth every cent! In addition to the 5-days-a-week Backstage Magic Tour, three more ABD-run tours are available to book:

Gardens of the World – during the Epcot International Flower & Garden Festival, in partnership with the Epcot Horticultural Department.
Yuletide Fantasy – behind the scenes of all it takes to create and display the holidays at Walt Disney World
Holiday D-Lights – an enchanting evening reveals some of the secrets behind the most special traditions at Walt Disney World

Have you experienced an Adventures by Disney or any Disney parks tour? We’d love to hear your thoughts in the comments below!

Disclaimer: Disney invited MEI-Travel to experience this tour at no cost, but my thoughts and opinions are our own.

REVIEW: Mary Poppins Returns to Warm Our Hearts

19 December 2018 by Suzannah Otis Leave a Comment

If you’d like my review in very shortened form, it is this – Mary Poppins Returns was a visual delight, I cried several times, and left the theater full of hope, joy, and love. Now, let’s dive in to the long version…

I have a problem. I love (most) all things Disney, but at the same time, I can be pretty critical (not necessarily publicly) about choices they may make either with the parks or movies etc. but it’s still Disney, it’s still a theme park, it’s still a movie. And I love those things. So I was a little worried about Mary Poppins Returns, because I LOVE Mary Poppins (and yes, I realize I am not unique in that love, it’s pretty universally well-loved and adored) and was worried about tampering with that practical-perfection. But as already stated, I loved it.

I am not going to post huge spoilers in my review below, but I am going to cover the already-revealed-in-trailers portions of the film, and a few other topics, and the movie’s out now, so go see it and then come back and discuss with me! Now, let’s begin!

A Love Letter to the Original Story

What I love about Mary Poppins, the original film, is that in 2018, it is not just a classic family movie. It is a time capsule of Walt Disney Company history. We hardcore Disney fans know all about the history of making that movie. The involvement and disapproval of P.L. Travers, Walt’s personal connection to the books with his daughters, and the fact that it was made during the golden age of the Walt Disney Studios, with some of the best players and names of the time. So when I watch Mary Poppins, I don’t just watch that story and hear those songs, I think about the Sherman Brothers composing the theme songs to our lives. I think about how people didn’t think Dick Van Dyke could do a Cockney accent, but he became one of the most beloved names in Disney history because of this film. I think about Walt strolling through the studio and watching it all unfold and adding his own touches to the story. I think about how I sang these songs to my children when they were babies, and how I have friends that do the same.

Adding to this story would be like saying, I know It’s a Wonderful Life ended perfectly, but what if we went back 20 years later when George and Mary Bailey were both dead and their kids are not doing so well…It definitely would be a story, but should it be told? That’s what I was worried about with Mary Poppins Returns. And honestly, I’m still not sure it needed to been done, but we could say that about most things these days. The way I came to terms with it is: you just have to know that the original existed, and leave it at the door. Mary Poppins Returns, while technically a sequel, is really more of an homage to the original, a love letter, a beautifully hand-written thank you card.

From the very first scene to the last, we are treated to an updated tribute to the original Mary Poppins. Both movies open with Bert/Jack setting the scene, followed in the original by Peter Ellenshaw matte paintings, and in Mary Poppins Returns, Ellenshaw-esque paintings to accompany the overture, giving us a hint as to what we are about to enjoy. The similarities don’t end there, with each song or story point almost mirroring the original, sometimes expanding and updating our Mary and how she would act.

Not My Mary!

At first I took some issue with this, as I thought “Mary Poppins would never sing about someone being “on the sauce” or dance that way!” But then I had time to reflect on it and came to this conclusion (whether it lines up with the intent is up to Rob Marshall I guess!): Mary Poppins is timeless, ageless. She’s always been elegant, yet could hang with the chimney sweeps as if they were kings. So when she returns, 20-some years later in the middle of “The Great Slump” or Great Depression, she isn’t the same Mary that appeared in Michael and Jane Banks’ nursery. She is a modern nanny equipped with modern clothes, mannerisms, and a catalog of songs and dances in keeping with the timeline in which she appears. So of course she is going to a music hall and able to sing in a variety act-like comedic-song-and-dance. It all made sense to me when I thought of it that way.

In addition, something that struck me the second time I saw the film before finishing up this review was how Mary Poppins herself was acutely aware of the passage of time, nostalgia, and how things may disappear, but are never really gone.

During the song “The Place Where Lost Things Go,” there were several times when Mary looked around the nursery or touched an original toy from when Jane and Michael slept there, and looked wistfully as if she realized that this song she was singing to comfort the children at the loss of their mother, was also a comfort to her, at the loss of the original Banks’ children being children. She has this look many other times throughout the film, when Michael says something particularly adult-like, or sounds like his father, seemingly missing or wishing he would remember the lessons she taught so long ago.

