Movie Reviews

REVIEW: All the Buzz About Ant-Man and the Wasp

3 July 2018 by Suzannah Otis Leave a Comment

I will admit, I could watch Paul Rudd read the latest tax code updates and be totally content. I’m a fan. (And my husband reminds me of him as well, so I really lucked out there.) That said, I wasn’t super excited about the upcoming Ant-Man and the Wasp. It just didn’t look that intriguing to me, especially after the action-packed Thor: Ragnarok, Black Panther, and Avengers: Infinity War in recent months, this seemed like an afterthought. However, as usual, Marvel came through and made me eat my words. It was a fun romp, just the type of levity needed after the dare I say it, super depressing Infinity War ending. I’m sure many of us are still recovering after that killer ending (no pun intended). What AM&tW did was fill in the blanks and connect the dots to what was going on in the rest of the world while those last movies were happening, and also primed both Ant-Man, and the Wasp, to be a part of the continuing Avengers storylines.

I don’t want to give anything away, and this review will be spoiler-free, but I must say, I love how Marvel can just connect everything with a sentence or two, or even just one visual shot, and make you go “Ooooh, okay!” I’m not versed on the original comics, so I go in to all of these movies blind, but I am a nerd at heart, so I appreciate subtle links that lead to huge backstories and a wider universe of relationships and connections for our storylines.

Ant-Man and the Wasp does not disappoint with comedy and hi-jinx, heartwarming family ties, and a few jaw-dropping moments as well. I love that Ant-Man isn’t afraid to say what we all are thinking as an audience, “Are you guys just adding quantum before words now?” and isn’t afraid to be a “real guy.” We learn more about Scott Lang and his bad-guy-gone-good personality. We understand more about Hope van Dyne and her family, and how little we actually know of what else is out there in the universe.

I walked in not a huge fan of Hope, as I found her so reserved and not really endearing in Ant-Man, but this film does make strides in that department and she really is the yin to Scott Lang’s yang 😛 Other fun performances are from of course, Michael Peña as Luis, Randall Park as FBI Agent Woo, David Dastmalchian as Kurt, and Bobby Cannavale as Paxton, who picks right up where he left off in Ant-Man. I really enjoyed Laurence Fishburne’s Dr. Bill Foster, and hope this isn’t the last we see of him. Scott’s daughter Cassie, played by Abby Ryder Fortson is a breakout star of the film, as is the city of San Francisco itself, which I love. Another thing I like about this storyline is the fact that things don’t always go as planned with Ant-Man or his suit. They may not have access to perfect Wakandan or Stark-tech environments, but work with what they have, and figure out how to make it work and fight for what’s right.

Speaking of what’s right, there are many times when you wonder, what is right, who is right, and who is the bad guy or the good guy. I appreciate this element because it mimics real life and what you might think is the obvious “good guy” or “villain” just may not be the case. And of course, even the worst villain may be redeemable (e.g. Loki).

All in all, I now view Ant-Man and the Wasp as a necessary chapter in the Marvel Cinematic Universe and it has, of course, led me to want more, and get ready for Captain Marvel and upcoming Avengers (4 – to be named later), which really can’t come too soon. As always, stay for the 2 post credit scenes – the first is a MUST see, the second is lighthearted. The end credits themselves are also super fun, for all those Marvel fan boys and girls out there who wish they could run home and recreate the entire movie…with their action figures at home.

Ant-Man and the Wasp opens everywhere Friday, July 6 and is the perfect summer flick to see again and again! I’d love to hear your thoughts on Ant-Man and the Wasp. Who’s your favorite character? What are your MCU theories?! Share in the comments below!

REVIEW: Black Panther – the Movie We All Needed

15 February 2018 by Suzannah Otis Leave a Comment

Oh hi, Zannaland readers, readers, readers…hmm, bit of an echo. I’m prefacing this review with a touch of editorial mea culpa. I’ve been embarrassingly absent from my beloved site, focusing mostly on instagram to share my mini-blog posts and thoughts and pretty photos. In addition, I’ve been working full-time, as I’ve mentioned before, but I really shouldn’t use that as an excuse for neglecting this place. Before opening up this “Add New Post” page, I re-read my cathartic 2014 post The State of Zannaland (don’t read it now, it’s really long and we have a movie to discuss. But if you want later, feel free.) and I was shocked at how 4 years later, I could’ve written the same thoughts today. Basically, I get too busy to post, rely on the quick and easy places, then get down on myself and wonder if I should continue writing at all. It’s a vicious circle, which, as I read my own words expressing the same emotions years later, was a bit of a wake-up call. I’ll get into more of that in a future post. For now I’m just acknowledging that yes, I’ve neglected this place, and I’m really going to try my best at more writing and less neglecting. And now, Black Panther!

I am a Marvel fan. I’m not, however, a Marvel nerd, by which I mean, I don’t know all the backstories and original comics and what parts in the movies are canon vs. artistic interpretation – though I will admit to looking many things up in the Marvel Universe to better educate myself before and after movies because, let’s face it, there are some confusing storylines and characters out there. After watching Thor: Ragnarok in theatres, which I loved, I felt the need to re-watch Doctor Strange (and look stuff up online), because hey, Doctor Strange was in there and everything’s connected and wow…so yeah, that’s where I am on the scale of Marvel fangirl.

When I first saw a preview for Black Panther, I was IN. Actually, I was in when he appeared in Captain America: Civil War and as he first appeared and was trying to kill “the good guys” I thought “oh no please let him be a good guy I love him and want him to be a hero not a villain!” Which really, says a lot about heroes and villains because as Civil War pointed out, who’s to say what is on the side of “right” and the side of “wrong?” Sometimes there are various indistinguishable shades, and just as half the internet may see a dress as blue, the other half sees it as gold. And certainly in this real-world of political divisiveness, taking a knee, gun control, healthcare, taxes, and more, we often see people on both sides who believe without a doubt that they are fighting for what’s “right” and “good” even if, in our minds, they are completely wrong. Before I get into that, I will just say again, I was very excited to see trailers for the Black Panther full length film.

Now, dear reader, we come to a bit of a difficult point. I am, as most of you know, a suburban, white, middle-aged (gah that’s the first time I’ve admitted that one), wife and mom. The emotions I felt and the thoughts I have been trying to organize regarding this film, left me saying, “who am I, to have an opinion on this? Who am I to have a say in the themes presented on the screen? How can I rally in support of things I have had pretty much zero experience with in my real life? I don’t want to sound, as is so easy to do, like the person that says, ‘some of my best friends are (insert character descriptor here)!’ ‘Some of my favorite shows are Atlanta and Insecure!’ ‘I love Kendrick Lamar!’ or look like a bad YouTube video of someone trying desperately to be hip and relevant.” It’s awkward. It’s uncomfortable. My thoughts are my thoughts and my opinions and acceptances and loves are my own, but do they matter in a real-world environment of discrimination and brutality and defamation of character that by default I was born into the wrong side of? And then I realized, this is the point. This is the purpose. To feel uncomfortable. To get to that point where all you want to do is shout from the rooftops how amazing something is, even if you look like a fool for doing it, because it’s the right thing to do. To have the thoughts that make you question the way things are. To see the world from a different perspective. With discomfort comes growth. If we are comfortable with the way things always were, we will forever be living with the way things are vs. how they could be. So yes, here I am, a middle-aged (nope, still stings) white lady, discussing the film which is life-changing for many people of color and I’m just going to do it and it’s going to be a good time, I promise.

You may be starting to think, “Is this still a review for a Marvel super hero movie or did I accidentally click on a HuffPo link? It’s *just* a movie. A fun, action flick, not a commentary on the real world.” Yes, and the Princess and the Frog is just another animated cartoon. To many. To many more, it was the first time they got to go to a store and get a costume representing a character that looks like them. A princess that isn’t blonde with blue eyes with fair skin. A super hero that doesn’t look like he is a Viking god (sorry Thor). A friend of mine in the Disney community (I asked her permission to link to her 🙂 ) went with her sister and her nephew to DragonCon this past year, where he proudly dressed up as Black Panther. They took a group photo of all the Black Panthers there at the convention that day, and he was among all the other little guys looking like a mini army of Wakandan princes. And I teared up seeing the photos she shared because I felt just one tiny, miniscule, microscopic fragment of the pride of representation that they were feeling, and a big ol’ chunk of happiness. I don’t think I ever told her that, because, well, I felt dumb and again, like it wasn’t my place to celebrate that victory. That’s the thing with privilege, even if you don’t think you display it, seeing an instance where generations have gone without it, is very eye-opening. A little uncomfortable. And in that discomfort, you grow in understanding. This is not just an action movie.

Imagine a world, where a country was able to rely only on itself and its people, rich in resources, dependent on no one for trade, or benefits of any kind. Where your land and your people were not a place to be, in their terms: colonized, civilized, converted, saved – in our terms: exploited, suppressed, and oppressed. A place where your land, your people, your culture, your traditions, and your history was preserved, celebrated, venerated, expanded upon, magnified, glorified. This is more than just a list of adjectives, this is Wakanda.

In the Marvel universe, Wakanda is the richest nation in the world. Completely self-sufficient, it has never been colonized, and more than that, because of their great wealth and technological power, they have for the most part hidden themselves from the rest of the world. Why? Because they didn’t need us. To see the downtown city of Wakanda is to imagine our cities, if they weren’t built by people with no cultural traditions, no history to celebrate. I know that I’m painting the developed world with a very broad brush, but it’s true. You can’t celebrate traditions and history and tear it down to build the next biggest high rise full of multi-million dollar condos. You just can’t. We only see this downtown area briefly, but that is the “what if?” that struck me. How the modern was mixed with the traditional. You have a skyscraper with a thatched roof added on to the side or on top, because that is how your traditional buildings were built. The people of the different tribes of the country might wear the traditional attire and markings of their ancestors, or a modern suit paired with a lower lip plate and stretched earlobes. It is literally the best of both worlds, the past and the future living in cultural harmony and peace. I watched in awe and wished I could live in Wakanda. Sadly, this place is fictional, but it certainly makes you wonder, at least it did me, what if. What if centuries of colonization and conquering and oppression and yes, slavery, hadn’t taught the world how “progress” worked.

Now imagine our reality and the world we live in, with the struggles, and persecution, and keeping down of marginalized peoples. And as a marginalized person, you discover that Wakanda exists. Would you want to move there and live out your days? Or would you want to expose the overflowing resources and seemingly endless solutions to the problems the rest of the world faces, in hopes of creating a perfect world everywhere, at any cost? Therein lies the dilemma of Black Panther. Some of these same sentiments are felt by citizens of Wakanda as well. So the new king, T’Challa, must decide how he is going to rule. Will he save the world, or protect Wakanda?

That’s all I’m going to discuss in the way of plot details, I won’t spoil this for anyone because there were some great surprise moments in the film. I will say that Black Pantheris enjoyable from start to finish. From the sweeping Wakandan visuals, to the uber cool Black Panther tech, to the up to date(ish) pop culture references, it’s smart, funny, and everything you’d expect from a Marvel movie. With one token white guy. Martin Freeman is a great foil against the typical “token” character and I love how the movie embraces that, making us white folk squirm just a teensy bit, and doesn’t just pretend that isn’t a reality of the situation in this world.

The performances by all the actors were amazing. I loved the character development and the juxtaposition of the modern outside world against Wakanda’s isolated one. I loved the costumes – so many details. I can only imagine the amount of research that went into each tribe’s backstory, traditional garb and appearance. There is a whole Wakandan language that is spoken and written! The level of realism to create the country of Wakanda and all its history is a standalone success even without the acting, writing, backgrounds, and music too. And I loved the messages throughout the film. They are all important. It was wonderful to see strong (physically and emotionally) women represented on film without a second thought as well. This film on a whole is a great commentary on culture, traditions, rituals, and family; how even the mightiest of men can be flawed and, at the end of the day, we are our choices, so make good ones. And, it’s never too late to make up for the sins of the past and attempt to heal the damage done – and, to be open to new solutions.