Emily Blunt is a marvelous Mary, and she could tell a story of a thousand words with just one look – I loved her. She sang beautifully as well, making repeat listens of the soundtrack something that will definitely happen.

Speaking of Music…

I really loved almost all of the songs from the movie. I found Michael’s melancholy song in the beginning to be one of the sweetest and most emotional, and of course when the children sang the Lost Things song back to him, it was a definite tear-jerker. One of the best decisions however, is how the orchestral parts in between scenes or songs are nods back to the original score and the Sherman Brothers classics we all know and love. Make sure you take note of that while watching, it really is lovely.

Again, when I first saw it, my initial reaction to some songs were, “oh, they’re just trying to make this be the ‘Step in Time’ of the movie!” and later, when I had my moments of realization and it all made sense, I thought, “Oh! They’re making this be the ‘Step in Time’ of the movie!” and I appreciated it all the more.

The only song I wasn’t super into is the only scene I wasn’t super into, which was the Meryl Streep/Cousin Topsy “Turning Turtle” song. I get that that was the “Ed Wynn” moment of the film, but it just seemed out of place and forced a bit. But they all learned a lesson, so that was good at least.

The over-the-top numbers were all perfectly over the top as they should be and grand and fun to watch and listen to. The slower songs served their purpose too and overall everything flowed together nicely (except “Turning Turtle“ :P)

It’s Today or Never, I Always Say

Much like the original Mary Poppins, this movie is chock-full of Mary-isms that will have you smiling and remembering what’s truly important in life; having fun, using your imagination, remembering that everything is possible, and to sit up straight because we are not sacks of flour!

I love the dynamic of Mary and the children in this film, because much like the original Banks children felt they didn’t need a nanny, these three have proven that they don’t, as you see right from the start they’ve been taking care of themselves and the family. But as Mary reminds them, they are children, they can have fun and still help the family.

One of the things even my 10 year old noticed when we saw the preview screening back in November, was that there are villains in this movie. And while we could say that in the original, the bank and even to an extent Father was a villain, in Mary Poppins Returns, there is a scene where the children are literally in danger from the villains of the film. Of course we are then left to wonder if it was real or just a dream, but the villains are there nonetheless. I think, much like Mary growing with the times, the storyline itself grew with it as well. Times were tough during The Great Slump, and it affected the Banks family in more ways than one. Their biggest problem wasn’t cleaning their rooms, but the fact that they lost their mother and were about to lose their house. Not exactly kids stuff. But Mary guides them through (the older Banks children too), and of course they are all the better for it.

I’m sure there are a million things I’m forgetting to say that I wanted to discuss, but that’s what edit buttons are for, right? Overall, I loved this film, even more the second time I saw it, as I thought I might. It is truly a feast for the eyes, ears and heart. I cried many times, but not because it was all sad (it was in places), but mostly because of the great nostalgia it stirred within me. I wasn’t born when Mary Poppins came out, and I don’t even remember when I first saw it, but over the years, it became a well-loved favorite and as mentioned at the start, a huge part of Walt Disney company history. Just seeing Dick Van Dyke on screen filled me with joy, as did Angela Lansbury. Ms. Lansbury was not in the original Mary Poppins of course, but was in Bedknobs and Broomsticks with David Tomlinson, and she is a Disney Legend. Seeing these two icons on screen was truly a gift to us all, as is Mary Poppins Returns.

Mary Poppins Returns is now open in theaters everywhere – go see it! I was invited to a pre-screening by the Walt Disney Company, but as always, my opinions and thoughts are my own.

Have you seen Mary Poppins Returns? What did you think? What was your favorite part and your favorite song?

REVIEW: Ralph Breaks The Internet…And A Lot of Other Stuff

19 November 2018 by Suzannah Otis 3 Comments

Let me preface this by saying I don’t think of this as a review that I’m writing. I usually say in my movie review posts that I’m no movie critic, so take all of this with a giant grain of salt. That said, I do like to think of myself as a critical thinker, sometimes…and thinking critically about Disney movies is about as scholarly as I get at this point in my life. Think of this more as a discussion of the movie, if we saw it together and talked about it on the way home from the theatre (because this is pretty much the conversation my husband and I had on the way home). I will also say, because I’m just going to discuss things, there probably will be spoilers. But really, there’s no “King Candy was Vanellope’s dad!” (he wasn’t – he was Turbo, remember?!) level of spoilers here, it’s pretty much the movie it portends to be in commercials, except for one part of the end, so be forewarned. If you want the kind of review that will say “It was great, go see it!” then you should probably head on over to some other blog now, I will not be offended.