So there you have it. My review, peppered with the lightest of social commentaries. I am not 100% sure I have expressed everything I wanted to express about Black Panther, but I am going to see the movie again tomorrow with my 17 year-old daughter, who is also dying to see it, so I may have more to add to this post. I look forward to hearing her perspective on it, as a member of the generation that has been a part of more social change and inclusion since perhaps the 60’s. Things like how the standard of beauty has done a 180 from a generation ago. The standard of human rights and representation is growing exponentially. We still have a long way to go, and I think we have seen recently that what has been the ‘norm’ cannot be the norm anymore. Change is afoot, and movies like Black Panther are the stepping stones to those changes.

Edited to add one more thing: IF I have, in fact, offended anyone, please – let me know. I tried to be completely open, honest, and transparent with some very important real world issues, but I completely understand if I have overstepped any bounds or if my tone did not come across as intended. I come in peace and love, and I hope that’s how it appears. I have had people I know tell me that they actually had no desire to see this movie, and when I asked why, they said (and I’m not making this up – I wish I was), “I’m just not a fan of the urban-ness of it all…” and that, my friends, is a very sad sentiment, which unfortunately is still all too common in 2018. So if anything, I wanted to show whoever did read this, that this IS an important and fun movie and if you can’t handle the “urban-ness” of a country full of peaceful, technologically advanced beyond anyone on the planet, and ridiculously rich citizens, then perhaps it’s time to move to a new galaxy.

WAKANDA FOREVER!

Like BLACK PANTHER on Facebook: https://www.facebook.com/BlackPantherMovie

Follow BLACK PANTHER on Twitter: https://twitter.com/theblackpanther

Follow Marvel Studios on Instagram: https://www.instagram.com/marvelstudios/

BLACK PANTHER arrives in theatres everywhere on February 16, 2018!

Something There That Wasn’t There Before: Beauty and the Beast 2017

17 March 2017 by Suzannah Otis 2 Comments

Like many others, I will admit to being afflicted with a bit of “live-action overkill” when it comes to Disney animated classics being “reborn” with live actors, or in the case of Jungle Book, an actor and a lot of computer animation. Disney has waved its magic wand to varying degrees of success when it comes to live-action reboots, and while some did indeed steal my heart (Cinderella), others, well, didn’t. So I approached Beauty and the Beast with great caution, having been such a fan of the original.

The animated Beauty and the Beast premiered a few weeks before my birthday the year I graduated high school. I had been obsessed with the story-line for years, having been entranced by fairy tales all my life, and watching the Ron Perlman / Linda Hamilton television show that wrapped up right before the animated film debuted. I was super into books and reading. I always felt out of place. Typical high school to just-out-of-high school emotions that made Belle such a relatable character. I suppose I should also note that at the time I was very into Phantom of the Opera too, so I kind of had a thing for “unlikely love interests,” I guess. This was also a great era for Disney Animation. Leaps and bounds were being made with technology, and the ballroom scene, quite hyped at the time, did not disappoint. My favorite bit of animation will always be how Belle tilts her head during her opening song, and a little piece of hair falls into her face. It made Belle so real, so perfectly imperfect. So in short, the film had a great impact on me, and I was a little bit worried that Disney was setting itself up to fall short by reinventing the wheel. Boy, was I surprised.

Beauty and the Beast delighted me from start to finish. It was a feast for the eyes and ears. I’ve been trying to put my thoughts into words since I saw a screening of the film on Tuesday, and now as it premieres tonight, I still find myself searching for the best way to convey just how wonderful it was. A thought that kept returning to me as I watched was how Walt Disney himself used to talk about “plussing,” of course referring to his creation of Disneyland park:

“I wanted something live, something that could grow, something I could keep plussing with ideas, you see? The park is that. Not only can I add things, but even the trees will keep growing; the thing will get more beautiful every year. And as I find what the public likes—and when a picture’s finished and I put it out—I find out what they like, or they don’t like, and I have to apply that to some other thing; I can’t change that picture, so that’s why I wanted that park.” — Walt Disney

Now, Walt may have been referring to Disneyland, and even noted that he can’t change a picture once it’s released, but future generations have proven it can be done, and done right, if you have the right folks involved. Something that made this production of Beauty and the Beast so special was the gift of two original production members: Don Hahn and Alan Menken, working to “plus” this version. Don Hahn, a producer of the original (among many other Disney films) returned as a producer. Alan Menken, who wrote the score of the original, working alongside the great lyricist Howard Ashman, had previously written new songs for the Broadway musical adaptation with Tim Rice. Menken wrote even more new music for the 2017 film, which he managed to weave in seamlessly to enhance the story we all knew and loved. Who better to retell the tale than those who gave so much to the original 1991 production?

Back to plussing, that was my overwhelming take away from this new Beauty and the Beast. The costumes, the sets, the characters and the music were all enhanced and improved upon. I realized, upon listening to the original songs, that most of what we learn about the characters within the animated feature is told to us, through narration or song. We learn that the Beast was a jerk and was punished for that. We hear that the townsfolk think Belle is weird because she reads. In the new film, we get backstory. Belle’s father Maurice isn’t just “crazy old Maurice, always good for a laugh,” he is an artist, who sacrificed the love of one for the safety of another. I really loved Maurice’s portrayal by Kevin Kline. I thought he was the perfect fit and we understand so much more through that performance. We see Belle’s mother, and where she came from. How did they end up in this poor provincial town? You’ll find out in the film. Why was Beast a jerk? You’ll find that out too. The character development is done really well and just enough to lend itself to the story without giving too many details or seeming implausible.

We still learn through song in this version too, with beautiful new music from Alan Menken. I daresay the new songs are my favorite part, with a couple of them causing me to shed a tear or two. “How Does a Moment Last Forever,” sung by Kevin Kline as Maurice is simple and poignant. “Days in the Sun” is a heartbreaking ballad sung by the enchanted castle residents and Belle. And “Evermore” is a show-stopping Broadway-worthy number sung by Beast as he lets Belle go free to help her father. These new songs, and additional lyrics from Howard Ashman that were cut from the original animated film, made me download the soundtrack the minute I left the theatre. The special effects, dance numbers, and sets that go along with many of these musical numbers are so rich and full of fun details, it really makes for a film you want to see again and again, which I think is the perfect tribute to the original.