I’ll just jump right in and say, I’m not really sure what I was expecting. I saw the preview at the D23 Expo in 2017, with the Disney Princesses scene, and the fact that Disney as a company allowed itself to be poked fun of in that way was refreshing. Honestly, that was my favorite part of the movie too. The problem I had with it, is that it just kind of went all over the place, with no real coherent story, or “moral” as the first movie had. I feel like the take away with Wreck it Ralph was that life is what you make of it, you can change your circumstances, it’s good to be bad, and winning is everything. Hmm, wait, I may be getting some of those wrong, but anyway…This new storyline, 6 years later (which they mention a LOT for some reason), has a very vague take away. Don’t be insecure? Don’t smother your friends? It’s okay to leave friends and responsibilities behind if you get bored in life. I dunno. I feel like my review is now also all over the place, but the point I’m trying to make is that the avenues they decided to go down in a movie that is supposed to be discovering and sharing all or parts of the internet today, could’ve been done a lot better. Or at least made more sense.

They touch briefly on the phenomenon that is “trending” and “getting likes” and how that is currency in today’s world. Then we momentarily learn about comments and how comments online are bad and you shouldn’t read them. I just felt that in today’s day and age when online bullying is still a thing and places like instagram are virtual breeding grounds for creating, fostering, and magnifying insecurities, fomo, and feeling “less than,” they fell short of actually making a statement about how bad that is and how it’s not reality. I have luckily not had my children affected by online bullying (that I know of), but I have seen a good mood turn into one of feeling like crap when my daughter just scrolls through instagram. I’ve certainly felt that myself. That’s a hard message to learn, as a child or an adult, that what you see online isn’t all there is to life – that joy doesn’t come from the likes you receive, the views you get, or the followers you have. On a personal level, I’ve definitely seen that what it takes to be “successful” in this online world is creating a brand and being that non-stop forever until you don’t really know where that ends and you begin. Sure, some have been able to balance it, but it is a harsh reality that some people may never find a way out of. Certainly I didn’t expect or need an animated documentary on the pitfalls of the internet in 2018 and how to combat them. I just thought more care could’ve been taken with a platform as large as this, about the downside of instant internet fame of today. That said, I guess the Disney synergy of countless online presences might prevent that message, since they want you to buy the things and wear the styles and eat the cute foods (or take photos of them anyway).

One of the other subplots was the concept of a virus; how a virus exposes an insecurity in a system and can destroy it from there. A very interesting way to explain that and make it have “real world” consequences. (And really, viruses are one of the easiest and most preventable dark sides of the internet – I mean, get virus software and don’t click on links you don’t know, ya know?) Translating it into a literal “insecurity” and showing the effects of insecurity on friendship and self-worth was a strange way to go, in my opinion. I guess the overarching message was, it’s okay to have friends with different interests, and just because they have other interests/friends, doesn’t mean they don’t like you. And that makes sense, that’s great. But it took a lonnnng time to get there, with a lot of random winding roads along the way (which I guess could be a metaphor for the never-ending distracting nature of the internet itself, but that would be a stretch…). At the end of the day, it had a lot of overlap from “Haha this is just characters from a game discovering new things” to “Wait, is this reality? Did a video game character just buy something on ebay? And did another video game character just leave her game never to return, cause she was bored?” I should know, however, from dealing with the Cars universe and Pixar, not to over-analyze things or read too much into things, or try to make logical sense out of an animated film primarily made for children.

Which brings me to my next point, I really don’t know if young kids will find this entertaining. There is quite a bit of waxing philosophical from the main characters and while I guess young kids could miss that and just think “haha that guy has big eyeballs and a funny name” or something, it just didn’t have the same entertainment value in my mind, and most kids aren’t going to make the connection from computer insecurity to human insecurity. I will definitely be interested to hear what my 10 year old thinks when he sees it.

Again, the Princesses part was funny, as a commentary on Disney characters as well as I guess a dig at millennials, when all the princesses get new “costumes.” Maybe just I saw it as a dig at all the “Disney instragram uniforms” you see in stylized photos with carefully placed branding. I am reaching the “get off my lawn” age of internet usage, so it could be that. I’d love to see Disney turn that scene into a series of shorts like they’ve done with the new Mickey Mouse cartoons. Any time a giant corporate entity can see the smart humor to be found within its own walls, that’s a good thing.

I also really enjoyed the post-credit scene as well, so stay tuned for that. It was cute (but I also expected it to end sooner than it did and really leave us hanging).

Overall, it was a fun but very very generic glossed-over look at the internet. Many internet horrors were of course not mentioned, as I wouldn’t expect in a family film, but I don’t know, maybe more of a warning about how you shouldn’t actually try to make a ton of money doing stupid things on video, and how that hard truth isn’t necessarily a good thing would’ve been wise to add. The fun innocence of the first film definitely lost its luster, which again, could be a metaphor for the real internet. I’m not sure it would be a multiple-viewing title in our house, which is our usual mark of success.