As for the shocking news that LeFou is a gay character, it was truly much ado about nothing in my opinion. What I saw on screen was someone who had a huge love and admiration for Gaston as a person, and wanted both the best for him, and to be a part of that Gaston persona. But LeFou is also later confused when Gaston’s behavior doesn’t align with what he (or anyone with a heart) thinks is right. LeFou is not simply a bumbling sidekick in this version. He has evolving feelings of right and wrong. You can see him struggling to align his conscience with his adoration of Gaston, leading to an epiphany about Gaston’s personality (granted it takes a while, but he gets it). As for LeFou being gay, if anything, I’d say perhaps he’s bi-, or still just figuring it out. Which is just A-OK to feature in a Disney or any other film. Because, guess what? There are allllll different types of kids in the world, who become all different types of adults in the world, and wouldn’t it be great if all of them saw someone they could identify with on a big screen? Goodness knows I’d much rather have more LeFous in the world than more Gastons, and I’m sure I’m not alone there.

The other performances did not disappoint, even though I wasn’t initially convinced about Belle’s casting. Emma Watson won me over and became the perfect Belle. I also loved seeing the relationship of Lumière and Plumette, as well as the love between Garderobe and Cadenza. You truly felt for these humans-turned-home-décor-items and their interrupted lives. Don’t even get me started on Chip and Mrs. Potts. As a mom of two older teenagers and one 8 year-old boy, Chip just about killed me. But unless you’ve lived under a rock for the last 25 years, you know it all works out in the end. Oh, one last side note: I’ll take Belle’s flowered “Celebration dress” at the end over the yellow ballgown any day – it was simply stunning!

I left the theatre lifted up and galvanized, as if I’d just seen this tale for the first time (in forever), despite it being as old as time. What a triumph to successfully breathe life (literally) into a beloved story that seemed to hold no place for improvements. The love and veneration of the original is present in abundance. The fresh take and inspired additions show us something there that wasn’t there before, making it an instant classic, yet again.

Pinocchio On DVD and Blu-Ray

29 January 2017 by Suzannah Otis Leave a Comment

Pinocchio has always been one of my favorite Disney animated movies, because I instantly fell in love with both Jimminy Cricket and the Blue Fairy when I first saw it. It’s such a timeless classic, made even more enjoyable by the dark ride in Disneyland, and now, bonus features on its Signature Collection DVD and Blu-Ray release on January 31, 2017. It looks spectacular on Blu-Ray and the bonus features are such a special look behind the scenes with Walt himself, and a newly restored Oswald the Lucky Rabbit short! Read more about the release and features below:

“Pinocchio” is considered one of the greatest animated films ever made, with two Academy Awards® — for best original score and best original song “When You Wish Upon a Star” – and a rare 100% rating on Rotten Tomatoes. Now, it will delight a whole new generation of dreamers with its masterful animation, unforgettable characters and award-winning music.

The Walt Disney Signature Collection release includes hours of classic bonus material and exclusive features including a reinvented rendition of “When You Wish Upon a Star” created and performed by music influencers from Disney’s Maker Studios; never-before-seen artwork from the film’s Pleasure Island sequence; archival recordings of Walt himself during “Pinocchio” production; and a recently restored and scored 1927 short featuring Oswald the Lucky Rabbit.

“Pinocchio” tells the tale of wood-carver Geppetto’s beloved puppet who embarks on a thrilling quest – with faithful friend Jiminy Cricket – that tests his bravery, loyalty and honesty, all virtues he must learn to fulfill his heart’s desire: to become a real boy.

Bonus Features:

BLU-RAY, DIGITAL HD* & DISNEY MOVIES ANYWHERE:

Walt’s Story Meetings: Pleasure Island – The Pleasure Island scene in “Pinocchio” had much more development than what is seen in the film. Join Pixar’s Pete Docter and Disney historian and author J.B. Kaufman as they explore artwork recently discovered in Disney’s animation research library revealing some of the attractions, gags and games, which Disney animators created for this iconic location of the film, that never made it on screen.

In Walt’s Words – “Pinocchio” – Hear Walt himself discuss the making of “Pinocchio” through archival recordings and interviews.

The Pinocchio Project: “When You Wish Upon a Star” – Music influencers Alex G, Tanner Patrick and JR Aquino from Disney’s Maker Studios, a global leader in short-form videos, gather in a creative workspace to create their rendition of the film’s signature song, “When You Wish Upon a Star,” and produce a fresh new music video.

Oswald the Lucky Rabbit in “Poor Papa” – This recently restored and scored 1927 short features Oswald the Lucky Rabbit who gets multiple visits from the stork and is forced to attempt various methods to help stop the onslaught of baby deliveries.

Classic Bonus Features – These offerings from prior home entertainment releases include hours of bonus material, such as the making of “Pinocchio,” deleted scenes, sing-alongs, storyboards and theatrical trailers.

*Bonus features may vary by retailer

Pinocchio is out on Blu-Ray and DVD on January 31st, and out on Digital Download and Disney Movies Anywhere NOW! What’s your favorite memory of Pinocchio?

Captain America: Civil War – Bonus Features on Blu-ray and DVD

12 September 2016 by Suzannah Otis Leave a Comment

The latest installment in the MCU, or Marvel Cinematic Universe, Captain America: Civil War does not disappoint with traditional Marvel action and storyline twists. While I am not a super Marvel nerd and knowledgable on all the comic backstories, I almost like it better that way, so I can be still be surprised by the unfolding story on screen. I loved Civil War when it came out, and having it on Blu-ray was a must to add to our Marvel collection.

If you’re anything like me, the gag reels are the best part of having a dvd or Blu-ray, and this is no exception. Here’s a clip of some of the funnies you’ll find on the Civil War release:

Here is what else you can find in the bonus features –

More than 60-minutes of thrilling, exclusive bonus material includes: an inside look at the evolution of lead characters Steve Rogers and Tony Stark, a behind-the-scenes exclusive on the making of Marvel’s “Captain America: CivilWar,” never-before-seen deleted scenes and hilarious outtakes. Plus, home audiences can learn more about the latest additions to the MCU and get an exclusive, first look at Marvel’s “Doctor Strange,” starring Benedict Cumberbatch, coming to theaters Nov. 4, 2016.

Bonus features include:

DIGITAL HD/3D & BLU-RAY:

United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.

Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.

Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.

Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.

Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of “Captain America: Civil War.”

Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.

Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

We really loved this extensive look at Doctor Strange too – lots more info on this next MCU release! Pick up Captain America: Civil War when its released tomorrow on DVD and Blu-ray!

Jungle Book Swings onto DVD and Blu-ray

28 August 2016 by Suzannah Otis Leave a Comment

The Jungle Book live action film was one of my favorites this past year. I was suspect that it wouldn’t translate well to live-action, but it was absolutely beautiful. Neel Sethi as Mowgli is a perfect natural. To see behind the scenes how he had to perform without the benefit of all the other characters around him was even more amazing. The Jungle book comes out August 30 on Blu-ray and DVD and will be a wonderful addition to your collection.

Here are the bonus features on the disc:

Venture behind the scenes with in-depth bonus features that reveal the innovative filmmaking technology used to create the richly immersive jungle world and characters; Follow the journey of the film’s only on-screen actor, charismatic newcomer Neel Sethi (Mowgli); Delve into a candid and humorous scene-by-scene audio commentary with director Jon Favreau and meet the all-star voice cast who help bring the film’s colorful characters to life, as well as the musicians who accent the adventure with a majestic music score.

The all-star cast includes Bill Murray (“Lost in Translation”) as the voice of Baloo, Sir Ben Kingsley (“Learning to Drive,” “The Walk”) as Bagheera and Lupita Nyong’o (“12 Years a Slave,” “Star Wars: The Force Awakens”) as the voice of mother wolf Raksha. Scarlett Johansson (“Avengers: Age of Ultron”) gives life to Kaa, Giancarlo Esposito (“Breaking Bad”) provides the voice of alpha-male wolf Akela, Idris Elba (“Beast of No Nation”) roars as the voice of Shere Khan, and Christopher Walken (“The Deer Hunter”) lends his iconic voice to King Louie.

Bonus features include*:

BLU-RAY & DIGITAL HD:

“The Jungle Book” Reimagined – Favreau sits down with producer Brigham Taylor and visual effects supervisor Robert Legato to discuss “The Jungle Book” and reflect on the years they devoted to the reimagining of this timeless tale. Discover how Rudyard Kipling’s original stories and the classic animated film influenced their unique approach, witness the technical wizardry that enabled the team to create a believable and thrilling movie-going experience, and learn how they borrowed a page from Walt Disney’s innovation playbook to make it all happen. Lastly, meet the all-star voice cast who help bring the film’s colorful characters to life, as well as the musicians who accent the adventure with a majestic music score.

I Am Mowgli – Follow the extraordinary journey of 12-year-old Neel Sethi, who was selected from thousands of hopefuls worldwide to play Mowgli “alongside” some of today’s biggest movie stars. Get a glimpse of Neel’s life before Hollywood came calling, check out his audition that sealed the deal, and see how a close-working relationship with Favreau brought out his best. Plus, Neel shares how filming “The Jungle Book” was one wild ride, from working alongside imaginary animals to performing some super-fun stunts.

King Louie’s Temple: Layer by Layer – So, exactly how do you create a musical number featuring one man-cub, a massive, legendary ape and an army of wild and wily monkeys in the Seeonee jungle? Viewers are granted rare and unique access to the development of the “I Wan’na Be Like You” sequence in which King Louie attempts to coerce Mowgli into giving up Man’s deadly “red flower” (fire). A fast-moving musical progression reel showcases storyboards, animatics, Christopher Walken’s recording session and visual effects layers, which ultimately merge to form one of the film’s most memorable scenes.

Audio Commentary – Favreau delivers his scene-by-scene perspective on the live-action adventure “The Jungle Book” with all the candor and humor you’d expect from this multi-talented actor-writer-director-producer.

DVD

*Bonus features may vary by retailer

Note: The 3D version of The Jungle Book will be available later this year.

REVIEW: Zootopia is a Whole New World of Disney Animation

3 March 2016 by Suzannah Otis 1 Comment

I will admit it, when I first heard about and saw snippets about Zootopia, I wasn’t super excited. “Another movie about animals that can talk,what will make this one any different,” I thought. I then saw the sloth DMV scene at the D23 Expo, laughed, and thought it had some promise. I do love Jason Bateman, and hearing him as the voice of Nick Wilde for over an hour couldn’t be too bad, right? Once home from the D23 Expo over the summer, I kind of forgot about it until recently, when I was able to attend a screening. I had seen a few little promo pieces about it, and saw that they were trying to make the Zootopia universe relatable by changing common things we were used to with “Z” words (zoogle rather than google, zuber rather than uber, etc.) I was then worried that it would be too corny, trying too hard. But really, that’s only in the marketing. In the actual movie, I was relieved to see, the gags and puns are little rewards for keen-eyed observers.

As a side note, I’ve found, in recent years, Disney marketing does tend to go a little overboard on the jokes of site gags found within its animated films, as if trying to ensure these things catch on and “go viral.” While I totally understand this is a necessary evil of marketing on this scale, it’s no less annoying, to me personally, and really makes me wish I could just watch things sight un-seen and make my own judgments from there. But then again, I’m not a typical movie-going Disney fan. I don’t laugh at all the jokes I’m supposed to, and do tend to like more subtle attempts at both humor and any moral-of-the-story lessons. So, maybe it’s just me.

In any event, I was proven wrong in my pre-judgment of Zootopia. Very wrong. I loved it and I think it has the true distinction of being engaging and relatable to everyone and every age. In addition, the universe created for the film and the city of Zootopia is absolutely amazing and so infinitely detailed, I want to live in each of the distinct little areas of their world. The opening scene of the movie tells all the backstory you need to know about both our main character, Judy Hopps, and the world of Zootopia itself. The different neighborhoods are perfect homes for the various types of animals best suited to that environment; Sahara Square for desert animals, the Rain Forest District for those used to jungle environments, Tundratown for polar bears and other cold-weather animals, along with Bunnyburrow, where Judy is from, and Little Rodentia, for the tiniest mammals (the scenes in this area are among my favorite in the movie), while the downtown area Savanna Central, is a bustling city environment where animals from every climate and environment come together to work and live.