I’d love to know what you think! If you have seen Ralph Breaks the Internet, did you love it or agree with anything above? Let’s discuss!

Disclaimer: I attended a complimentary screening, but my opinions are (obviously) my own.

REVIEW: All the Buzz About Ant-Man and the Wasp

3 July 2018 by Suzannah Otis Leave a Comment

I will admit, I could watch Paul Rudd read the latest tax code updates and be totally content. I’m a fan. (And my husband reminds me of him as well, so I really lucked out there.) That said, I wasn’t super excited about the upcoming Ant-Man and the Wasp. It just didn’t look that intriguing to me, especially after the action-packed Thor: Ragnarok, Black Panther, and Avengers: Infinity War in recent months, this seemed like an afterthought. However, as usual, Marvel came through and made me eat my words. It was a fun romp, just the type of levity needed after the dare I say it, super depressing Infinity War ending. I’m sure many of us are still recovering after that killer ending (no pun intended). What AM&tW did was fill in the blanks and connect the dots to what was going on in the rest of the world while those last movies were happening, and also primed both Ant-Man, and the Wasp, to be a part of the continuing Avengers storylines.

I don’t want to give anything away, and this review will be spoiler-free, but I must say, I love how Marvel can just connect everything with a sentence or two, or even just one visual shot, and make you go “Ooooh, okay!” I’m not versed on the original comics, so I go in to all of these movies blind, but I am a nerd at heart, so I appreciate subtle links that lead to huge backstories and a wider universe of relationships and connections for our storylines.

Ant-Man and the Wasp does not disappoint with comedy and hi-jinx, heartwarming family ties, and a few jaw-dropping moments as well. I love that Ant-Man isn’t afraid to say what we all are thinking as an audience, “Are you guys just adding quantum before words now?” and isn’t afraid to be a “real guy.” We learn more about Scott Lang and his bad-guy-gone-good personality. We understand more about Hope van Dyne and her family, and how little we actually know of what else is out there in the universe.

I walked in not a huge fan of Hope, as I found her so reserved and not really endearing in Ant-Man, but this film does make strides in that department and she really is the yin to Scott Lang’s yang 😛 Other fun performances are from of course, Michael Peña as Luis, Randall Park as FBI Agent Woo, David Dastmalchian as Kurt, and Bobby Cannavale as Paxton, who picks right up where he left off in Ant-Man. I really enjoyed Laurence Fishburne’s Dr. Bill Foster, and hope this isn’t the last we see of him. Scott’s daughter Cassie, played by Abby Ryder Fortson is a breakout star of the film, as is the city of San Francisco itself, which I love. Another thing I like about this storyline is the fact that things don’t always go as planned with Ant-Man or his suit. They may not have access to perfect Wakandan or Stark-tech environments, but work with what they have, and figure out how to make it work and fight for what’s right.

Speaking of what’s right, there are many times when you wonder, what is right, who is right, and who is the bad guy or the good guy. I appreciate this element because it mimics real life and what you might think is the obvious “good guy” or “villain” just may not be the case. And of course, even the worst villain may be redeemable (e.g. Loki).

All in all, I now view Ant-Man and the Wasp as a necessary chapter in the Marvel Cinematic Universe and it has, of course, led me to want more, and get ready for Captain Marvel and upcoming Avengers (4 – to be named later), which really can’t come too soon. As always, stay for the 2 post credit scenes – the first is a MUST see, the second is lighthearted. The end credits themselves are also super fun, for all those Marvel fan boys and girls out there who wish they could run home and recreate the entire movie…with their action figures at home.

Ant-Man and the Wasp opens everywhere Friday, July 6 and is the perfect summer flick to see again and again! I’d love to hear your thoughts on Ant-Man and the Wasp. Who’s your favorite character? What are your MCU theories?! Share in the comments below!

REVIEW: Black Panther – the Movie We All Needed

15 February 2018 by Suzannah Otis Leave a Comment

Oh hi, Zannaland readers, readers, readers…hmm, bit of an echo. I’m prefacing this review with a touch of editorial mea culpa. I’ve been embarrassingly absent from my beloved site, focusing mostly on instagram to share my mini-blog posts and thoughts and pretty photos. In addition, I’ve been working full-time, as I’ve mentioned before, but I really shouldn’t use that as an excuse for neglecting this place. Before opening up this “Add New Post” page, I re-read my cathartic 2014 post The State of Zannaland (don’t read it now, it’s really long and we have a movie to discuss. But if you want later, feel free.) and I was shocked at how 4 years later, I could’ve written the same thoughts today. Basically, I get too busy to post, rely on the quick and easy places, then get down on myself and wonder if I should continue writing at all. It’s a vicious circle, which, as I read my own words expressing the same emotions years later, was a bit of a wake-up call. I’ll get into more of that in a future post. For now I’m just acknowledging that yes, I’ve neglected this place, and I’m really going to try my best at more writing and less neglecting. And now, Black Panther!