Judy Hopps is, at the end of the day, a glass half full kind of bunny. She is an eternal optimist, not only in life, but in her own self-confidence. Despite the motto of Zootopia being “where anyone can be anything,” there is a sort of unwritten rule that in certain situations (when bunnies want to become police officers for example), that isn’t really the case. Judy is determined to prove them wrong, and most importantly, prove to herself that she can be and do anything, and do it well. What follows when Judy does graduate as the first bunny from the police academy, is, at the heart of it all, a buddy comedy. I can actually picture the storyline of Zootopia (minus some animal-specific aspects) translating to a live-action film with humans rather than animals, and that’s perhaps the best compliment for the writing and strength of the plot.

Another major-yet-more-subtle subplot to the movie is the idea of prejudice, profiling of different types of people (or animals in this case). As mentioned above, the animals in Zootopia may claim to be evolved and accepting of all different types of species and allowing them to be anything they want, but there are several lines and situations within the film that directly correlate to our own real-world racial profiling and embarrassingly stereotypical actions – “other bunnies can call each other cute, but other animals can’t call a bunny cute” for example. This may go over the average kid’s head as a funny throw-away line, but adults watching know where it’s coming from, and if it sparks conversation among parents to their kids, all the better. In any event, I love when “kids movies” don’t pander to kids and leave modern and important themes out of the mix. It is possible to have a fun story, animated characters, and important life lessons in one film. Zootopia does that with ease.

I won’t drone on with (much) more analysis of plotlines and characters, but I will say (again) that I loved Zootopia, I loved the message that it tells, and how it tells it. There was not a princess in site, and there was absolutely no feeling of “oh, this is a female empowerment theme” because the whole point of the story is literally, anyone can do anything, and that they should, if they want to. That we shouldn’t judge others based on preconceived notions, and although someone may do something differently than us, it doesn’t mean it’s any less right or valid. And I loved that take-away. I took my 7 year-old son to the screening I saw, and I love that he was exposed to those messages probably without even realizing it. Judy Hopps failed a few times, but kept going, learning all along the way. Nick Wilde lived his life one way because he thought that’s how he had to, and learned that he could and should do more. I hope it sticks in his little sponge-like brain to – as pop sensation Gazelle (played by Shakira) sang in the movie – “Try Everything.”

This was a movie I instantly wanted to see again, and cannot wait till I can do just that. The animation itself is gorgeous, robust and detailed. The character acting is great too, Idris Elba as the Chief of Police is so fun to listen to, as is J.K. Simmons as the mayor, and Nate Torrence as the lovable police station cop, Clawhauser.

I’m excited for Zootopia to be released and have a presence in Disney parks. A meet and greet has already been announced for Disney California Adventure, and Judy and Nick will join the “Move It! Shake It! Dance & Play It!” Street Party at the Magic Kingdom in Walt Disney World, both happening this spring. My son has already asked for a Zootopia backpack and lunchbox, so that means the movie has reached Star Wars level approval ratings in our home.

I’d love to hear what you think if you see Zootopia this weekend!

Disclaimer: I attended a free screening of this film in order to write this review. As you can see, my thoughts and opinions are my own.

The Good Dinosaur Blu-Ray and DVD with 2 Hours of Bonus Features

22 February 2016 by Suzannah Otis Leave a Comment

On Tuesday, February 23, Disney Pixar’s The Good Dinosaur releases on Blu-Ray, DVD, and Digital HD and it will be packed full with 2+ hours of bonus features! Bonus Features include:

BONUS:

Digital HD*, Blu-ray Combo Pack & Disney Movies Anywhere (DMA)

THEATRICAL SHORT – Sanjay’s Super Team – Sanjay loves the world of cartoons and comics, while his father tries to draw him into his Hindu traditions. Reluctance quickly turns into awe-inspiring adventure as the boy embarks on an amazing journey, returning with a new perspective they can both embrace.

TRUE LIES ABOUT DINOSAURS – We know – it’s preposterous to think Apatosaurs spoke English. Learn more about what separates the fictional dinosaurs of “The Good Dinosaur“ from what scientists know about real dinosaurs.

RECYCLOSAURUS – Pixar takes creative competition seriously. Maybe a little too seriously. Watch as “The Good Dinosaur” crew competes to see which department can create the best dinosaur ever…using only discarded items from the studio’s “free table.”

THE FILMMAKERS’ JOURNEY – Finding your way from an idea to a film takes a lot of exploration. Director Peter Sohn and his fellow filmmakers talk about the challenging, inspiring, and unexpectedly emotional experience of making “The Good Dinosaur.”

EVERY PART OF THE DINOSAUR – The filmmakers talk about the special animation challenges of “The Good Dinosaur” – including figuring out how to animate a dinosaur who’s really a boy, and a boy who’s got the spirit of a dog.

FOLLOWING THE T-REX TRAIL – Follow the filmmakers as they travel to a working cattle ranch and meet the McKays, a close-knit family whose work ethic, generosity, and stories inspired the T-Rex ranchers of the film.

COMMENTARY – Commentary from director Peter Sohn, story supervisor Kelsey Mann, supervising animator Mike Venturini, director of photography/lighting Sharon Calahan, and supervising technical director Sanjay Bakshi.

DINO BITES – Montage of original animated pieces produced to promote “The Good Dinosaur.”

HIDE AND SEEK – A short animated clip produced to promote “The Good Dinosaur.”

DELETED SCENES:

The Attack – An idyllic introduction to the family farm is cut short when a savage predator attacks the newborn Arlo. With an introduction by Director Peter Sohn.

Building the Silo – An admiring Arlo is thrilled to follow along as his father builds a silo for the family farm. With an introduction by Director Peter Sohn.

Waiting for Poppa – Arlo awaits the return of his beloved father on a stormy night, only to be greeted with tragic news. With an introduction by Director Peter Sohn.

Blu-ray 3D & DVD:

THEATRICAL SHORT – Sanjay’s Super Team

Digital Exclusive:

JUST LISTEN – Trace the development of the unique soundscape of “The Good Dinosaur,” from the wilds of British Columbia as Sound Designer Craig Berkey collects sounds, to the recording studio where Jeff and Mychael Danna use instruments from around the world to create the music.

Lots of behind-the-scenes fun, which I know I always find interesting – both for the technical aspects of how the films are created, and the stories behind the story so to speak; how the writers and animators came up with the choices they made within the film. Pick it up Tuesday everywhere!