I am a Marvel fan. I’m not, however, a Marvel nerd, by which I mean, I don’t know all the backstories and original comics and what parts in the movies are canon vs. artistic interpretation – though I will admit to looking many things up in the Marvel Universe to better educate myself before and after movies because, let’s face it, there are some confusing storylines and characters out there. After watching Thor: Ragnarok in theatres, which I loved, I felt the need to re-watch Doctor Strange (and look stuff up online), because hey, Doctor Strange was in there and everything’s connected and wow…so yeah, that’s where I am on the scale of Marvel fangirl.

When I first saw a preview for Black Panther, I was IN. Actually, I was in when he appeared in Captain America: Civil War and as he first appeared and was trying to kill “the good guys” I thought “oh no please let him be a good guy I love him and want him to be a hero not a villain!” Which really, says a lot about heroes and villains because as Civil War pointed out, who’s to say what is on the side of “right” and the side of “wrong?” Sometimes there are various indistinguishable shades, and just as half the internet may see a dress as blue, the other half sees it as gold. And certainly in this real-world of political divisiveness, taking a knee, gun control, healthcare, taxes, and more, we often see people on both sides who believe without a doubt that they are fighting for what’s “right” and “good” even if, in our minds, they are completely wrong. Before I get into that, I will just say again, I was very excited to see trailers for the Black Panther full length film.

Now, dear reader, we come to a bit of a difficult point. I am, as most of you know, a suburban, white, middle-aged (gah that’s the first time I’ve admitted that one), wife and mom. The emotions I felt and the thoughts I have been trying to organize regarding this film, left me saying, “who am I, to have an opinion on this? Who am I to have a say in the themes presented on the screen? How can I rally in support of things I have had pretty much zero experience with in my real life? I don’t want to sound, as is so easy to do, like the person that says, ‘some of my best friends are (insert character descriptor here)!’ ‘Some of my favorite shows are Atlanta and Insecure!’ ‘I love Kendrick Lamar!’ or look like a bad YouTube video of someone trying desperately to be hip and relevant.” It’s awkward. It’s uncomfortable. My thoughts are my thoughts and my opinions and acceptances and loves are my own, but do they matter in a real-world environment of discrimination and brutality and defamation of character that by default I was born into the wrong side of? And then I realized, this is the point. This is the purpose. To feel uncomfortable. To get to that point where all you want to do is shout from the rooftops how amazing something is, even if you look like a fool for doing it, because it’s the right thing to do. To have the thoughts that make you question the way things are. To see the world from a different perspective. With discomfort comes growth. If we are comfortable with the way things always were, we will forever be living with the way things are vs. how they could be. So yes, here I am, a middle-aged (nope, still stings) white lady, discussing the film which is life-changing for many people of color and I’m just going to do it and it’s going to be a good time, I promise.

You may be starting to think, “Is this still a review for a Marvel super hero movie or did I accidentally click on a HuffPo link? It’s *just* a movie. A fun, action flick, not a commentary on the real world.” Yes, and the Princess and the Frog is just another animated cartoon. To many. To many more, it was the first time they got to go to a store and get a costume representing a character that looks like them. A princess that isn’t blonde with blue eyes with fair skin. A super hero that doesn’t look like he is a Viking god (sorry Thor). A friend of mine in the Disney community (I asked her permission to link to her 🙂 ) went with her sister and her nephew to DragonCon this past year, where he proudly dressed up as Black Panther. They took a group photo of all the Black Panthers there at the convention that day, and he was among all the other little guys looking like a mini army of Wakandan princes. And I teared up seeing the photos she shared because I felt just one tiny, miniscule, microscopic fragment of the pride of representation that they were feeling, and a big ol’ chunk of happiness. I don’t think I ever told her that, because, well, I felt dumb and again, like it wasn’t my place to celebrate that victory. That’s the thing with privilege, even if you don’t think you display it, seeing an instance where generations have gone without it, is very eye-opening. A little uncomfortable. And in that discomfort, you grow in understanding. This is not just an action movie.

Imagine a world, where a country was able to rely only on itself and its people, rich in resources, dependent on no one for trade, or benefits of any kind. Where your land and your people were not a place to be, in their terms: colonized, civilized, converted, saved – in our terms: exploited, suppressed, and oppressed. A place where your land, your people, your culture, your traditions, and your history was preserved, celebrated, venerated, expanded upon, magnified, glorified. This is more than just a list of adjectives, this is Wakanda.

In the Marvel universe, Wakanda is the richest nation in the world. Completely self-sufficient, it has never been colonized, and more than that, because of their great wealth and technological power, they have for the most part hidden themselves from the rest of the world. Why? Because they didn’t need us. To see the downtown city of Wakanda is to imagine our cities, if they weren’t built by people with no cultural traditions, no history to celebrate. I know that I’m painting the developed world with a very broad brush, but it’s true. You can’t celebrate traditions and history and tear it down to build the next biggest high rise full of multi-million dollar condos. You just can’t. We only see this downtown area briefly, but that is the “what if?” that struck me. How the modern was mixed with the traditional. You have a skyscraper with a thatched roof added on to the side or on top, because that is how your traditional buildings were built. The people of the different tribes of the country might wear the traditional attire and markings of their ancestors, or a modern suit paired with a lower lip plate and stretched earlobes. It is literally the best of both worlds, the past and the future living in cultural harmony and peace. I watched in awe and wished I could live in Wakanda. Sadly, this place is fictional, but it certainly makes you wonder, at least it did me, what if. What if centuries of colonization and conquering and oppression and yes, slavery, hadn’t taught the world how “progress” worked.

Now imagine our reality and the world we live in, with the struggles, and persecution, and keeping down of marginalized peoples. And as a marginalized person, you discover that Wakanda exists. Would you want to move there and live out your days? Or would you want to expose the overflowing resources and seemingly endless solutions to the problems the rest of the world faces, in hopes of creating a perfect world everywhere, at any cost? Therein lies the dilemma of Black Panther. Some of these same sentiments are felt by citizens of Wakanda as well. So the new king, T’Challa, must decide how he is going to rule. Will he save the world, or protect Wakanda?

That’s all I’m going to discuss in the way of plot details, I won’t spoil this for anyone because there were some great surprise moments in the film. I will say that Black Pantheris enjoyable from start to finish. From the sweeping Wakandan visuals, to the uber cool Black Panther tech, to the up to date(ish) pop culture references, it’s smart, funny, and everything you’d expect from a Marvel movie. With one token white guy. Martin Freeman is a great foil against the typical “token” character and I love how the movie embraces that, making us white folk squirm just a teensy bit, and doesn’t just pretend that isn’t a reality of the situation in this world.

The performances by all the actors were amazing. I loved the character development and the juxtaposition of the modern outside world against Wakanda’s isolated one. I loved the costumes – so many details. I can only imagine the amount of research that went into each tribe’s backstory, traditional garb and appearance. There is a whole Wakandan language that is spoken and written! The level of realism to create the country of Wakanda and all its history is a standalone success even without the acting, writing, backgrounds, and music too. And I loved the messages throughout the film. They are all important. It was wonderful to see strong (physically and emotionally) women represented on film without a second thought as well. This film on a whole is a great commentary on culture, traditions, rituals, and family; how even the mightiest of men can be flawed and, at the end of the day, we are our choices, so make good ones. And, it’s never too late to make up for the sins of the past and attempt to heal the damage done – and, to be open to new solutions.

So there you have it. My review, peppered with the lightest of social commentaries. I am not 100% sure I have expressed everything I wanted to express about Black Panther, but I am going to see the movie again tomorrow with my 17 year-old daughter, who is also dying to see it, so I may have more to add to this post. I look forward to hearing her perspective on it, as a member of the generation that has been a part of more social change and inclusion since perhaps the 60’s. Things like how the standard of beauty has done a 180 from a generation ago. The standard of human rights and representation is growing exponentially. We still have a long way to go, and I think we have seen recently that what has been the ‘norm’ cannot be the norm anymore. Change is afoot, and movies like Black Panther are the stepping stones to those changes.

Edited to add one more thing: IF I have, in fact, offended anyone, please – let me know. I tried to be completely open, honest, and transparent with some very important real world issues, but I completely understand if I have overstepped any bounds or if my tone did not come across as intended. I come in peace and love, and I hope that’s how it appears. I have had people I know tell me that they actually had no desire to see this movie, and when I asked why, they said (and I’m not making this up – I wish I was), “I’m just not a fan of the urban-ness of it all…” and that, my friends, is a very sad sentiment, which unfortunately is still all too common in 2018. So if anything, I wanted to show whoever did read this, that this IS an important and fun movie and if you can’t handle the “urban-ness” of a country full of peaceful, technologically advanced beyond anyone on the planet, and ridiculously rich citizens, then perhaps it’s time to move to a new galaxy.

WAKANDA FOREVER!

Like BLACK PANTHER on Facebook: https://www.facebook.com/BlackPantherMovie

Follow BLACK PANTHER on Twitter: https://twitter.com/theblackpanther

Follow Marvel Studios on Instagram: https://www.instagram.com/marvelstudios/

BLACK PANTHER arrives in theatres everywhere on February 16, 2018!