I missed reviewing The Good Dinosaur when it came out in theatres, because I was getting married at the time and getting to screen it just didn’t work out timing-wise. However, I did get to see it on our mini-honeymoon on the Disney Dream cruise ship (I love that you get to see first run movies on board!). I went into the film thinking I would cry uncontrollably, and it would become another Pixar-heart-wrenching-actually-more-like-heart-ripping-soul-gutting storyline that they are now famous for, where, parent or not, you are rendered a blubbering mess because of the storyline they’ve laid out in front of you. And yes, I did cry. Well, almost. My eyes welled up a bit. But that was it. Trust me, I was more shocked than anyone that I didn’t really care for the story…or the characters.

I’m not sure if it was the design of the dinosaurs, which seemed almost plastic or rubber in nature, or the strange side-stories with western “cow-rustling” dinos, or perhaps just Arlo’s personality…but whatever it was, it just didn’t win me over. I felt like there were a lot of mixed messages there, as a parent, from the dad – telling his son to “make his mark” despite him being miserable and not wanting to hurt (or be hurt) by other creatures, then having a sort of change of heart – only when he saw his son’s life was at risk. Maybe I’m over-analyzing, but as a mom, I just wasn’t a fan. And the personality that came out of that upbringing was a whiny, complainy, Arlo, who wasn’t much fun to watch. Of course, he learned to make his own way, and befriended Spot in the process, doing the right thing and making his own kind of mark.

In stark contrast to my dislike of the dinosaurs animation, was my love of the animated backgrounds. They were just breathtaking. A kind of homage to National Parks across the country, you could definitely see characteristics of many parks found within the film. I could watch the movie again and again because of that.

The world around them, nature and its power, became a character in itself, and again, that part I loved. As a side note, when I showed my 7 year-old the movie that had come in the mail for us to review, I asked if he wanted to watch it and he said no because he didn’t want to cry. So I guess it affected him, which in a way, I am happy about. You always wonder in this day and age, if your children are desensitized to the importance of family, so I was glad to see he was affected in that way. (And he is my son after all, and I cry at (almost) anything.)

What did you think of The Good Dinosaur? Is it one of your new favorites? Or did you have issues with it too? I’d love to hear from you below!

Disclaimer: I was provided with a Blu-Ray/DVD combo pack for review. My opinions (as you can see!) were not affected by this and my thoughts are my own.

First Teaser Trailer for Disney Pixar’s The Good Dinosaur

2 June 2015 by Suzannah Otis Leave a Comment

At the last D23 Expo, we were treated to the announcements of quite a few DisneyPixar projects, including Inside Out, which I’ll be screening tonight with full review to come, Finding Dory (not so much as excited about that one but we’ll see), and The Good Dinosaur.

The official synopsis of the Good Dinosaur from DisneyPixar is this:

“The Good Dinosaur” asks the question: What if the asteroid that forever changed life on Earth missed the planet completely and giant dinosaurs never became extinct? Pixar Animation Studios takes you on an epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.

A little more info, from the sneak peek we saw at the Expo…the line about “what if the asteroid missed?” is a brief but important opening to the story. Basically, the “what if” answer is that dinosaurs rule the world and humans do not. This particular dinosaur we’re following, Arlo, is part of a farming family, and he’s not happy. He wanders and finds a human, who he is initially afraid of and annoyed by. And that’s where our story truly begins. There has been some shake-up with this movie, originally directed by Bob Peterson, who left and was replaced by Peter Sohn, and the film was completely turned around and re-imagined according to Pixar. John Lithgow, who plays Arlo’s father said that he went back in and re-recorded all of his dialogue for the film! So perhaps the clip we were shown in 2013 is not the direction they went. Time will tell! In the meantime, enjoy the first official teaser trailer.

THE GOOD DINOSAUR opens in theatres everywhere on November 25th!

THE GOOD DINOSAUR concept art — “The Good Dinosaur” tells the story of Arlo, a lively Apatosaurus with a big heart who sets out on a remarkable journey, gaining an unlikely companion along the way—a human boy. Directed by Peter Sohn (“Partly Cloudy”) and produced by Denise Ream (“Cars 2”, “The Good Dinosaur” opens in theaters Nov. 25, 2015. ©2014 Disney•Pixar. All Rights Reserved.

REVIEW: Disney’s Live Action Cinderella Honors and Updates the Original Tale

13 March 2015 by Suzannah Otis 4 Comments

I’ve discussed before on this very site, that I was not super into princesses growing up. Unlike those born 10 or so years after me, Disney princesses were not as…well, everywhere as they are now, and have been for the last 20 years. Prior to the Walt Disney Animation Studios release of the The Little Mermaid in 1989, the last princess animated by Disney was Sleeping Beauty, released a whopping 30 years before. Cinderella was 9 years before that, and Snow White 13 years before that. So while Disney did become synonymous with retelling classic fairy tales and giving us beautiful princesses that graced his beloved Disneyland, there were many other stories Disney was telling as well, with someone or something with which everyone could identify.

With the new golden age of Disney animation that The Little Mermaid heralded, audiences were introduced to a new princess pretty much every year thereafter. Add to that the Disney marketing machine, and you have several new generations of children who grew up with Disney princesses surrounding them from birth onward. From clothing to toys to television shows and apps and books and sequels and characters in Disney parks, and on and on…the saturation of Disney princesses has reached deluge level. My point here is, it wasn’t quite like this when I was growing up. So while I do love most Disney princesses in my own way, I’m definitely not an obsessive fan girl about them, wanting to become one or resemble one, or anything else like that. I may or may not be alone in my princessy-overload sentiments, but I tell you all of this as a preface to my review so that you’re aware…I really wasn’t looking forward to another live-action treatment to another Disney princess. My fears and lack of anticipation for this new Cinderella were shockingly (to me) put to rest within the first moments of the film, and my love only grew as the story unfolded. If you want my very concise review: I loved it. If you’d like to hear what I loved and why, continue reading. I will warn you that I’m not going to edit my review around any sort of “spoilers.” This story has been around since the 1600’s – pretty sure there aren’t any spoilers left at this point. That said, if you want to go in to the film blind, feel free to close this out and wait until you’ve seen it, I won’t be offended. If you dare to read on, let’s go!

The story begins a little earlier than most versions of Cinderella. We aren’t just told or shown how kind and patient and generous Cinderella is, we learn why – which is because of the excellent examples set forth by her parents. Cinderella’s mother is someone we don’t usually get to see in this story, or Cinderella’s relationship with her parents. Their family is truly one of a fairy tale; her merchant father is gone for long periods of time, but always returns to the love and affection of his wife and daughter. His staff at their family manor is well cared-for and loyal. Seeing how her parents treat others, and having her mother foster her belief in fairies and magic, we learn why Cinderella has such a wonderful foundation to grow into her adult personality. That foundation is challenged with the death of her mother. One of her mother’s last bits of advice is for Cinderella to always have courage, and be kind. Cinderella takes these words to heart, not only to carry out her mother’s wishes, but because she truly believes the words. I didn’t view Cinderella as this sickeningly sweet goody-two-shoes, but as someone who was truly good, despite her trials and heartbreak – she does not let the bad things that happen to her define her – her goodness defines her, above all.

Another backstory we are treated to is that of Cinderella’s father’s reasons for marrying Lady Tremaine. We don’t get intimate details of that relationship, but I certainly had a better understanding of why he married into such a horrible family. We also learn that his first wife, Cinderella’s mother, is never far from his thoughts or heart. I appreciated this tiny subplot, as it made the next chapter of the tale believable. When her father passes away too, Cinderella’s trials begin as she is relegated to the sole cook, maid, and caretaker of her ridiculously vain and ill-treating step-sisters and step-mother. Sitting there watching, I was instantly affected thinking, we need more of this in the world. Kindness. Courage. We later learn a bit about why Lady Tremaine is the way she is, but it does not excuse the behavior.

Unlike past versions of Cinderella, in this film, Cinderella happens upon the prince on her own, without benefit of a fairy godmother’s makeover, just her true, unadorned self. And the prince falls head over heels for the person that Cinderella is. This is such an important distinction, that is revisited later in the story as well. As a child, I never thought, “oh, she gets made over by the fairy godmother and that’s the only reason the prince noticed her: her beauty.” But I can see how this is the message that was received for ages and generations, and it is of course, an unhealthy one. (And probably why I always prefer when the Disney princesses are portrayed in their “non-princess” attire.) Cinderella is a strong, independent woman when she meets the prince, and does not change herself or hold back when she speaks to him, all while remaining true to her character of kindness and courage. It’s so wonderfully refreshing to see.

This new twist leads up to another different aspect of the new Cinderella – the relationship between the prince and his father, the king. As a mother of two sons, I was thrilled, absolutely thrilled, to see the loving, caring, affectionate father/son relationship portrayed. As much as I loved Cinderella as a character, I was just overwhelmed by the choice to show this side to the king and prince. It is relatively unheard of to show a vulnerable father as a king, much less a prince who shows actual love and appreciation of his father. I just can’t praise this enough. I hope that more fathers and little boys actually see this film, so that the effects of this positive display can be felt.

Now I’d like to move on to one of my favorite parts of Cinderella – the transformation scene with the fairy godmother. This scene actually made me cry. Why? Well, I am unsure if it was intentionally done, or it’s just me grasping at a correlation or being overly emotional, but I’d like to think my thoughts are well-founded. When watching Marc Davis (the amazing animator and Disney Legend responsible for so many memorable animated characters, attractions and more), discuss his career, he is often quoted as sharing a story of when Walt Disney himself was asked what his favorite bit of animation was. Walt answered that it was the scene where Cinderella got her gown. Marc, ever humble and modest but also honored, smiles and admits how that was a pretty special moment for him, having been the one to animate that scene. The scene in the movie, in my mind, pays an incredible tribute to both Marc Davis’ work, and Walt Disney himself. It is overwhelmingly beautiful and combines just the right amount of special effects to look almost animated in some aspects. I was just overcome, watching that scene and thinking of the two men that brought Cinderella to life so many years before. Yes, I am fully aware that I am a sap. I’m tearing up again now just thinking about it. Anyway, whether it was a conscious nod to the original animated scene or not, it is beautiful, not in any way cheesy, and adds to the inherent enchantment of the film.

While on the subject of visuals, one of the stars of the film in every scene was the costumes. Many of the costumes seemed historically accurate, but what I loved was when there were very obvious departures from what was common during the time period of the story. Lady Tremaine had a decidedly 1940’s look to her style, with fitted, colored pieces in bright shades of green. The sisters had more of a 1950’s feel with colorful tops paired with full skirts. It was such a fun departure of the norm of these characters, and yet all the choices fit perfectly. There were of course obvious tributes to the original animated film, with the color of Cinderella’s gown, as well as her scullery maid outfit. Helena Bonham Carter’s Fairy Godmother was completely over the top and unique to this film, but I loved her portrayal – forgetful but not ditzy, and above all, wants what’s best of Cinderella. Make sure you stay through the credits to hear an old favorite song from our new Fairy Godmother.

Finally, just when I thought I couldn’t love the movie any more, the ending contained a scene which magnifies the message of the film tenfold. I’m paraphrasing here, but the main idea is that what took courage for Cinderella was to appear as herself again to the prince – no dazzling gown, no glass slippers or golden coach. Just her, as she is, living in an attic, covered in soot, talking to mice. I loved that pause for understanding and acknowledgement of where fairy tales go wrong. Real life is hard. People we love go away. Things we want may be out of reach. People may be cruel and hurtful. Remaining true to yourself, being a good and kind person through all of life’s trials, that’s what makes for fairy tale magic. We may not have our own fairy godmothers, but in this day of instant gratification and artificiality, patience, kindness, hard work, and courage through it all, are lessons we all need.

I could go on and on about what I loved from the movie, but these are the main points I wanted to relay. Kenneth Branagh and company have done an amazing job transforming this classic, while keeping its heart and updating its message. It is beautiful from start to finish and I hope you see and enjoy it as much as I did. Cinderella opens today in theatres and IMAX everywhere. I was given access to a press screening, but my opinions and thoughts are my own. I can’t wait to see Cinderella again!