Something There That Wasn’t There Before: Beauty and the Beast 2017

17 March 2017 by Suzannah Otis 2 Comments

Like many others, I will admit to being afflicted with a bit of “live-action overkill” when it comes to Disney animated classics being “reborn” with live actors, or in the case of Jungle Book, an actor and a lot of computer animation. Disney has waved its magic wand to varying degrees of success when it comes to live-action reboots, and while some did indeed steal my heart (Cinderella), others, well, didn’t. So I approached Beauty and the Beast with great caution, having been such a fan of the original.

The animated Beauty and the Beast premiered a few weeks before my birthday the year I graduated high school. I had been obsessed with the story-line for years, having been entranced by fairy tales all my life, and watching the Ron Perlman / Linda Hamilton television show that wrapped up right before the animated film debuted. I was super into books and reading. I always felt out of place. Typical high school to just-out-of-high school emotions that made Belle such a relatable character. I suppose I should also note that at the time I was very into Phantom of the Opera too, so I kind of had a thing for “unlikely love interests,” I guess. This was also a great era for Disney Animation. Leaps and bounds were being made with technology, and the ballroom scene, quite hyped at the time, did not disappoint. My favorite bit of animation will always be how Belle tilts her head during her opening song, and a little piece of hair falls into her face. It made Belle so real, so perfectly imperfect. So in short, the film had a great impact on me, and I was a little bit worried that Disney was setting itself up to fall short by reinventing the wheel. Boy, was I surprised.

Beauty and the Beast delighted me from start to finish. It was a feast for the eyes and ears. I’ve been trying to put my thoughts into words since I saw a screening of the film on Tuesday, and now as it premieres tonight, I still find myself searching for the best way to convey just how wonderful it was. A thought that kept returning to me as I watched was how Walt Disney himself used to talk about “plussing,” of course referring to his creation of Disneyland park:

“I wanted something live, something that could grow, something I could keep plussing with ideas, you see? The park is that. Not only can I add things, but even the trees will keep growing; the thing will get more beautiful every year. And as I find what the public likes—and when a picture’s finished and I put it out—I find out what they like, or they don’t like, and I have to apply that to some other thing; I can’t change that picture, so that’s why I wanted that park.” — Walt Disney

Now, Walt may have been referring to Disneyland, and even noted that he can’t change a picture once it’s released, but future generations have proven it can be done, and done right, if you have the right folks involved. Something that made this production of Beauty and the Beast so special was the gift of two original production members: Don Hahn and Alan Menken, working to “plus” this version. Don Hahn, a producer of the original (among many other Disney films) returned as a producer. Alan Menken, who wrote the score of the original, working alongside the great lyricist Howard Ashman, had previously written new songs for the Broadway musical adaptation with Tim Rice. Menken wrote even more new music for the 2017 film, which he managed to weave in seamlessly to enhance the story we all knew and loved. Who better to retell the tale than those who gave so much to the original 1991 production?

Back to plussing, that was my overwhelming take away from this new Beauty and the Beast. The costumes, the sets, the characters and the music were all enhanced and improved upon. I realized, upon listening to the original songs, that most of what we learn about the characters within the animated feature is told to us, through narration or song. We learn that the Beast was a jerk and was punished for that. We hear that the townsfolk think Belle is weird because she reads. In the new film, we get backstory. Belle’s father Maurice isn’t just “crazy old Maurice, always good for a laugh,” he is an artist, who sacrificed the love of one for the safety of another. I really loved Maurice’s portrayal by Kevin Kline. I thought he was the perfect fit and we understand so much more through that performance. We see Belle’s mother, and where she came from. How did they end up in this poor provincial town? You’ll find out in the film. Why was Beast a jerk? You’ll find that out too. The character development is done really well and just enough to lend itself to the story without giving too many details or seeming implausible.

We still learn through song in this version too, with beautiful new music from Alan Menken. I daresay the new songs are my favorite part, with a couple of them causing me to shed a tear or two. “How Does a Moment Last Forever,” sung by Kevin Kline as Maurice is simple and poignant. “Days in the Sun” is a heartbreaking ballad sung by the enchanted castle residents and Belle. And “Evermore” is a show-stopping Broadway-worthy number sung by Beast as he lets Belle go free to help her father. These new songs, and additional lyrics from Howard Ashman that were cut from the original animated film, made me download the soundtrack the minute I left the theatre. The special effects, dance numbers, and sets that go along with many of these musical numbers are so rich and full of fun details, it really makes for a film you want to see again and again, which I think is the perfect tribute to the original.

As for the shocking news that LeFou is a gay character, it was truly much ado about nothing in my opinion. What I saw on screen was someone who had a huge love and admiration for Gaston as a person, and wanted both the best for him, and to be a part of that Gaston persona. But LeFou is also later confused when Gaston’s behavior doesn’t align with what he (or anyone with a heart) thinks is right. LeFou is not simply a bumbling sidekick in this version. He has evolving feelings of right and wrong. You can see him struggling to align his conscience with his adoration of Gaston, leading to an epiphany about Gaston’s personality (granted it takes a while, but he gets it). As for LeFou being gay, if anything, I’d say perhaps he’s bi-, or still just figuring it out. Which is just A-OK to feature in a Disney or any other film. Because, guess what? There are allllll different types of kids in the world, who become all different types of adults in the world, and wouldn’t it be great if all of them saw someone they could identify with on a big screen? Goodness knows I’d much rather have more LeFous in the world than more Gastons, and I’m sure I’m not alone there.

The other performances did not disappoint, even though I wasn’t initially convinced about Belle’s casting. Emma Watson won me over and became the perfect Belle. I also loved seeing the relationship of Lumière and Plumette, as well as the love between Garderobe and Cadenza. You truly felt for these humans-turned-home-décor-items and their interrupted lives. Don’t even get me started on Chip and Mrs. Potts. As a mom of two older teenagers and one 8 year-old boy, Chip just about killed me. But unless you’ve lived under a rock for the last 25 years, you know it all works out in the end. Oh, one last side note: I’ll take Belle’s flowered “Celebration dress” at the end over the yellow ballgown any day – it was simply stunning!

I left the theatre lifted up and galvanized, as if I’d just seen this tale for the first time (in forever), despite it being as old as time. What a triumph to successfully breathe life (literally) into a beloved story that seemed to hold no place for improvements. The love and veneration of the original is present in abundance. The fresh take and inspired additions show us something there that wasn’t there before, making it an instant classic, yet again.

Pinocchio On DVD and Blu-Ray

29 January 2017 by Suzannah Otis Leave a Comment

Pinocchio has always been one of my favorite Disney animated movies, because I instantly fell in love with both Jimminy Cricket and the Blue Fairy when I first saw it. It’s such a timeless classic, made even more enjoyable by the dark ride in Disneyland, and now, bonus features on its Signature Collection DVD and Blu-Ray release on January 31, 2017. It looks spectacular on Blu-Ray and the bonus features are such a special look behind the scenes with Walt himself, and a newly restored Oswald the Lucky Rabbit short! Read more about the release and features below:

“Pinocchio” is considered one of the greatest animated films ever made, with two Academy Awards® — for best original score and best original song “When You Wish Upon a Star” – and a rare 100% rating on Rotten Tomatoes. Now, it will delight a whole new generation of dreamers with its masterful animation, unforgettable characters and award-winning music.

The Walt Disney Signature Collection release includes hours of classic bonus material and exclusive features including a reinvented rendition of “When You Wish Upon a Star” created and performed by music influencers from Disney’s Maker Studios; never-before-seen artwork from the film’s Pleasure Island sequence; archival recordings of Walt himself during “Pinocchio” production; and a recently restored and scored 1927 short featuring Oswald the Lucky Rabbit.

“Pinocchio” tells the tale of wood-carver Geppetto’s beloved puppet who embarks on a thrilling quest – with faithful friend Jiminy Cricket – that tests his bravery, loyalty and honesty, all virtues he must learn to fulfill his heart’s desire: to become a real boy.

Bonus Features:

BLU-RAY, DIGITAL HD* & DISNEY MOVIES ANYWHERE:

Walt’s Story Meetings: Pleasure Island – The Pleasure Island scene in “Pinocchio” had much more development than what is seen in the film. Join Pixar’s Pete Docter and Disney historian and author J.B. Kaufman as they explore artwork recently discovered in Disney’s animation research library revealing some of the attractions, gags and games, which Disney animators created for this iconic location of the film, that never made it on screen.

In Walt’s Words – “Pinocchio” – Hear Walt himself discuss the making of “Pinocchio” through archival recordings and interviews.

The Pinocchio Project: “When You Wish Upon a Star” – Music influencers Alex G, Tanner Patrick and JR Aquino from Disney’s Maker Studios, a global leader in short-form videos, gather in a creative workspace to create their rendition of the film’s signature song, “When You Wish Upon a Star,” and produce a fresh new music video.

Oswald the Lucky Rabbit in “Poor Papa” – This recently restored and scored 1927 short features Oswald the Lucky Rabbit who gets multiple visits from the stork and is forced to attempt various methods to help stop the onslaught of baby deliveries.

Classic Bonus Features – These offerings from prior home entertainment releases include hours of bonus material, such as the making of “Pinocchio,” deleted scenes, sing-alongs, storyboards and theatrical trailers.

*Bonus features may vary by retailer

Pinocchio is out on Blu-Ray and DVD on January 31st, and out on Digital Download and Disney Movies Anywhere NOW! What’s your favorite memory of Pinocchio?